迈克尔·弗里德的戏剧性和绘画实践

Q1 Arts and Humanities

Journal of Visual Art Practice Pub Date : 2023-01-02 DOI:10.1080/14702029.2023.2170849

B. Harland

{"title":"迈克尔·弗里德的戏剧性和绘画实践","authors":"B. Harland","doi":"10.1080/14702029.2023.2170849","DOIUrl":null,"url":null,"abstract":"ABSTRACT This article is the posthumous publication of a lecture given by the artist and academic Beth Harland (1964–2019). It was originally presented at a conference on Theatricality, at Lancaster University in 2017. This paper begins by working through the arguments of Michael Fried, to situate the key terms of theatricality and absorption, before then turning to contemporary painting practice (with notable reference to the work of Tomma Abts) to advance her reading of ‘an absorptive mode of address within contemporary painting’. This article also situates Harland's own art practice.","PeriodicalId":35077,"journal":{"name":"Journal of Visual Art Practice","volume":"65 1","pages":"47 - 59"},"PeriodicalIF":0.0000,"publicationDate":"2023-01-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Michael Fried’s theatricality and the practice of painting\",\"authors\":\"B. Harland\",\"doi\":\"10.1080/14702029.2023.2170849\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"ABSTRACT This article is the posthumous publication of a lecture given by the artist and academic Beth Harland (1964–2019). It was originally presented at a conference on Theatricality, at Lancaster University in 2017. This paper begins by working through the arguments of Michael Fried, to situate the key terms of theatricality and absorption, before then turning to contemporary painting practice (with notable reference to the work of Tomma Abts) to advance her reading of ‘an absorptive mode of address within contemporary painting’. This article also situates Harland's own art practice.\",\"PeriodicalId\":35077,\"journal\":{\"name\":\"Journal of Visual Art Practice\",\"volume\":\"65 1\",\"pages\":\"47 - 59\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2023-01-02\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Journal of Visual Art Practice\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1080/14702029.2023.2170849\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q1\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Journal of Visual Art Practice","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1080/14702029.2023.2170849","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q1","JCRName":"Arts and Humanities","Score":null,"Total":0}

引用次数: 0

摘要

本文是艺术家和学者贝丝·哈兰德(Beth Harland, 1964-2019)的一次演讲的遗作。它最初是在2017年兰开斯特大学的戏剧会议上提出的。本文首先通过Michael Fried的论点，定位戏剧和吸收的关键术语，然后转向当代绘画实践(值得注意的是Tomma Abts的工作)，以推进她对“当代绘画中的吸收模式”的阅读。这篇文章也将哈兰德自己的艺术实践置于其中。

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Michael Fried’s theatricality and the practice of painting

ABSTRACT This article is the posthumous publication of a lecture given by the artist and academic Beth Harland (1964–2019). It was originally presented at a conference on Theatricality, at Lancaster University in 2017. This paper begins by working through the arguments of Michael Fried, to situate the key terms of theatricality and absorption, before then turning to contemporary painting practice (with notable reference to the work of Tomma Abts) to advance her reading of ‘an absorptive mode of address within contemporary painting’. This article also situates Harland's own art practice.

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Journal of Visual Art Practice Arts and Humanities-Visual Arts and Performing Arts

CiteScore

0.80

自引率

0.00%

发文量

期刊介绍： The Journal of Visual Art Practice (JVAP) is a forum of debate and inquiry for research in art. JVAP is concerned with visual art practice including the social, economic, political and cultural frames within which the formal concerns of art and visual art practice are located. The journal is concerned with research engaged in these disciplines, and with the contested ideas of knowledge formed through that research. JVAP welcomes submissions that explore new theories of research and practice and work on the practical and educational impact of visual arts research. JVAP recognises the diversity of research in art and visual arts, and as such, we encourage contributions from scholarly and pure research, as well as developmental, applied and pedagogical research. In addition to established scholars, we welcome and are supportive of submissions from new contributors including doctoral researchers. We seek contributions engaged with, but not limited to, these themes: -Art, visual art and research into practitioners'' methods and methodologies -Art , visual art, big data, technology, and social change -Art, visual art, and urban planning -Art, visual art, ethics and the public sphere -Art, visual art, representations and translation -Art, visual art, and philosophy -Art, visual art, methods, histories and beliefs -Art, visual art, neuroscience and the social brain -Art, visual art, and economics -Art, visual art, politics and power -Art, visual art, vision and visuality -Art, visual art, and social practice -Art, visual art, and the methodology of arts based research