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Studies in Iconography最新文献

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Elizabeth S. Bolman, ed. The Red Monastery Church: Beauty and Asceticism in Upper Egypt 伊丽莎白S.博尔曼编:《红色修道院教堂:上埃及的美与禁欲主义》
Studies in Iconography Pub Date : 2022-01-01 DOI: 10.32773/onrj7942
Jesper Blid
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引用次数: 0
Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476 索尼娅德雷默。典故的艺术:阐释者与英国文学的形成，1403-1476
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/qpqm5602
William Kuskin
{"title":"Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476","authors":"William Kuskin","doi":"10.32773/qpqm5602","DOIUrl":"https://doi.org/10.32773/qpqm5602","url":null,"abstract":"Review of Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476, by William Kuskin","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"19 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70092447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Amy Neff. A Soul’s Journey: Franciscan Art, Theology, and Devotion in the “Supplicationes variae” 艾米·内夫。灵魂之旅:方济各会艺术、神学和“祈求变项”中的奉献
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/mdnz8765
Rebecca W. Corrie
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引用次数: 1
Cynthia Hahn. Passion Relics and the Medieval Imagination: Art, Architecture, and Society 辛西娅·哈恩。激情遗迹和中世纪的想象:艺术、建筑和社会
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/vnhg5309
E. Inglis
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引用次数: 0
Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up 贝琪Chunko-Dominguez。英国哥特式的悲惨的雕刻:从下到上的历史
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/tyuq9470
Christel Theunissen
{"title":"Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up","authors":"Christel Theunissen","doi":"10.32773/tyuq9470","DOIUrl":"https://doi.org/10.32773/tyuq9470","url":null,"abstract":"Review of Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up, by Christel Theunissen","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70092900","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Elizabeth Morrison, ed. Book of Beasts: The Bestiary in the Medieval World 伊丽莎白·莫里森主编，《野兽之书:中世纪世界的野兽寓言》
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/dhyk4008
Irène Fabry-Tehranchi
{"title":"Elizabeth Morrison, ed. Book of Beasts: The Bestiary in the Medieval World","authors":"Irène Fabry-Tehranchi","doi":"10.32773/dhyk4008","DOIUrl":"https://doi.org/10.32773/dhyk4008","url":null,"abstract":"Review of Elizabeth Morrison, ed. Book of Beasts: The Bestiary in the Medieval World by Irène Fabry-Tehranchi","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70091674","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Frame for a Sultan 苏丹的框架
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/eexr7455
Rossitza B. Schroeder
{"title":"Frame for a Sultan","authors":"Rossitza B. Schroeder","doi":"10.32773/eexr7455","DOIUrl":"https://doi.org/10.32773/eexr7455","url":null,"abstract":"This essay explores the iconography and significance of the painted frame in the 1480 portrait of the Ottoman sultan Mehmed II by the Venetian artist Gentile Bellini. The frame is lavishly polymorphous and functions as an encomium of sorts, a visual praise that sets the royal figure apart and propels it into the realm of the holy. The sultan internalized as well as institutionalized the distant, unapproachable persona of the late Byzantine emperors and, like them, retreated behind elaborate ceremonial and precious materials. Bellini responded to these circumstances and granted the sultan the status of semi-divine being while synthesizing Italian and Byzantine traditions of enshrinement of sacred images and matter.","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70091731","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library Legenda aurea (HM 3027) 艺术家和自治:亨廷顿图书馆照明器的书面说明和初步图纸(HM 3027)
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/gpsm8371
M. Easton
{"title":"Artists and Autonomy: Written Instructions and Preliminary Drawings for the Illuminator in the Huntington Library Legenda aurea (HM 3027)","authors":"M. Easton","doi":"10.32773/gpsm8371","DOIUrl":"https://doi.org/10.32773/gpsm8371","url":null,"abstract":"This essay will examine the presence of written instructions and preliminary drawings for the illuminator visible in the Huntington Library Legenda aurea, the oldest surviving extensively illuminated manuscript of the text in Latin. It is an excellent example of the collaborative nature of manuscript production in thirteenth-century Paris. What is particularly interesting is that there are a number of occasions where the miniatures deviate from the text, from the written instructions to the illuminator, and even from the preliminary sketches, which suggest that the artist had some agency in determining the iconography and appearance of the final images. I will discuss these deviations and the broader implications of some of these choices in terms of manuscript production, the status of the artist, and the ideological implications of some of the imagery.","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70092358","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Implicating Gaze in Bronzino’s Cosimo I de’ Medici as Orpheus and the Intellectual Culture of the Accademia Fiorentina Bronzino的《Cosimo I de ' Medici》中暗含的凝视与佛罗伦萨学院的知识文化
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/qgcr7110
Christine Zappella
{"title":"The Implicating Gaze in Bronzino’s Cosimo I de’ Medici as Orpheus and the Intellectual Culture of the Accademia Fiorentina","authors":"Christine Zappella","doi":"10.32773/qgcr7110","DOIUrl":"https://doi.org/10.32773/qgcr7110","url":null,"abstract":"The iconography of Bronzino’s sexually explicit Portrait of Cosimo I de’ Medici as Orpheus has long challenged scholars, especially since scientific analysis revealed below the portrait’s surface a fully conceived underpainting depicting a different moment from the story of Orpheus. First, I suggest that this change was associated with Cosimo’s military victory at the battle of Montemurlo, where the duke’s army finally extirpated his political opposition. Second, I contend that Cosimo’s nudity should be interpreted within the milieu of the Accademia Fiorentina, where the painting’s eroticism suggested to court literati that the duke had achieved the highest state of Platonic spirituality, known as “erotic furor.” Finally, I argue that although Bronzino’s Cosimo as Orpheus seemingly aggrandizes the duke, it is a polysemous image that former Republican, anti-ducal literati could likewise interpret as a scathing critique of the young ruler and an embodiment of the hope that political demise was close at hand.","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70092392","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“A Lanterne of Lyght to the People”: English Narrative Alabaster Images of John the Baptist in Their Visual, Religious, and Social Contexts “人民的光明之灯”:施洗约翰在视觉、宗教和社会背景下的英语叙事雪花石膏形象
Studies in Iconography Pub Date : 2021-01-01 DOI: 10.32773/mlbe2471
Kathryn Smith
{"title":"“A Lanterne of Lyght to the People”: English Narrative Alabaster Images of John the Baptist in Their Visual, Religious, and Social Contexts","authors":"Kathryn Smith","doi":"10.32773/mlbe2471","DOIUrl":"https://doi.org/10.32773/mlbe2471","url":null,"abstract":"English narrative alabaster reliefs depicting the public life and martyrdom of John the Baptist are a fascinating yet understudied corpus. The starting point of this essay and its place of return is a series of three fifteenth-century panels depicting Saint John the Baptist Before Herod Antipas, The Burial of Saint John the Baptist, and The Burning of Saint John the Baptist’s Bones and the Scattering of his Ashes. Once possibly part of an altarpiece made for export, the reliefs are now in The Victoria and Albert Museum. Drawing on a broad range of literary, liturgical, homiletic, folkloric, and artistic sources, the essay examines the multifaceted nature of late medieval devotion to John the Baptist, focusing in particular on the saint’s connection to women, fertility, and healing, and on the festal, celebratory dimensions of his cult. The essay concludes by offering a reading of the V&A reliefs in light of the popular beliefs and customs that would have informed the English alabaster carvers’ lived experience and speculates on the roles of lived experience and memory in the creation and reception of images.","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70092018","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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