{"title":"贝琪Chunko-Dominguez。英国哥特式的悲惨的雕刻:从下到上的历史","authors":"Christel Theunissen","doi":"10.32773/tyuq9470","DOIUrl":null,"url":null,"abstract":"Review of Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up, by Christel Theunissen","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"1 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up\",\"authors\":\"Christel Theunissen\",\"doi\":\"10.32773/tyuq9470\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Review of Betsy Chunko-Dominguez. English Gothic Misericord Carvings: History from the Bottom Up, by Christel Theunissen\",\"PeriodicalId\":35070,\"journal\":{\"name\":\"Studies in Iconography\",\"volume\":\"1 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Iconography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32773/tyuq9470\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Iconography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32773/tyuq9470","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
期刊介绍:
Studies in Iconography is an annual that contains original essays that study the visual culture of the period before 1600. Each volume includes an overview of scholarship on a topic of current interest, approached from an interdisciplinary and/or theoretical perspective; five to seven articles that often highlight interdisciplinary concerns; and six to ten in-depth reviews of important recent scholarly books, facsimiles, and catalogues. The editors expecially encourage essays that explore newer approaches developed in areas such as semiotics, cultural anthropology, gender studies, ideological critique, and social history as well as those that incorporate the perspectives of the new art history, the new historicism, and other histories of representation.