{"title":"索尼娅德雷默。典故的艺术:阐释者与英国文学的形成,1403-1476","authors":"William Kuskin","doi":"10.32773/qpqm5602","DOIUrl":null,"url":null,"abstract":"Review of Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476, by William Kuskin","PeriodicalId":35070,"journal":{"name":"Studies in Iconography","volume":"19 1","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476\",\"authors\":\"William Kuskin\",\"doi\":\"10.32773/qpqm5602\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Review of Sonja Drimmer. The Art of Allusion: Illuminators and the Making of English Literature, 1403–1476, by William Kuskin\",\"PeriodicalId\":35070,\"journal\":{\"name\":\"Studies in Iconography\",\"volume\":\"19 1\",\"pages\":\"\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2021-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Studies in Iconography\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.32773/qpqm5602\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q2\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Studies in Iconography","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.32773/qpqm5602","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q2","JCRName":"Arts and Humanities","Score":null,"Total":0}
期刊介绍:
Studies in Iconography is an annual that contains original essays that study the visual culture of the period before 1600. Each volume includes an overview of scholarship on a topic of current interest, approached from an interdisciplinary and/or theoretical perspective; five to seven articles that often highlight interdisciplinary concerns; and six to ten in-depth reviews of important recent scholarly books, facsimiles, and catalogues. The editors expecially encourage essays that explore newer approaches developed in areas such as semiotics, cultural anthropology, gender studies, ideological critique, and social history as well as those that incorporate the perspectives of the new art history, the new historicism, and other histories of representation.