Studia Rossica Posnaniensia最新文献_第8页

Введение 一.导言

Studia Rossica Posnaniensia Pub Date : 2022-06-26 DOI: 10.14746/strp.2022.47.1.2

Elisa Kriza, Michael Düring, Beata Waligórska-Olejniczak, Konrad Rachut

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Ироническое начало в фельетоне Киев-город Михаила Булгакова 基辅费列顿的讽刺开始-米哈伊尔·布尔加科夫的城市

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.9

Antoni Bortnowski

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Метафора systema digestorium в русском лингвокультурном пространстве 俄语语言文化空间中的系统文摘隐喻

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.18

Andrzej Narloch

{"title":"Метафора systema digestorium в русском лингвокультурном пространстве","authors":"Andrzej Narloch","doi":"10.14746/strp.2021.46.2.18","DOIUrl":"https://doi.org/10.14746/strp.2021.46.2.18","url":null,"abstract":"In recent years linguistic studies have laid great emphasis on the semantic side of linguistic expressions. The aim of this paper is to introduce and describe ‘systema digestorium’ viewed from the perspective of the conceptual metaphor in Russian. It describes the process of creating such metaphors based on the notions of source and target domains. From a linguistic point of view, an interest arises to answer the question of how the functioning of such an important organ as the digestive system is reflected in the conceptualization of the surrounding world. This issue is important because the metaphorization is based on the use of everyday human experience, reflecting processes known to all human kind, including those of a physiological nature. The research material was taken from the national corpus of the Russian language and a number of dictionaries. The figurative meaning of activities related to grinding, swallowing, digesting food, as well as excreting food debris became the object of the research. The basic identifiers are the verbs: to chew, to swallow, to digest, to defecate. Each stage of the digestive system has its own specificity and concentrates on specific parts in viewing the world. In addition, the metaphor ‘systema digestorium’ is often used in Russianlinguaculture to convey the expressiveness and originality of a language.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42738267","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Świat jako tranzyt. Poetyka przestrzeni w poezji Gizelli Lachman 世界是一个中转站。吉泽拉·拉赫曼诗歌中的空间诗学

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.2

J. Brzykcy

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„Перед зарей вас родила земля, погибнете вы раньше звезд вечерних”. Роман-памфлет Юрия Домбровского Обезьяна приходит за своим черепом “在黎明前，大地生下了你，你会比夜晚的星星先死。”尤里·多姆布罗夫斯基的小说《猴子》来取头骨

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.10

Monika Knurowska

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Пространства Марины Цветаевой 玛丽娜·茨维塔耶娃空间

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.3

Roman Voitekhovich

{"title":"Пространства Марины Цветаевой","authors":"Roman Voitekhovich","doi":"10.14746/strp.2021.46.2.3","DOIUrl":"https://doi.org/10.14746/strp.2021.46.2.3","url":null,"abstract":"The hallmarks of space in Tsvetaeva’s poetic world are vertical orientation, two-worldness (many-worldness), measurability, and “immensity”, often expressed by asymmetry. Tsvetaeva’s model of the double world is presented both in its pure form and in a multilayer one (the model of “matryoshka” according to Lotman) with a hierarchical vertical correlation of spaces. The vertical sets the plots, stylistics, system of characters, system of time and expectations of the reader. Tsvetaeva is a bright representative of irrational tendencies in art, which manifest themselves against the background of rational ones, through their violation. Thus, The Attempt of a Room (1926) builds on an imaginary effort to present a hexagonal box of a rendezvous, but fails. The last poem I Keep Repeating the First Verse… (1940) is a poetic reaction to the “mistake in counting”: there should be not six but seven souls at the table. In one of her poems, Tsvetaeva calls herself “one who has edited the miracle with numbers”. This formula aphoristically expresses the nature of creativity asfirst intuitive search, and then rational design. The mathematical calculation of the composition of her books is an analogue of the metric-stanzaic “frame” of her lyrics. In the given proportions she often uses a deliberate failure by one unit (for example, in the collection From Two Books she adds one extra poem, which was originally missing in these two books).","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45306173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Językowy obraz dźwięku (na materiale polsko- i rosyjskojęzycznych recenzji muzycznych) 语言声像（波兰和俄罗斯音乐评论材料）

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.17

Maria Dzienisiewicz

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„Die Moskauer Sonne scheint überall“. Die sowjetische Hauptstandt als Raum der Utopie in Das neue Moskau (1938) und Die Schweinepflegerin und der Hirt (1941) 莫斯科阳光普照1938年的新莫斯科，苏联的首都兼养猪和牧者(1941年)

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.4

Alexander Chertenko

{"title":"„Die Moskauer Sonne scheint überall“. Die sowjetische Hauptstandt als Raum der Utopie in Das neue Moskau (1938) und Die Schweinepflegerin und der Hirt (1941)","authors":"Alexander Chertenko","doi":"10.14746/strp.2021.46.2.4","DOIUrl":"https://doi.org/10.14746/strp.2021.46.2.4","url":null,"abstract":"Basing on Aleksandr Medvedkin’s New Moscow and Ivan Pyryev’s The Swineherd and the Shepherd, this case study analyses the way the “new” Moscow was represented as a space of realised utopia in the Soviet socialist realist films of the 1930s and at the beginning of the 1940s. Functioning as a supranational centre of the Soviet “affirmative action empire” (Terry Martin), the cinematographic Moscow casts off all constraints of ‘Russianness’ in order to become a pan-Soviet model which, both in its architecture and semantics, could epitomize the perfect city and the perfect state. The comparative analysis of both films demonstrates that, although both directors show Moscow through the lens of the so-called “spaces of celebration” (Mikhail Ryklin), ‘their’ Soviet capital does not compensate for the “traumas of the early phases of enforced urbanization”, as Ryklin supposed. Rather, it operates as a transformation machine whose impact pertains only to periphery and can be effective once the representatives of this periphery have left Moscow. The complex inclusion and exclusion mechanisms resulting from this logic turn the idealised Soviet capital into a space which only the guests from peripheral regions can perceive as utopian. The ensuing suppression ofthe inner perspectives on ‘utopian’ Moscow is interpreted here as a manifestation of the “cinematicunconscious”, which accounts for the anxieties of the inhabitants of the capital concerning both Stalinist terror and their own hegemony in a society haunted by the purges.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43258193","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Прагматическая функция интертекстем в веб-медиатекстах белорусских и российских интернет-СМИ 白俄罗斯和俄罗斯互联网媒体网络媒体的实用intertex函数

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.14

Alena Kalechyts

{"title":"Прагматическая функция интертекстем в веб-медиатекстах белорусских и российских интернет-СМИ","authors":"Alena Kalechyts","doi":"10.14746/strp.2021.46.2.14","DOIUrl":"https://doi.org/10.14746/strp.2021.46.2.14","url":null,"abstract":"The article discusses the features of the functioning of phraseological units and other stable combinations in the headings of the media texts of Belarusian and Russian online newspapers. We analyze the pragmatic function of intertexts and present them as pointers to certain types of speech acts. The intent of the addressee is the most important factor in creating a text. It is usually reflected, directly or indirectly, in every communication product. The main purpose of media texts (or a hint of it) is contained in headings, especially when they are intertextemes, various renewable speech units that we classify according to the types of speech acts: representatives, rogatives,directives, commissives, contactives, declarations and expressives. Such headings are best used to perform a pragmatic function because they retain an emotional and evaluation component that stimulates communication with the mass recipient. These stable units (phraseological locutions, winged expressions and aphorisms, paroemias and compound terms) comprise the background knowledge of the participants in communication and are therefore productive language tools used by journalists in their practice. And very often the intertextemes are transformed or updated. Employees of “BelGazeta” and “Rossiyskaya Gazeta” use both the general phraseological fund of Belarusians and Russians and the national language means in web media texts. The headlines of “BelGazeta” havea distinctive feature, as they mix graphic and lexical systems of different languages (Russian, Belarusian,English and, less frequently, Ukrainian). This fact can be explained, firstly, by the tendency to widely spread the features of the conversational speech of Belarusians, trasyanka, in book speech styles. And, secondly, by the address policy of the publication of the named newspaper, which is aimed at the mass Belarusian reader. Following the use of occasionalisms, updated stable expressions, we also call the above feature a specific method of influencing the addressee.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66621691","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Travelling to the described present: mago-space in the Strugatskys’ Monday starts on Saturday 前往所描述的现在：斯特鲁加茨基周一的mago空间从周六开始

Studia Rossica Posnaniensia Pub Date : 2021-10-14 DOI: 10.14746/strp.2021.46.2.7

Наталья Тулякова, Наталья Никитина

{"title":"Travelling to the described present: mago-space in the Strugatskys’ Monday starts on Saturday","authors":"Наталья Тулякова, Наталья Никитина","doi":"10.14746/strp.2021.46.2.7","DOIUrl":"https://doi.org/10.14746/strp.2021.46.2.7","url":null,"abstract":"Fantasy and science fiction genres extensively use imaginary settings and locations different from realistic ones but striving to look real. Arkady and Boris Strugatsky, pioneers of the science fiction genre in Russia, actively exploited the potential of both genres in their early tale, Monday starts on Saturday (1964), which combines features of the two space types. The present paper analyses the principles of creating ‘mago-space’ in the book. To do so, we look at the spatial organization of the events involved in the plot and the personages’ ideas regarding space. The research will enable us to clarify the role of space in conveying the authors’ message, which in this tale is quite explicit. We argue that the space changes significantly within the book, accompanying genre transformations and the development of the protagonist. Since the tale uses ‘mental sublocations’ as the main units of spatial organization, each part is determined by a certain type of cultural heritage. In the first part, it is the mental space of folklore and classical literature, in the second – that of mythology and science fiction, and in the final – philosophy and science. Mental spaces that coexist and follow various laws form a narrative which turns out to be a journey to the described present in the variety of its forms.","PeriodicalId":34286,"journal":{"name":"Studia Rossica Posnaniensia","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-10-14","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43461630","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0