Świat jako tranzyt. Poetyka przestrzeni w poezji Gizelli Lachman

J. Brzykcy
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引用次数: 0

Abstract

The article is an analysis of the poetry of Gisella Lachman (1895–1969), poet of the “first wave” of Russian emigration, from the perspective of the poetics of space. The poet expressed her emigration experience (multiple changes of residence: Russia, Germany, Switzerland, USA) in her poems in spatial relations. They appear on different levels of the works’ morphology: in the construction of the lyrical “I”, in the organisation of the presented world, in the repertoire of motifs and the selection of poetic lexis and genre forms. Space plays a literal role in Lachman’s poetry; it is a representation of extra-literary reality, seen subjectively. It is also subject to metaphorisation, becoming a tool for expressing philosophical content. The poet creates not only a spatial model of the world, but also a spatial model of human life, which she perceives as a transit on the road to eternity.
世界是一个中转站。吉泽拉·拉赫曼诗歌中的空间诗学
本文从空间诗学的角度对俄罗斯“第一波”移民诗人吉塞拉·拉赫曼(1895-1969)的诗歌进行了分析。诗人在空间关系诗中表达了自己的移民经历(多次迁居:俄罗斯、德国、瑞士、美国)。它们出现在作品形态的不同层面:在抒情“我”的构建中,在呈现世界的组织中,在主题库中,以及在诗歌词汇和体裁形式的选择中。空间在拉赫曼的诗歌中起着字面意义上的作用;它是对文学外现实的一种表现,是主观的。它也受到隐喻的影响,成为表达哲学内容的工具。诗人不仅创造了世界的空间模型,而且创造了人类生活的空间模型。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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36 weeks
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