发布求助
文献互助 智能选刊 最新文献

The Yearbook of Comparative Literature最新文献

筛选
英文 中文
Chamoiseau’s Literary Creolization: The Stylistic Potential of a Vernacular 查莫瓦索的文学克里奥尔化:白话的文体潜力
The Yearbook of Comparative Literature Pub Date : 2017-12-21 DOI: 10.3138/YCL.61.328
Mandy Mazur
{"title":"Chamoiseau’s Literary Creolization: The Stylistic Potential of a Vernacular","authors":"Mandy Mazur","doi":"10.3138/YCL.61.328","DOIUrl":"https://doi.org/10.3138/YCL.61.328","url":null,"abstract":"Abstract: In his novels and theoretical works, Martiniquan writer Édouard Glissant favors a process of creolization that entails a creative mixing of languages rather than a reinforcement of linguistic hierarchical binaries. For Glissant, creolization does not produce direct synthesis but resultants, a sort of polylingualism within. Patrick Chamoiseau, Glissant’s protégé, also seeks to bridge the gap between standard and nonstandard language through a stylized hybrid. Intended to be self-glossing, the work of Chamoiseau is infused with Creole in sophisticated, didactic ways so as not to alienate the uninitiated reader. In this way, Chamoiseau solicits readers’ active participation in his display of the literary beauty and inventiveness of Creole and, thus, ultimately portrays the vernacular not as an inferior form of speech or simply as other but rather as a language capable of being elevated above standard French. Moreover, Chamoiseau upends traditional methods of incorporating nonstandard language in literary texts by treating the standard form of language as if it were a dialect or patois. Not only does standard French appear in italics, but the intonations of stilted, conventional academic speak are typographically represented in a way that parodies pejorative, humorous representations of the vernacular and other forms of marginalized language. By focusing primarily on diglossic situations involving French and Creole in the works of Chamoiseau, this article explores the ways in which “creolization”—the stylistic representation of a nonstandard form of language—captures the becoming of all languages through its celebration of relational interactions and distinctiveness rather than isolation and hegemony.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"7 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126056907","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Response to Robert Alter, “Political Fiction” 对罗伯特·阿尔特《政治小说》的回应
The Yearbook of Comparative Literature Pub Date : 2017-12-21 DOI: 10.3138/YCL.61.315
M. Wood
{"title":"Response to Robert Alter, “Political Fiction”","authors":"M. Wood","doi":"10.3138/YCL.61.315","DOIUrl":"https://doi.org/10.3138/YCL.61.315","url":null,"abstract":"I’d like to pursue a connection that Robert Alter makes early in his lecture and use it to look at some of the implications of his argument and examples. It has to do with the kind of narrative commentary found in Stendhal and not in the David story, and that Alter thinks, surely rightly, is something that Stendhal “picked up from Fielding.” It is in one of those commentaries by Fielding, which Alter knows very well, since he wrote an excellent book on that author, that we get a remarkable comic anticipation of one of the governing ideas of his lecture: the idea that “the special purchase that fiction has on politics is through character.” I’m thinking of Fielding’s “praise of biography” in the chapter introducing Book III of Joseph Andrews. The jokes begin right away, since by “biography,” Fielding means novels: true stories about fictional people as distinct from fantasies about real countries, the sort of thing we usually call history. The latter set includes books with titles like, in Fielding’s instances, “the History of England, the History of France, of Spain, etc.” These historians, Fielding suggests, get the time and place right but almost everything else wrong. They","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"10 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132802099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Bakhtin and Gogol, or, The Question of Allegory and the Politics of Carnival 巴赫金和果戈理，或者，寓言问题和狂欢政治
The Yearbook of Comparative Literature Pub Date : 2017-12-21 DOI: 10.3138/YCL.61.130
Matthew D. Walker
{"title":"Bakhtin and Gogol, or, The Question of Allegory and the Politics of Carnival","authors":"Matthew D. Walker","doi":"10.3138/YCL.61.130","DOIUrl":"https://doi.org/10.3138/YCL.61.130","url":null,"abstract":"Abstract: The present article returns to Mikhail Bakhtin’s theory of carnival in order to reconsider the role that the nineteenth-century writer Nikolai Gogol plays for Bakhtin in that theory’s elaboration, from Bakhtin’s earliest writings on the subject in the late 1930s to the publication of his study of Rabelais in 1965 and the companion essay on Rabelais and Gogol in 1972. Whereas Bakhtin’s published works seem to present Gogol as an exemplary manifestation of carnival in the modern period, his notebooks point us toward a more negative reading of Gogol: as carnival’s nemesis—specifically, as the disorganizing intrusion of allegory into the allegedly organic and symbolic political order that carnival claims as its source and its strength.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122987276","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Political Fiction, Ancient and Modern: From David’s Court to Fabrice’s Charterhouse 政治小说，古今:从大卫的宫廷到法布里斯的查特豪斯
The Yearbook of Comparative Literature Pub Date : 2017-12-21 DOI: 10.3138/YCL.61.287
R. Alter
{"title":"Political Fiction, Ancient and Modern: From David’s Court to Fabrice’s Charterhouse","authors":"R. Alter","doi":"10.3138/YCL.61.287","DOIUrl":"https://doi.org/10.3138/YCL.61.287","url":null,"abstract":"I would like to begin with a brief autobiographical anecdote. In the late 1970s, through circumstances not entirely of my devising, I found myself working on two large projects separated from each other by nearly three thousand years—a critical biography of Stendhal and a book on biblical narrative. From time to time, I would ask myself whether I might be a little daft to be doing this, wondering whether there could be any conceivable connection between the two subjects. On the biblical side, because the David story is one of the greatest pieces of extended narrative in the Hebrew Bible, I drew many examples from it for my book. With the passage of time, it dawned on me that because the David story and Stendhal’s Charterhouse of Parma are two of the supremely knowing narratives about politics in our literary tradition, there might be connections between them, for all the obvious differences. Let me first note the most salient of those differences. The David story is told by a narrator who, like his counterparts elsewhere in the Bible, makes a point of keeping a very low profile, not commenting on the characters and events, allowing actions and dialogue to speak for themselves. Stendhal’s narrator, by contrast, offers a good deal of commentary on the characters and often seems virtually to chat with the reader—a procedure Stendhal may have picked up from Fielding, whom he passionately admired—as he sets almost everything in a worldly ironic perspective. The satiric outlook of Charterhouse generates moments of high comedy, a quality entirely absent from the urgently intense biblical story. In addition to these differences, Stendhal’s novel of 1838 is even more strongly attached to European romanticism than it is to the scintillating acerbic prose of eighteenth-century England and France that it emulates. Its","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"32 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121580584","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“Dialogue in Monologue”: Addressing Darwish in Hebrew "独白中的对话":用希伯来语称呼达尔维什
The Yearbook of Comparative Literature Pub Date : 2017-12-01 DOI: 10.3138/YCL.61.320
Yael Kenan
{"title":"“Dialogue in Monologue”: Addressing Darwish in Hebrew","authors":"Yael Kenan","doi":"10.3138/YCL.61.320","DOIUrl":"https://doi.org/10.3138/YCL.61.320","url":null,"abstract":"Abstract: Mahmoud Darwish is considered the national Palestinian poet, a symbol of the national struggle against the Israeli occupation. Sami Shalom Chetrit and Almog Behar, two prominent Israeli poets of Arab decent (Chetrit was born in Morocco; Behar’s family is from Iraq), have both written poems directed to Darwish in which they address both his vast poetic corpus and his public and political figure. Close reading these poetic addresses, I discuss Darwish’s own poetry as an intertext in these Hebrew poems, as well as the significance of writing about him and to him in Hebrew and in Israel, specifically by poets of Arab descent. Moreover, this discussion serves as an opportunity to read Hebrew and Arabic together, challenging the clear-cut national distinctions while still acknowledging their pervasiveness and the inevitable questions of power, as the poems do themselves.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"142 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114760478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Fictions of the Return 《归来的小说
The Yearbook of Comparative Literature Pub Date : 2017-12-01 DOI: 10.3138/YCL.61.218
Daniel Heller-Roazen
{"title":"Fictions of the Return","authors":"Daniel Heller-Roazen","doi":"10.3138/YCL.61.218","DOIUrl":"https://doi.org/10.3138/YCL.61.218","url":null,"abstract":"Abstract: This article presents a study of selected nineteenth- and early twentieth-century narratives in which men long missing return too late, fail to come home, or vanish in unexpected and sometimes unprecedented ways.","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"122 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115346115","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
“God is God”: Essay on the Violence of Tautological Propositions “上帝就是上帝”:论重言命题的暴力
The Yearbook of Comparative Literature Pub Date : 2017-12-01 DOI: 10.3138/YCL.61.203
S. Breton
{"title":"“God is God”: Essay on the Violence of Tautological Propositions","authors":"S. Breton","doi":"10.3138/YCL.61.203","DOIUrl":"https://doi.org/10.3138/YCL.61.203","url":null,"abstract":"The name Stanislas Breton (1912–2005) is probably not familiar to many US academics. A theologian and philosopher, he taught from 1970 to his retirement at the École normale supérieure in Paris. Breton was close to Althusser’s circle; some readers will recognize his name from Étienne Balibar’s references to the essay we translate below—or from references to Breton in the work of Michel de Certeau, Paul Ricoeur, and Barbara Cassin. (“‘Dieu est Dieu’” appears in a volume dedicated to Cassin and her family.)","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"58 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134263129","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
"This Globe, Full of Figures": Woolf's Comprehensive Economy 《这个充满人物的地球》:伍尔夫的综合经济
The Yearbook of Comparative Literature Pub Date : 2017-07-06 DOI: 10.3138/YCL.60.X.105
Judith A. Brown
{"title":"\"This Globe, Full of Figures\": Woolf's Comprehensive Economy","authors":"Judith A. Brown","doi":"10.3138/YCL.60.X.105","DOIUrl":"https://doi.org/10.3138/YCL.60.X.105","url":null,"abstract":"","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"36 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124899746","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The Allure of Money: Hollywood's Reconfiguration of Wall Street 《金钱的诱惑:好莱坞对华尔街的重塑
The Yearbook of Comparative Literature Pub Date : 2017-07-06 DOI: 10.3138/YCL.60.X.149
E. Bronfen
{"title":"The Allure of Money: Hollywood's Reconfiguration of Wall Street","authors":"E. Bronfen","doi":"10.3138/YCL.60.X.149","DOIUrl":"https://doi.org/10.3138/YCL.60.X.149","url":null,"abstract":"","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"54 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122949811","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cats (and Creditors) Do Not Exist 猫(和债权人)不存在
The Yearbook of Comparative Literature Pub Date : 2017-07-06 DOI: 10.3138/YCL.60.X.199
Christopher S. Wood
{"title":"Cats (and Creditors) Do Not Exist","authors":"Christopher S. Wood","doi":"10.3138/YCL.60.X.199","DOIUrl":"https://doi.org/10.3138/YCL.60.X.199","url":null,"abstract":"Literature is an unclosed transaction in the sense that one party, the reader, considers the work a gift outright and not a loan, that is, a provisional displacement of property which must one day be replaced.2 For this reason, literary debts are understood as chimerical obligations that need not be repaid. Plagiarism is theorized away as imitatio; successful creative performances redeem larceny. “Toute l’histoire des arts pourrait être envisagée sous l’aspect d’un jeu d’emprunts et de prêts--qui font moins problème que leur restitution--, un échange à distance où l’oubli ne joue pas moins son rôle que la mémoire et la vraie ou fausse reconnaissance.”3 Every debt, including the everyday monetary debt, becomes a literary debt as soon as it is understood as an unfinished transaction. The creditor wants to know one thing: when will the transaction be closed? Whereas the debtor may prefer to ask another question: does it really need to be closed?","PeriodicalId":342699,"journal":{"name":"The Yearbook of Comparative Literature","volume":"53 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2017-07-06","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114463172","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页 下一页 尾页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信