{"title":"Andrey Smirnov. 2013. Sound in Z: Experiments in Sound and Electronic Music in Early 20th-Century Russia","authors":"Thomas W. Patteson","doi":"10.7916/D8DN5NZM","DOIUrl":"https://doi.org/10.7916/D8DN5NZM","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"101 1","pages":"139-143"},"PeriodicalIF":0.0,"publicationDate":"2020-04-05","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49459881","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Ethnography, Sound Studies and the Black Atlantic","authors":"Michael E. Veal, W. Slaten","doi":"10.7916/D8FV040B","DOIUrl":"https://doi.org/10.7916/D8FV040B","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"1 1","pages":"21-36"},"PeriodicalIF":0.0,"publicationDate":"2020-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47199958","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Seeing and Hearing the Thinking Voice","authors":"Gayatri Gopinath","doi":"10.7916/D8-PQJ4-FB25","DOIUrl":"https://doi.org/10.7916/D8-PQJ4-FB25","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"102 1","pages":"243-245"},"PeriodicalIF":0.0,"publicationDate":"2020-04-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45293156","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Davies, J.Q. 2014. Romantic Anatomies of Performance . Berkeley: University Of California Press.","authors":"J. M. Pierce","doi":"10.7916/CM.V0I98.5339","DOIUrl":"https://doi.org/10.7916/CM.V0I98.5339","url":null,"abstract":"What might a broken clavicle, a urinating Frederic Chopin, the execution of parricides, and Sigismund Thalberg’s “third hand” all have in common? According to James Davies, these practices, accidents, and medical woes share nothing less than a concern for defining musical bodies. Romantic Anatomies of Performance offers a richly detailed history of hands, voices, and the music they made circa 1830. Travelling between London and Paris with the same alacrity as early nineteenth–century musicians, Davies marshals an impressive array of primary sources, including testimony by performers, composers, listeners, critics, and scientific researchers. By thickly describing the conflicts among participants in musical culture, Davies argues that music was itself as a site on which theories and practices of embodiment took shape. \u0000Davies’s scholarship contributes to several musicological sub–fields, most notably to the study of music and embodiment. Carolyn Abbate (2004) and Elisabeth Le Guin (2006) have trenchantly re–asserted the centrality of the body for musical experience. Moreover, they have shown how attention to performance’s materialities may generate musical knowledge of a type traditionally outside the purview of musicology. Davies is taking the next step in the study of music and body, as he brings a concern for embodiment to bear on nineteenth–century music in a new level of detail. Such a study is especially germane, as the musical practices cemented in the commercial centers of nineteenth–century Europe were arguably central to the formation of ideologies of modern art music more generally.","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"98 1","pages":"151-155"},"PeriodicalIF":0.0,"publicationDate":"2020-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49077722","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Mary I. Ingraham, Joseph K. So, and Roy Moodley, eds. 2016. Opera in a Multicultural World: Coloniality, Culture, Performance . New York: Routledge","authors":"Jane Forner","doi":"10.7916/D8-0BSC-R397","DOIUrl":"https://doi.org/10.7916/D8-0BSC-R397","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"102 1","pages":"273-280"},"PeriodicalIF":0.0,"publicationDate":"2020-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41755776","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Fink, Robert, Melinda Latour, and Zachary Wallmark (eds). 2018. The Relentless Pursuit of Tone . New York: Oxford University Press.","authors":"Megan L. Lavengood","doi":"10.7916/D8-PVVT-XR51","DOIUrl":"https://doi.org/10.7916/D8-PVVT-XR51","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"103 1","pages":"121-130"},"PeriodicalIF":0.0,"publicationDate":"2020-03-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45520277","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"African Afro-futurism: Allegories and Speculations","authors":"Gavin Steingo","doi":"10.7916/D8XS7CB1","DOIUrl":"https://doi.org/10.7916/D8XS7CB1","url":null,"abstract":"Like Brussels sprouts, humanism is good for you, nourishing, nurturing, soulwarming—and from Phyllis Wheatley to R. Kelly, present-day R&B is a perpetual fight for human status, a yearning for human rights, a struggle for inclusion within the human species. Allergic to cybersonic if not to sonic technology, mainstream American media—in its drive to banish alienation, and to recover a sense of the whole human being through belief systems that talk to the “real you”—compulsively deletes any intimation of an AfroDiasporic futurism, of a “webbed network” of computerhythms, machine mythology and conceptechnics which routes, reroutes and crisscrosses the Atlantic. This digital diaspora connecting the UK to the US, the Caribbean to Europe to Africa, is in Paul Gilroy’s definition a “rhizomorphic, fractal structure,” a “transcultural, international formation.” [...]","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"122 ","pages":"45-75"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41314506","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Marie Sumner Lott. 2015. The Social Worlds of Nineteenth-Century Chamber Music","authors":"V. Ivanova","doi":"10.7916/D8P575CM","DOIUrl":"https://doi.org/10.7916/D8P575CM","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"101 1","pages":"131-137"},"PeriodicalIF":0.0,"publicationDate":"2020-03-21","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43844260","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"David Brackett. 2016. Categorizing Sound: Genre and Twentieth-Century Popular Music . Berkeley: University of California Press","authors":"Thomas Johnson","doi":"10.7916/D8-6EA7-NJ31","DOIUrl":"https://doi.org/10.7916/D8-6EA7-NJ31","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"102 1","pages":"263-271"},"PeriodicalIF":0.0,"publicationDate":"2020-03-20","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41932791","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Wonder of Delays","authors":"Alexandra T. Vazquez","doi":"10.7916/D8-Y501-MV62","DOIUrl":"https://doi.org/10.7916/D8-Y501-MV62","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"102 1","pages":"239-241"},"PeriodicalIF":0.0,"publicationDate":"2020-03-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49197348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}