Current Musicology最新文献

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Telling Tales: A Survey of Narratological Approaches to Music 讲述故事:音乐叙事方法综述
Current Musicology Pub Date : 2018-01-01 DOI: 10.7916/D8-AHAN-J888
Russell Millard
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引用次数: 1
From Coups that Silence Ezan -s to Ezan -s that Silence Coups!: Sonic Resistance to the 2016 Turkish Military Coup 从沉默的政变到沉默的政变!:2016年土耳其军事政变的声波阻力
Current Musicology Pub Date : 2017-09-22 DOI: 10.7916/D86416NN
E. Koymen
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引用次数: 0
Milton Babbitt’s Glosses on American Jewish Identity 弥尔顿·巴比特的《美国犹太人身份注释》
Current Musicology Pub Date : 2017-09-22 DOI: 10.7916/D8Q546H0
Alison Maggart
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引用次数: 0
As Time Goes By: Car Radio and the Travel Experience in Twentieth-Century America 随着时间的流逝:车载收音机与二十世纪美国的旅行体验
Current Musicology Pub Date : 2017-09-22 DOI: 10.7916/D87387VC
Sarah Messbauer
{"title":"As Time Goes By: Car Radio and the Travel Experience in Twentieth-Century America","authors":"Sarah Messbauer","doi":"10.7916/D87387VC","DOIUrl":"https://doi.org/10.7916/D87387VC","url":null,"abstract":"In a May 1922 issue of The New York Herald, David Sarnoff, then director of the Radio Corporation of America, elicited shocked responses from readers when he predicted the eventual widespread use of commercial radios in a range of seemingly unlikely devices. “It is reasonable,” Sarnoff argued, “to expect [radio’s] eventual application to automobiles, trains, and in some cases, to individuals” (1922, 1). It was a bold statement, not only because of the relative newness of commercial car ownership, but also because America had not yet happened upon the golden age of radio. At the time of Sarnoff ’s declaration, radio was just beginning to make a place for itself in the homes of the American public, battling poor operating quality and problems with mass production. But in spite of the widespread skepticism levied toward Sarnoff ’s ideas, radios were introduced into automobiles by the end of the very same year. The first car radio, an option in the 1922 Chevrolet, was the Westinghouse Radio Sedan, a “$200 extravagance” with an antenna that covered the car’s entire roof, huge horn speakers, and batteries that filled the space under the front seat (Fisher 2007, 67). Describing these first years, broadcaster Frank A. Seitz vividly highlighted the pitfalls associated with the early models he himself was confronted with in 1931:","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"101 1","pages":"7-23"},"PeriodicalIF":0.0,"publicationDate":"2017-09-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45772427","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cosmopolitanism and Race in Percy Grainger’s American “Delius Campaign” 珀西·格兰杰美国“德留斯运动”中的世界主义与种族
Current Musicology Pub Date : 2017-09-22 DOI: 10.7916/D8ZK70KV
Sarah Kirby
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引用次数: 1
Music Analysis and the Social Life of Jazz Recordings 爵士乐唱片的音乐分析和社会生活
Current Musicology Pub Date : 2017-04-13 DOI: 10.7916/D8T72G47
M. Butterfield
{"title":"Music Analysis and the Social Life of Jazz Recordings","authors":"M. Butterfield","doi":"10.7916/D8T72G47","DOIUrl":"https://doi.org/10.7916/D8T72G47","url":null,"abstract":"Recorded music long ago relieved us of the hard labor of performing what we wanted to hear. It relieved us of the necessity of going to a concert hall. And now it has even relieved us of any need to listen. In the sound tracking of America-in the constantly segueing fragments that fill our public and private spaces-music is merely the inescapable background, the relentless mood-setter, the arbiter and signal of proper behavior. -J. Bottum","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"1 1","pages":"324-352"},"PeriodicalIF":0.0,"publicationDate":"2017-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41622716","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking 注意音乐的变化:德勒兹式和瓜达式的音乐人种学研究方法
Current Musicology Pub Date : 2017-04-04 DOI: 10.7916/D8M34CKB
Pirkko Moisala, Taru Leppänen, Milla Tiainen, Hanna Väätäinen
{"title":"Noticing Musical Becomings: Deleuzian and Guattarian Approaches to Ethnographic Studies of Musicking","authors":"Pirkko Moisala, Taru Leppänen, Milla Tiainen, Hanna Väätäinen","doi":"10.7916/D8M34CKB","DOIUrl":"https://doi.org/10.7916/D8M34CKB","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"98 1","pages":"71-93"},"PeriodicalIF":0.0,"publicationDate":"2017-04-04","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41363633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press 罗兰·梶川,2015。说唱歌曲中的种族声音。奥克兰:加州大学出版社
Current Musicology Pub Date : 2017-03-22 DOI: 10.7916/D80K3SGT
Tracy M McMullen
{"title":"Kajikawa, Loren. 2015. Sounding Race in Rap Songs. Oakland: University of California Press","authors":"Tracy M McMullen","doi":"10.7916/D80K3SGT","DOIUrl":"https://doi.org/10.7916/D80K3SGT","url":null,"abstract":"","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"1 1","pages":"141-152"},"PeriodicalIF":0.0,"publicationDate":"2017-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41450886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production 走向共产意识的断裂:健全的研究与知识生产的政治
Current Musicology Pub Date : 2017-03-22 DOI: 10.7916/D8Q82X1P
Roshanak Kheshti
{"title":"Toward A Rupture in the Sensus Communis: On Sound Studies and the Politics of Knowledge Production","authors":"Roshanak Kheshti","doi":"10.7916/D8Q82X1P","DOIUrl":"https://doi.org/10.7916/D8Q82X1P","url":null,"abstract":"In Christine Sun Kim, a film by Todd Selby, we follow the performance artist from her apartment to a busy street corner in New York’s Chinatown where she records a soundscape, jots down some notes and ruminates on the project to which the film gives us a behind-the-scenes view.1 Cut to a scene of loud rustling and various shimmering and colorfully dusty materials dancing on a speaker cone as Kim blows into a microphone dialed up to full volume. The spectator watches and listens from the sidelines of her studio as Kim experiments with the audio recordings she (presumably) made earlier, channeling them to numerous speakers that have various materials taped to or placed on their cones, vibrating wildly, animating sound anew. As Amanda L. Cachia has written in an exhibition catalog including Kim’s work,","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"1 1","pages":"7-20"},"PeriodicalIF":0.0,"publicationDate":"2017-03-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49089636","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eidsheim, Nina Sun. 2015. Sensing Sound: Singing and Listening as Vibrational Practice 尼娜·孙,Eidsheim, 2015。感觉声音:唱歌和听作为振动练习
Current Musicology Pub Date : 2017-03-22 DOI: 10.7916/D8GM9R6S
Lucie Vágnerová
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引用次数: 0
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