爵士乐唱片的音乐分析和社会生活

Current Musicology Pub Date : 2017-04-13 DOI:10.7916/D8T72G47

M. Butterfield

{"title":"爵士乐唱片的音乐分析和社会生活","authors":"M. Butterfield","doi":"10.7916/D8T72G47","DOIUrl":null,"url":null,"abstract":"Recorded music long ago relieved us of the hard labor of performing what we wanted to hear. It relieved us of the necessity of going to a concert hall. And now it has even relieved us of any need to listen. In the sound tracking of America-in the constantly segueing fragments that fill our public and private spaces-music is merely the inescapable background, the relentless mood-setter, the arbiter and signal of proper behavior. -J. Bottum","PeriodicalId":34202,"journal":{"name":"Current Musicology","volume":"1 1","pages":"324-352"},"PeriodicalIF":0.0000,"publicationDate":"2017-04-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"2","resultStr":"{\"title\":\"Music Analysis and the Social Life of Jazz Recordings\",\"authors\":\"M. Butterfield\",\"doi\":\"10.7916/D8T72G47\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"Recorded music long ago relieved us of the hard labor of performing what we wanted to hear. It relieved us of the necessity of going to a concert hall. And now it has even relieved us of any need to listen. In the sound tracking of America-in the constantly segueing fragments that fill our public and private spaces-music is merely the inescapable background, the relentless mood-setter, the arbiter and signal of proper behavior. -J. Bottum\",\"PeriodicalId\":34202,\"journal\":{\"name\":\"Current Musicology\",\"volume\":\"1 1\",\"pages\":\"324-352\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2017-04-13\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"2\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Current Musicology\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.7916/D8T72G47\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"\",\"JCRName\":\"\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Current Musicology","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.7916/D8T72G47","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}

引用次数: 2

摘要

很久以前，录制好的音乐使我们从演奏自己想听的音乐的辛苦劳动中解脱出来。这使我们不必去音乐厅了。现在，它甚至让我们不再需要倾听。在美国的声音追踪中——在充满我们公共和私人空间的持续不断的片段中——音乐仅仅是不可避免的背景，无情的情绪设定者，仲裁者和适当行为的信号。- j。Bottum

本文章由计算机程序翻译，如有差异，请以英文原文为准。

查看原文本刊更多论文

Music Analysis and the Social Life of Jazz Recordings

Recorded music long ago relieved us of the hard labor of performing what we wanted to hear. It relieved us of the necessity of going to a concert hall. And now it has even relieved us of any need to listen. In the sound tracking of America-in the constantly segueing fragments that fill our public and private spaces-music is merely the inescapable background, the relentless mood-setter, the arbiter and signal of proper behavior. -J. Bottum

求助全文

通过发布文献求助，成功后即可免费获取论文全文。去求助

来源期刊

Current Musicology

自引率

0.00%

发文量

审稿时长

16 weeks