Gestalt Theory最新文献_第7页

Perception and Action in Complex Movements: The Emerging Relevance of Auditory Information 复杂运动中的知觉和行动:听觉信息的新兴关联

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0021

T. Agostini, Fabrizio Sors, Serena Mingolo, G. Baldassi, Mauro Murgia

引用次数: 0

Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation 类型、风格与可能性空间:现象学与音乐即兴

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0022

Mitchell Atkinson

{"title":"Types, Styles, and Spaces of Possibility : Phenomenology and Musical Improvisation","authors":"Mitchell Atkinson","doi":"10.2478/gth-2020-0022","DOIUrl":"https://doi.org/10.2478/gth-2020-0022","url":null,"abstract":"Summary I outline an approach to the phenomenology of improvised music which takes typification and the development of multi‐ordered phenomenological structures as central. My approach here is firmly in line with classical Husserlian phenomenology, taking the discussion of types in Experience and Judgment (Husserl, 1973) and Brudzińska (2015) as guide. I provide a phenomenological analysis of musical types as they are found in improvisational contexts, focusing on jazz in the 20th century. Styles are higher‐order musical types. Musical types are structures that are temporally “thick,” relying on sedimented typification and knowledge, driving expectations as definitional. In most forms of music (including improvised music), musical styles involve maintaining a balance between confirming expectations and flouting expectations. I show that improvised music has a phenomenal structure which is enriched by the communicative and “ real‐time” nature of improvised music. Improvised music can be seen as an exploration of a possibility space rendered by the juxtaposition of the musical types afforded by a performance environment (instrumentation, harmonic and melodic traditions, etc.). I show that improvisation in music is a multi‐vectoral form of communication. The communication is founded in what Dieter Lohmar calls “non‐linguistic thinking.” The expression is constituted in the results of active and synthesis. The culmination of improvisational exploration of possibility spaces is the precisification and enrichment of styles‐as‐types, while in some cases developing new styles in the process.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"42 1","pages":"253 - 270"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69209187","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Gestalt and Movement between Music and Dance 格式塔与乐舞运动

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0019

S. Cattaruzza, W. Coppola

{"title":"Gestalt and Movement between Music and Dance","authors":"S. Cattaruzza, W. Coppola","doi":"10.2478/gth-2020-0019","DOIUrl":"https://doi.org/10.2478/gth-2020-0019","url":null,"abstract":"Summary The famous essay by Christian von Ehrenfels, Über Gestaltqualitäten (1890), opens up, as is well-known, an important seam not only in the psychology of perception but also of aesthetics, of the psychology and philosophy of music, art and language. Here, in fact, the form understood as ‘Gestalt’ is something concretely audible and visible and not simply a formal abstraction. It is about a pioneering programme rich in ideas and original connections. The author does not mean simply to define the meaning of the concept of Gestalt, but he also sets out a fertile variety of extraordinary applications. In the first place – following a suggestion of Ernst Mach’s – he indicates an application in the field of music, in particular in the exemplary case of melody. In this sense the melody, as a temporal Gestalt, is a more fitting illustration of Gestalt than a spatial Gestalt (e.g. of a geometric figure). But in other cases, as for instance in the case of perception of movement, both temporal and spatial Gestalts are admitted. And a characteristic example is provided by dance. In this article, we shall investigate the comparison between sound movement and visual–gestural movement, and we shall also be discussing the matter by having recourse to the experience of professional dancers.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"42 1","pages":"221 - 232"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46180690","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Sound, Dance and Motion from Franz Boas’s Field Research in British Columbia to Franziska Boas’s Dance Therapy 声音、舞蹈和动作——从弗朗茨·博厄斯在不列颠哥伦比亚的田野研究到弗朗茨卡·博厄斯的舞蹈疗法

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0020

Irene Candelieri

引用次数: 1

Introduction 介绍

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0027

Jagna Brudzińska, A. Pugliese

{"title":"Introduction","authors":"Jagna Brudzińska, A. Pugliese","doi":"10.2478/gth-2020-0027","DOIUrl":"https://doi.org/10.2478/gth-2020-0027","url":null,"abstract":"The first contribution devoted to the complex phenomenon of dance as the significant combination of music and movement provides the gestalttheoretical framework for the analysis. Serena Cattaruzza and Walter Coppola move from Christian von Ehrenfeld’s observations on Gestalt qualities, focusing on his example of melody. They stress the comparison between auditory and visual fields, emphasizing the difference between temporal and spatial Gestalt forms. Based on broad empirical results, Cattaruzza and Coppola uncover the relevance of dance as a phenomenon that bridges the gap between temporal and spatial Gestalt. Dance is also the topic explored by Irene Candelieri with reference to Franz Boas’ anthropological field research. She illustrates the connection between Boas’ results on the significance of dance for Indians’ traditions and rituals and the therapeutic approach developed by Franziska Boas. Here, dance emerges as a free and nonconscious, self-directed movement, which combines active and passive qualities of the human experience of motion. An empirical basis for the investigation of movement in specific ecological contexts is provided by Tiziano Agostini and his research group based at the University of Trieste. In their study of human walking, the relationship between auditory information and physical movement comes into the foreground and its significance for sport and motor rehabilitation is empirically assessed. All three contributions show, in an impressive manner, how movement can be grasped in empirical and gestalttheoretical research beyond any reductionism and physical mechanization.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"42 1","pages":"217 - 220"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42933657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Kinesthetic Unity as Motivated Association 作为动机联想的动觉统一

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0023

Andrea Lanza

{"title":"Kinesthetic Unity as Motivated Association","authors":"Andrea Lanza","doi":"10.2478/gth-2020-0023","DOIUrl":"https://doi.org/10.2478/gth-2020-0023","url":null,"abstract":"Summary Within Husserl’s theory of perception, the role attributed to kinesthetic sensations determines a phase of the perceptive constitution that marks the boundary between pure receptivity and a first form of self-determination of consciousness. Kinesthetic experiences are, in fact, characterized not just as acts that are performed but rather that can be performed, albeit according to predetermined paths. This primitive form of ‘instinctive’ spontaneity of the Ego (linked to primal impulses) as realization of pre-established potentialities, characterizes what Husserl defines the ‘ idiopsychic’ dimension of consciousness (Husserl, 1952, p. 135). However, although this level of consciousness unity presupposes a spontaneous activity, it can be investigated according to the ‘causal’ laws of motivation. The phenomenon of motivation was notoriously introduced by Husserl in §56 of Ideen II, as a specific law of spiritual life. However, there are two possible forms of motivation, one in which the Ego is actively involved, and a second one, called “associative motivation.” The latter basically indicates the passive tendency of creating associations between unities of the immanent sphere. In other terms, Husserl acknowledges the existence of “motivated relations” within the immanent sphere of mental acts which do not necessarily call for an active participation of the Ego. In this sense, the relation between motivating factors and motivated elements could be considered a kind of conditioning of the form “because-therefore,” in which the two elements arrange themselves in a succession of experiences. This work aims to show that this very kind of association is the same that pre-determines the unfolding possibility of kinesthetic chains.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"42 1","pages":"271 - 286"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47280482","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From the Self to the Other and Back Again: Intersubjectivity as a Perpetual Motion Around the Self 从自我到他者再返回:主体间性作为围绕自我的永恒运动

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0026

A. Michalska

{"title":"From the Self to the Other and Back Again: Intersubjectivity as a Perpetual Motion Around the Self","authors":"A. Michalska","doi":"10.2478/gth-2020-0026","DOIUrl":"https://doi.org/10.2478/gth-2020-0026","url":null,"abstract":"Summary In the methodology of science, intersubjectivity is usually associated with replicability of experimental results. A related, judicial conception of objectivity as impartiality has it that a theory or judgment is objective if it covers all the relevant angles of the object or phenomenon in question, ensuring that the latter is not ephemeral and the concepts referring to them are valid. Based on the assumption that in the social sciences, the researcher is also a participant, an alternative view was conceived, according to the notion that intersubjectivity rests on either sharing of a lifeworld and its associated practices or on empathy, or on some form of direct social cognition. My aim in this paper is to bring some elements of the Gestalt theory – and more specifically, Rudolf Arnheim’s (1988) adapted model of field dynamics – to bear on the problematic of intersubjectivity. The proposed model suggests that intersubjectivity is a dynamic phenomenon, best described as a product of two vectors: a vector describing a movement across the circumference combined with a vector describing the movement from the center to the circumference. While the first vector corresponds to impartiality, the second represents the tension between cognitive distancing and direct experience. Overall, it is argued that intersubjectivity cannot be divorced from either subjectivity or objectivity and it amounts to skillful navigation within different frames of reference.","PeriodicalId":33799,"journal":{"name":"Gestalt Theory","volume":"42 1","pages":"303 - 318"},"PeriodicalIF":0.0,"publicationDate":"2020-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45258896","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Karl Bühler’s Fantasmatic Deixis Between Motion, Gestures, and Words 卡尔·<s:1>赫勒在动作、手势和语言之间的幻想指示

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/GTH-2020-0025

C. Vita

引用次数: 1

Husserl and Merleau Ponty: The Affective Bodily Experience of Architectural Space 胡塞尔与梅洛·庞蒂:建筑空间的情感身体体验

Gestalt Theory Pub Date : 2020-12-01 DOI: 10.2478/gth-2020-0024

Irene Breuer

引用次数: 2

Postponement of the next GTA conference to 2022 下一届GTA会议推迟到2022年

Gestalt Theory Pub Date : 2020-08-01 DOI: 10.2478/gth-2020-0018

引用次数: 0