胡塞尔与梅洛·庞蒂:建筑空间的情感身体体验

Irene Breuer
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引用次数: 2

摘要

本文论述了胡塞尔和梅洛-庞蒂对身体和空间的情感生活经验分析的发展。“肉体”(梅洛-庞蒂)和“Hyle”(胡塞尔)的概念都代表了一种感性原则,这种原则是身体和世界的原始给予和团结的基础,我认为这种相互作用以及身体和地方的伴随交织构成了建筑的存在维度,即“在这里在一个地方”。在这方面,我认为,身体情感经验赋予世界以感觉的事实导致了双重中断:一方面是再现,另一方面是胡塞尔和梅洛-庞蒂各自方法中存在领域的透视图和兼容性。最后,我将举例说明这种突破和遗传见解的发展-从人类中心,有机和和谐的空间概念到由表达模糊意义的不可能组成的拓扑空间-与建筑的范例作品,从而表明现象学对建筑的解释潜力。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Husserl and Merleau Ponty: The Affective Bodily Experience of Architectural Space
Summary This paper deals with the development of Husserl’s and Merleau-Pontys analyses of the affective lived experience of body and space. Both the concept of „flesh“ (Merleau-Ponty) and „Hyle“ (Husserl) stand for a sensuous principle that underlies the original givenness and solidarity of body and world and I claim that this interaction and the concomitant intertwining of body and place make up the existential dimension of architecture, i.e. the, being-here-in-a-place’. In this connection, I argue that the fact that bodily affective experience endows the world with sense has led to a double break: On the one hand with representation and on the other with perspectivity and compossibility of the realms of being in Husserl’s and Merleau-Ponty’s respective approaches. Finally, I will exemplify this break and the development of genetic insights – from an anthropocentric, organic and harmonious space conception to a topologic space made up of incompossibilities expressing an ambiguous sense – with paradigmatic works of architecture, so as to make evident the explanatory potential of phenomenology for architecture.
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