Collectanea Philologica最新文献

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Magia i religia w świecie starożytnych Greków (zarys problematyki) 古希腊人世界中的魔法与宗教(问题论纲)
Collectanea Philologica Pub Date : 2020-12-18 DOI: 10.18778/1733-0319.23.03
Joanna Rybowska
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引用次数: 0
The Etymology of Latin nimbus (and its Iranian Cognates) 拉丁语nimbus(及其伊朗同源词)的词源
Collectanea Philologica Pub Date : 2020-12-18 DOI: 10.18778/1733-0319.23.01
Paul S. Cohen
{"title":"The Etymology of Latin nimbus (and its Iranian Cognates)","authors":"Paul S. Cohen","doi":"10.18778/1733-0319.23.01","DOIUrl":"https://doi.org/10.18778/1733-0319.23.01","url":null,"abstract":"After a brief review of prior etymological attempts found in the literature, a complete, rule-governed etymology of Latin nimbus ‘rain cloud, sudden downpour, etc.’ – including a precise explanation of the medial nasal – is propounded. It is based on the Indo-European reduplication process that produces nouns, as delineated by Cohen (2014; 2015; 2017), and on Latin sound laws given and exemplified by Weiss (2009).","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48063393","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Dlaczego walczyłem dla Kupidyna, czyli o walce o średniowieczne rymy w polskim przekładzie Carmina Rivipullensia 为什么我为丘比特而战,Carmin Rivipulensia在波兰语翻译中为中世纪押韵而战
Collectanea Philologica Pub Date : 2020-12-18 DOI: 10.18778/1733-0319.23.09
M. Woźniak
{"title":"Dlaczego walczyłem dla Kupidyna, czyli o walce o średniowieczne rymy w polskim przekładzie Carmina Rivipullensia","authors":"M. Woźniak","doi":"10.18778/1733-0319.23.09","DOIUrl":"https://doi.org/10.18778/1733-0319.23.09","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2020-12-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47942232","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Obraz Lacedemonu i jego mieszkańców w dialogach Platona 柏拉图对话中的莱西狄翁及其居民形象
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.06
Anna Głodowska
{"title":"Obraz Lacedemonu i jego mieszkańców w dialogach Platona","authors":"Anna Głodowska","doi":"10.18778/1733-0319.21.06","DOIUrl":"https://doi.org/10.18778/1733-0319.21.06","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44993151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recepcja motywów antycznych we współczesnej sztuce na przykładzie twórczości artystów: Léo Caillarda i Ayali Serfaty 在当代艺术中接受古董图案——以艺术家的作品为例:Léo Caillard和Ayala Serfata
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.10
A. Michalska
{"title":"Recepcja motywów antycznych we współczesnej sztuce na przykładzie twórczości artystów: Léo Caillarda i Ayali Serfaty","authors":"A. Michalska","doi":"10.18778/1733-0319.21.10","DOIUrl":"https://doi.org/10.18778/1733-0319.21.10","url":null,"abstract":"The objective of this article is to define place and role of antique motives in modern art and design. Due to variety of creativness in XX/XXI century, created in different trends and beyond them, considerations were limited to sculptural art and design, based on creativness of French artist Leo Caillard and Israeli designer Ayala Serfaty. Interpretation of information, which was collected based on study of artists’ works of art, lead to conclusion that, despite different approach to antique tradition, both artists strive to similar targets and their intention is not imitation, but concept based on creation of surprising or even shocking links and juxtapositions. Research of contrasts between tradition and modernity is intended to provoke and encourage viewer to deeper and conscious interpretation of works of art and reflection about position of art in modern culture. It is essential to study esthetic contexts, circumstances of creation of works of art and motivation. The most important feature of this art is to induce strong impressions. Relations between viewer and work of art have crucial meaning. Approximation and logic of thinking, which are characteristic for each research orientations in history of classic and modern art, represents theoretical background of this article. In this context, there are references to Joachim Winckelmann, recognized as creator of methodological basics for researchment on ancient art. There are references to Franz Wickhoff, Aby Warburg and Erwin Panofsky who dealt with iconographical and iconographical-iconological methods.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46877454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa 来自对希腊戏剧中记忆概念的研究。第二部分:欧里庇得斯作品中的主位
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.02
K. Narecki
{"title":"Z badań nad pojęciem pamięci – mneme w dramacie greckim. Część II: Mneme w utworach Eurypidesa","authors":"K. Narecki","doi":"10.18778/1733-0319.21.02","DOIUrl":"https://doi.org/10.18778/1733-0319.21.02","url":null,"abstract":"Study on the concept of mneme – “memory” in the plays of Euripides is a continuation of our research (based on the works of Greek tragedians), whose aim is not only to establish meanings, especially new ones, but also to define the role that this concept plays in the works of Euripides. Linguistic and literary analysis of 8 instances of a noun mneme shows that this concept reveals hitherto unknown semantic values and it also performs functions that are important for the plot. Among the meanings of mneme there are five new ones: (1) “testimony, proof” ( Suppliant Women ), whose role is a ‘media’ message to guarantee the preservation of memory about Theseus’ feats among descend­ants, (2) “account, balance” ( Heracles ), rational argument, which the hero must use in a critical situation caused by divine power, (3) specific “history”, which creates the plot ( Ion ), (4) “reason, rightness” ( Iphigenia at Aulis ), i.e. evidence of predominance of the woman over the man (in terms of character), (5) “image”, twice in this sense ( Iphigenia at Aulis ): 1. as a panorama, vivid memory of panegyric and cognitive nature (Greek expedition), 2. as scenes from Iphigenia’s childhood cited in order to change the decision of Agamemnon. In addition to the new ones, Euripides also uses known meanings: mneme with negation, i.e. the lack of “mentions, memories” (= concealment) becomes an important element of the plot of Helen , guaranteeing its happy ending; in turn mneme as Kreon’s “thought” is a tool for mastering feelings and influencing the development of stage events. All meanings defined by Euripides can be divided into two groups. The first group includes meanings that have rational value: (1) “account, balance”, (2) “thought”, (3) “reason, rightness”. In the other group there are expressive meanings: (1) “testimony, proof”, (2) “mention, memory”, (3) “history”, (4) “image”. Undoubtedly, Euripides not only broadened the semantic scope of the concept of mneme , introducing its new values, but creatively used them in his plays, whether to describe the main characters, or as an element influencing the action, or finally as a testimony of the past that is important for the plot.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49500840","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Problem antycznej ekfrazy teatralnej. Część I: Postać
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.03
J. Czerwińska
{"title":"Problem antycznej ekfrazy teatralnej. Część I: Postać","authors":"J. Czerwińska","doi":"10.18778/1733-0319.21.03","DOIUrl":"https://doi.org/10.18778/1733-0319.21.03","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44314539","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Recenzja książki: Gargiliusz, Lekarstwa z owoców i warzyw, przełożyła Tatiana Krynicka, ISKŚIO UWr, Wrocław 2016, (Seria Biblioteka Antyczna), ss. 172 书评:Gargiliusz,来自水果和蔬菜的药物,przełył。172
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.12
Magdalena Stuligrosz
{"title":"Recenzja książki: Gargiliusz, Lekarstwa z owoców i warzyw, przełożyła Tatiana Krynicka, ISKŚIO UWr, Wrocław 2016, (Seria Biblioteka Antyczna), ss. 172","authors":"Magdalena Stuligrosz","doi":"10.18778/1733-0319.21.12","DOIUrl":"https://doi.org/10.18778/1733-0319.21.12","url":null,"abstract":"The first Polish translation of Gargilius Martialis’ treatise Medicinae de holeribus et pomis ( Medicines from Fruits and Vegetables ) was published in 2016 by Tatiana Krynicka. The translation is accompanied by a valuable commentary which provides the reader with rich information on botanical, medical and dietetic issues, and shows how the 3rd-century Roman author drawn on his literary sources and how he was referred to by late antique writers.","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48212541","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Problem antycznej ekfrazy teatralnej. Część II: Scenografia
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.04
J. Czerwińska
{"title":"Problem antycznej ekfrazy teatralnej. Część II: Scenografia","authors":"J. Czerwińska","doi":"10.18778/1733-0319.21.04","DOIUrl":"https://doi.org/10.18778/1733-0319.21.04","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42520242","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Apostrofy do wód – nowe spojrzenie na cykl epigramów w czwartej księdze Marcjalisa (18; 22 i 63) 《水上的使徒》——马尔贾利斯第四本书警句循环的新视角(18;22和63)
Collectanea Philologica Pub Date : 2018-12-30 DOI: 10.18778/1733-0319.21.08
Joanna Pieczonka
{"title":"Apostrofy do wód – nowe spojrzenie na cykl epigramów w czwartej księdze Marcjalisa (18; 22 i 63)","authors":"Joanna Pieczonka","doi":"10.18778/1733-0319.21.08","DOIUrl":"https://doi.org/10.18778/1733-0319.21.08","url":null,"abstract":"","PeriodicalId":33406,"journal":{"name":"Collectanea Philologica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48980294","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
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