{"title":"The media and neo-colonisation: examining the relevance of African thought and philosophy in the discourse of decolonisation","authors":"Joseph Aketema, Joseph Yao Edem Homadji Ladzekpo","doi":"10.4314/ejotmas.v8i1-2.10","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.10","url":null,"abstract":"The media and all that it represents have often had insidious content. People have often used the media to promote their own agenda be it in the area of marketing, finance, governance, entertainment and sports. In Africa, foreign media outlets have dwelled so much on Africa. On most occasions, the media content is fraught with damaging content, which only reinforces earlier existing imagery of Africa as backward continent needing forms of confrontation and actions. This is actually a form of neo-colonisation. In this discussion, we look at the media, an agent of neo- colonisation and how an appreciation of African thought or philosophy can enable a better understanding of the media. The discussion is grounded on cultural norm theory, personal observations of the media landscape in Africa and a brief content analysis of Kwaw Ansah’s Heritage Africa (1989). The discussions conclude that serious regulation of the media is one of the surest ways of reducing the ills in its content and recommends that avenues to promote indigenous knowledge forms through the media be strongly supported to boost African centered media content.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133834692","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Social media disinformation and voting decisions during 2019 presidential elections in Nigeria","authors":"K. Obono, Karimah Aminu Diyo","doi":"10.4314/ejotmas.v8i1-2.8","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.8","url":null,"abstract":"Social media spread disinformation due to their characteristic features of anonymity and ease of producing, accessing, forwarding, and replicating media contents. Although studies have analyzed the influence of disinformation on voter choices, little is known about the false information that went viral on social media during the 2019 Nigerian presidential elections and its influence on voting decisions. Accordingly, the study identified social media disinformation about Muhammadu Buhari (All Progressives Congress) and Atiku Abubakar (Peoples Democratic Party), and its influence on voting decisions. Content analysis of Twitter, Facebook and YouTube posts revealed 10 viral pieces of disinformation about the contestants. Although the messages looked authentic because of their attribution, they were tagged false by independent fact checkers and disclaimers. They were also ascribed as false by survey respondents. Despite their presence, the information had little influence on voting decisions. While Facebook is the most used social media platform (48.6%), Twitter (60%) is the core channel of political disinformation. Posts used multiple story formats and information sources to make claims appear real. A combination of text, video, and picture was used for the political messaging, with pictures accompanying most stories for emphasis and message authentication. Each news story had more than 2000 likes and shares, which has implications for the continuous spread of false information.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131716442","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Shall our dance heal us? Thematic explorations of cultural diversity for national unity in selected dances at NAFEST 2012","authors":"T. K. Tume","doi":"10.4314/ejotmas.v8i1-2.3","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.3","url":null,"abstract":"Since the amalgamation of Nigeria in 1914, managing its cultural diversity has proved to be onerous. Hence, one of the tasks imposed upon the handlers of the National Festival of Arts and Culture (NAFEST) is to position culture as a tool to negotiate national unity. This paper examines the thematic treatment of national unity and peace through cultural integration in selected dance performances of the 2012 edition of the National Festival of Arts and Culture (NAFEST) in Nigeria. The study adopts the participant observation research method for data collation, and borrows insight from the theory of multiculturalism to interrogate the selected dance pieces. A descriptive and interpretative analysis of four States’ dance entries at the festival, reveal an exploration of the dynamics of the ethno-cultural and political interactions within each State. We also find that deliberate efforts were geared towards addressing the festival theme of peace and economic empowerment in the dance performances under study. The study, therefore, recognizes NAFEST as a viable platform to negotiate national unity. It also identifies that the artistic exploration that led to the creation of the dances under study, has positive implications for national cohesion, peace, and development. The study concludes by advocating a viable choreographic approach which could further entrench the ideology of NAFEST as a unity festival.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116794609","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Exploring the effectiveness of theatre for peace building in glocal conflicts","authors":"Millicent Ahupa","doi":"10.4314/ejotmas.v8i1-2.2","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.2","url":null,"abstract":"Conflict is an inevitable phenomenon in any human society because humans are driven by varied ideologies, interests and positions, which might clash time and again. Since the return to democratic rule in 1999, Nigeria has witnessed many conflicts and violence fostered by issues of identity, citizenship and participation in national dispensations. The worst case scenario in this expression is the Boko Haram insurgency since 2009. Conflict in Nigeria has thrived mainly because the approaches adopted to address conflict have been inadequate and unsuitable. This article adopts the Participatory Theory to discuss the effectiveness of applying more subtle approaches such as the Theatre-for-Development (TfD) framework for peace building in Nigeria today. It focuses on the conflict between herders and farmers in Barkin Ladi and Riyom Local Government Areas (LGAs) of Plateau State and the experimentation of the TfD framework to facilitate dialogue and reconciliation between herders and farmers and presentsqualitative data to this effect. The paper concludes that conflict and conflict related issues can be addressed without the use of force.Therefore, TfD is the alternative strategy for entrenching peace and building inclusive societies. The study recommends that the Theatre-for-Development framework is pertinent for peace building as it is an investment in humans, both physically and psychologically towards reconciliation and durable peace. It also recommends that there is the need for capacity building within government agencies to improve their fundamental understanding of conflict related issues and enhance their ability to contribute to just and lasting solutions.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114991059","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"‘We are aware but not prepared’: Broadcast journalists’ perception of challenges and benefits of digitization of broadcasting in Oyo State, Nigeria","authors":"Oyindamola Omotolani Akinola-Badmus, Babatunde Raphael Ojebuyi","doi":"10.4314/ejotmas.v8i1-2.1","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.1","url":null,"abstract":"Nigeria is among the African nations expected to migrate to digital transmission by 2020 as proposed by the International Telecommunication Union (ITU). Existing media and communication studies have focused on the benefits and challenges of the digital migration process. However, scanty scholarly attention has been paid to the levels of awareness of, and preparedness for, digitization of broadcasting among broadcasters in Nigeria especially in Ibadan, Oyo State, being the host to the first television station in Africa. Driven by the Technological Determinism and Diffusion of Innovation theories as the framework, the study employed survey and in-depth interviews as the research methods to examine broadcast journalists’ levels of awareness, readiness for, and perception of, the challenges and benefits of digital switchover. A total of 300 copies of the questionnaire were administered to broadcasters (208 were returned in usable form and constitute the basis of analysis and discussion in the study) who were purposively and conveniently selected from ten broadcast stations in Ibadan. An Administrator from the National Broadcasting Commission Abuja and one Administrator each from the Broadcasting Corporation of Oyo State and Diamond FM, Ibadan were purposively selected as interview participants. Findings show that most broadcasters (57.7%) were aware of the digital switchover. However, 49.0% of the broadcasters confirmed that they were not adequately prepared for digital transition. Moreover, the broadcast journalists confirmed that, apart from skills, costs of content creation and procurement of digital technologies required by digital broadcast were the major impediments to digital switchover while they identified job creation, more revenue generation, richer contents, stronger bandwidths, and enhanced patronage as the benefits of digital broadcast. Relevant government agencies in charge of digital switchover in Nigeria should, through training and equipment procurement, motivate and empower broadcasters and broadcast stations to prepare them for a successful digital switchover.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-09","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124232718","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}