{"title":"The use of literature as a veritable instrument for the teaching of English language","authors":"Itohan Ethel Ekhator, Peter O. Aihevba","doi":"10.4314/ejotmas.v8i1-2.13","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.13","url":null,"abstract":"This article discusses the use of literature as a popular tool for teaching basic language skills such as reading, writing, listening and speaking and other language areas such as vocabulary, grammar and pronunciation in English as a Second Language classroom. It uses the literary method in its analysis of the Nigerian situation. The reasons and criteria for selecting literary texts are discussed. Also the benefits of different genres of literature such as poetry, short fiction, drama and novel to language teaching are taken into account. The paper recognized that all genres should be carefully selected and used in the teaching of English Language skills and language skills should not be taught in isolation.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128965512","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"From the exchequer to the editorial suite: Dilating the intra-professional mutations of Onyema Ugochukwu","authors":"Tunde Olusunle","doi":"10.4314/ejotmas.v8i1-2.6","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.6","url":null,"abstract":"This study seeks to dilate the professional enterprise of Onyema Ugochukwu, one of the most respected practitioners and influencers of contemporary media practice and specialised journalism in Nigeria. It investigates his professional background as an economist and banker, through his detour into the media as progenitor of a new genre of technicalized reportage, and a seasoned manager in one of Nigeria’s most important newspapers in its time, the Daily Times of Nigeria Plc. It also scrutinises his later undertakings in political communication and public information management in his polyvalent media career over a period of five decades. Deploying the historic-method, this article probes the career course of Ugochukwu as a reporter, writer, editor, editorial director, political publicist and presidential communicator. This is to appropriately define his contributions to these aspects of the gamut of media practice, and to national growth. It successfully establishes that Ugochukwu has contributed immensely to the elevation and standardization of media practice and its repositioning as a profession which commands scholarship and intellectualism in the furtherance of national development. ","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133687398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Nollywood as an elixir for drug misuse among students of Tertiary Institutions in Nigeria","authors":"A. F. Akowe","doi":"10.4314/ejotmas.v8i1-2.24","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.24","url":null,"abstract":"The Nigerian entertainment industry tagged Nollywood, which began on a staggering note, has evolved to only trail behind Hollywood and Bollywood that started many years before its advent. This medium has equally mainstreamed itself into competing favourably with other media struggling for human attention. Therefore, even in an era when the youths have found fun with internet services, this medium is equally compliant with social media. It is on this locus standi that this article investigates The Lost Soul in an attempt to scale down the misuse of drugs by students of tertiary institutions, which truncates their educational pursuits, rendering them redundant and their families and by extension Nigeria sorrier for it. Armed with this report, this discourse adopts an analysis and deduction approach by way of qualitative research of the movie under study with the view to stampeding the spread of this anathema on our campuses. Consequently, this article recommends the mass production of movies with this thematic relevance, among others, by the various Theatre Arts Departments in Nigerian universities where students themselves account for the largest part of the cast and crew members. This will definitely command more youth viewership and hence, scale down to some reasonable extent the vices threatening to militate against their educational development since they will become or are the fulcra of any labour force and the leaders of tomorrow.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122637051","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Constraints of set design in three selected educational theatres in Nigeria","authors":"Olusegun K. Abodunrin, Olufemi E. Atarase","doi":"10.4314/ejotmas.v8i1-2.22","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.22","url":null,"abstract":"Set design in educational theatre houses in Nigeria is an important area of theatre studies that assists the designer to interpret the play’s message during performances to make the audience understand both the message of the play and the directorial vision. However, it has suffered serious neglect. The neglect affects the experts and non-experts in different areas of the theatre profession. This study takes a look at set design in Nigerian universities with emphasis on University of Ibadan, Ahmadu Bello University, Zaria and University of Abuja. A descriptive method that entails observant participatory approach was adopted. Observations and conclusions reached were through visits to the mentioned institutions above as well as the functionality of the set construction of plays watched. This provided the opportunity to assess the functionality of the equipment used and the quality and value of the sets constructed. The following findings were reached: equipment was obsolete, the staff and the students relied on improvisation and recycling during performances in most cases. Many departments of theatre arts lacked adequate set design equipment which reduced the quality and value of their productions. The funding required to procure or acquire design equipment was a paltry sum and this also led to lack of regular training of designers. The recommendations of this study, therefore, are that play directors and set designers should have a sense of history of their theatre structure. They should also bridge the gap between the expected and actual set design and their roles towards success in play production. Furthermore, set designers within the academy should be sent for training regularly to enable them update knowledge in the constantly evolving area of automated theatre design and technology. ","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-11","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130487171","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A designer’s reading of directorial conformity and divergence in Soyinka’s death and the King’s horseman","authors":"Michael Ade Adeoye","doi":"10.4314/ejotmas.v8i1-2.7","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.7","url":null,"abstract":"This study takes a critical look at the stage production of Wole Soyinka’s Death and the King’s Horseman, which Ahmed Yerima directed on July 13, 2004 at the National Theatre, Onikan in Lagos, Nigeria, with reference to the collaborative process through which elements of design and directing were engaged to produce meaning from the dramatic text to the theatre audience. Its objective is to assess the role of design elements in the technical process of achieving visual transmogrification on stage and explore the extent of the director’s interpretational conformity to, or divergence from, the original ideas of the playwright in the dramatic text. This work is situated within Merleau-Ponty’s concept of Embodiment and Body-subject, with a view to analysing and understanding theatre and drama as lived experiences, and visually embodied consciousness and perception. It seeks theoretical supports from Umberto Eco’s idea of semiotics. This study used a qualitative methodology, primarily including key informant Interviews, for the collection of data, which, in turn, received content analysis. The study concludes that stage design and its attendant elements are central to the process of retrieving meaning from dramatic texts to the audience because while Ahmed Yerima clearly diverged from Soyinka’s original intention in the text, he relied heavily on stage design and allied elements as the facilities of divergence.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124274581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Forced migration and women as dispossessed gender: An appraisal of Soji Cole’s Embers","authors":"R. Epochi-Olise","doi":"10.4314/ejotmas.v8i1-2.9","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.9","url":null,"abstract":"Forced migration is generally inimical to mankind but particularly hazardous to women. However, these hazardous acts which make women vulnerable are hardly considered as substantial enough to warrant an outcry against the migration phenomenon. Women face major challenges resulting from forced migrations, which expose them to violence, rape and other anti-social behaviours imposed on them by the circumstances. All these tend to have significant impacts on their social, economic, cultural and environmental development. This paper, therefore, uses Cole’s Embers to critically interrogate the issues of forced migration as a gendered problem. This work shall expose the claims that the problem of forced migration is an offshoot of the opportunistic post-colonial Nigerian rulers who have assisted to change the narratives of the family structure and peaceful order of society to a chaotic world. The paper focuses on the IDP Camps that are highly fuelled by corruption and the challenges for womanhood.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126385982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"An analysis of pragmatic intent of written teacher feedback commentary on students’ project essays in Colleges of Education in Ghana","authors":"Wilson Awiah Jujugenia, P. A. Gborsong, J. Afful","doi":"10.4314/ejotmas.v8i1-2.5","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.5","url":null,"abstract":"The study is aimed at finding out how teachers of St. John Bosco’s College of Education, Ghana focus the pragmatic intent of teacher written feedback comments on students’ project draft essays. Drawing on Ferris, Pezone, Tade, and Tinti (1997), Discourse Analytical Model for teacher written commentary and key concepts like “written feedback commentary” and “feedback,” the study, which was essentially a case study, and a descriptive survey, randomly and purposively focused on a sample of 336 comments from 21students’ project drafts of the 2012 academic year in St. John Bosco’s College of Education. The study revealed that teachers of St. John Bosco’s College of Education employed the pragmatic intent (directive type) of ‘make suggestion/request’, as a way of getting students to rework their project drafts. The study raises some implications for writing instruction, theory and analyses of teacher written feedback commentary.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121069405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A grammatical investigation of possessive cases in English and Okpameri","authors":"R. O. Farinde, H. O. Omolaiye","doi":"10.4314/ejotmas.v8i1-2.12","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.12","url":null,"abstract":"Possessive cases are words that indicate or show possession. Hence, “hers”, “her” and “Ojo’s” are some examples of possessive cases. These possessive cases indicate grammatical property of language. The usage of these cases in utterance varies in languages. Hence, they variations often pose problem to ESL learners. Predicating on Contrastive Analysis Theory, the study generated Okpameri data from oral sources and participatory observation of the researchers in natural Setting. English data were got from the English grammar texts. The areas of investigation were Possessive Pronouns, Possessive Adjectives and Possessive Nouns. From the findings, the two languages under study are grammatically marked for possessive cases with reference to 1st, 2nd and 3rd person singular and plural numbers. However, the usage of these cases differs. While English is gender sensitive, this is not so in Okpameri language as Okpameri resorts to using uni-gender to indicate possession. Okpameri possessive pronouns and adjectives have different morphological forms representing persons (e.g 1st person singular). Not all forms of possessive cases are capable of co- occuring with every noun. While Okpameri distinguishes between subject and complement possessive cases, this is not so in English. The study, therefore, suggests that language teachers, particularly, English language experts should adopt systematic approach to the teaching of possessive cases as this will further broaden the Okpameri ESL learners’ knowledge on how to use the English possessive cases.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121462337","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"A comparative analysis of morphological mutations-clippings and blends/portmanteaux in English and Urhobo languages","authors":"P. O. Idialu","doi":"10.4314/ejotmas.v8i1-2.4","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.4","url":null,"abstract":"Language, the major means of human communication, grows and changes in form as nations garner new experiences and engage in new technologies. The creation of new words to capture the new experiences and technologies becomes inevitable. This work researches into neologisms in the forms of clippings – shortening of words; and blends – combination of parts of two or more source words in both the English and the Urhobo languages. The exploratory, descriptive, quantitative and comparative research methods were used, while data collection was done through library search, interviews and extensive internet search. From the result of the analysis of accessed data, English has back clips (52%) and fore-clips (19%) as its two most frequently occurring types of clips; the Urhobo has the most frequenting occurring as the median clips (44%) and fore-clip (38%) as the next most frequent. Again, while the English language has the most blend as the (BE) (41%), followed by (WE) (19.1% and ((BW) at (13.7%), the Urhobo blend patterns are more varied with (BW) as highest (25.5%); followed by (MW) (15.7%) and (WE=O) (11.8%) respectively. This shows that there are word mutations appearing in clips and blends, and, therefore, recommend that these are studied and included in our daily use, especially in informal settings.","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133937562","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Media strategy and the impact of COVID-19 public awareness in Ekiti State: A cross-sectional study","authors":"R. O. Bakare, Tayo Isijola, L. E. Bakare","doi":"10.4314/ejotmas.v8i1-2.11","DOIUrl":"https://doi.org/10.4314/ejotmas.v8i1-2.11","url":null,"abstract":"The prevalence of the Covid-19 pandemic, which allegedly stemmed from Wuhan, China, had imposed far-reaching consequences on human existence across the globe. After Nigeria recorded its first case in February 2020, the death toll rose with increased number of confirmed cases. Notably, as experts strove to understand, track, and contain the pandemic, the media kept pushing the frontiers of public awareness faster than the spread. However, the proliferation of disinformation had continued to contend with global responses to the pandemic. It stimulated undesired public behaviours, such as non adherence and public protest, as witnessed in most parts of Nigeria. This research is an empirical study that examines the media strategy responsible for the different behaviours observed in Ekiti state, where the public acceptance of Covid-19 guidelines seemed to have resulted in the considerable containment of the sickness’ spread in the state. The study employs both the qualitative and quantitative research methods, and hinged on Elizabeth Noelle-Neumann’s model (1973) of Powerful effect theory and the “Source credibility theory” of Carl Hovland and Walter Weiss (1951). The researchers observed that in spite of the independent mindedness that characterizes Ekiti people, which challenges most public mobilization endeavours, the populace demonstrated high degree of adherence and compliance to Covid-19 awareness mobilization. In the interest of communal well-being, they volunteered information on violator to the authorities. We discovered that individuals with reckonable public credibility were used as sources of information for the awareness message of Covid-19. Apart from source credibility strategy, geo-coding, which exploited the ethical cultural tenets of the Ekiti world-view was another effective media strategy employed. The researchers hereby recommend the findings of this study as viable and effective media strategies for public enlightenment in the event of future public health crisis in Nigeria. ","PeriodicalId":333241,"journal":{"name":"EJOTMAS: Ekpoma Journal of Theatre and Media Arts","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-03-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129000431","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}