The International Journal of Screendance最新文献

Choreographing the Archive: Image Gallery 编排档案:图片库

The International Journal of Screendance Pub Date : 2022-09-09 DOI: 10.18061/ijsd.v13i1.9198

Marisa C. Hayes, Luisa Lazzaro

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IJSD Volume 13 2022 Choreographing the Archive: Full Issue IJSD第13卷2022档案编排：完整版

The International Journal of Screendance Pub Date : 2022-09-09 DOI: 10.18061/ijsd.v13i1.9213

Marisa C. Hayes, Luisa Lazzaro

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Editorial: Volume 13 社论：第13卷

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.9193

Kyra Norman

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‘Meta-Choreographies’ Between the Desktop and the Stage 桌面与舞台之间的“元编舞”

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.7711

Ariadne Mikou

{"title":"‘Meta-Choreographies’ Between the Desktop and the Stage","authors":"Ariadne Mikou","doi":"10.18061/ijsd.v13i1.7711","DOIUrl":"https://doi.org/10.18061/ijsd.v13i1.7711","url":null,"abstract":"How does one re-use pre-existing material in order to form an expanded choreographic practice of relating to audio-visual archive without being considered of stealing or lacking originality? Copying, re-using and appropriation, not innocent from copyright implications but often entrapped in the modernist myth of originality, are practices that have been enhanced by the growth of the digital archive available on the internet and the expansion of the online public space. In light of this surge that challenges the body-to-body dance transmission, this text analyzes copying, re-use and appropriation as forms of citation, both audio-visually and corporeally, through the work of the Italian choreographer, performer, educator and filmmaker Jacopo Jenna who connects fragments of preexisting works to create unexpected visual and corporeal associations that prompt us to re-think the dance canon. His work, based on a meta-choreographic and meta(dance)cinematic technique, moves between screen and stage, two-dimensional and three-dimensional space and brings into dialogue immaterial bodies and gestures stored in our collective memory with flesh bodies on stage. But, what issues and possibilities does this practice of disembodied transmission from screen-to-body entail?","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45823986","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

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Kinesthetic Exchanges between Cinematographers and Dancers: A Series of Screendance Interviews 摄影师与舞者的动觉交流——一系列电影舞蹈访谈

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.8768

Alexander Petit Olivieri

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Reflections On State Of The Art: International Symposium On Screendance 2022 对艺术现状的思考：2022年国际舞台舞研讨会

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.9199

S. Kalyanasundaram

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Body And Lens International Screen(ing) Dance Festival and Seminar 2022 2022年身体与镜头国际银幕舞蹈节暨研讨会

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.9170

Sumedha Bhattacharyya

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Lithium dancing (hidden in plain sight) 锂跳舞(隐藏在众目睽睽之下)

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.8617

Simon Ellis

{"title":"Lithium dancing (hidden in plain sight)","authors":"Simon Ellis","doi":"10.18061/ijsd.v13i1.8617","DOIUrl":"https://doi.org/10.18061/ijsd.v13i1.8617","url":null,"abstract":"In this article I explore screendance’s affair with social media, and the logics of production and consumption endemic to dancing for and with smartphones. I use an incidental encounter with two people making a dance video to try and make sense of the ways in which screendance practices and practitioners are being changed by social media technologies. The writing is built on the work of Harmony Bench, Shoshana Zuboff, Alan Jacobs, Zygmunt Bauman, Neil Postman, Yuk Hui and Annie Pfingst and Helen Poynor. I use their scholarship and art to construct an experimental and non-linear seven-part narrative about how screendance can become a set of practices that visibly contradict the extractive datafication of humans in motion.\u0000Part 1—Two young people and their camera—describes the encounter with two people filming their dancing, and serves as the platform on which this writing is based. In part 2—An assumption about what happened next—I introduce the theme of hiding that runs throughout the article, and make a case for my assumption that these two people were making their screendance for social media. Part 3—Algorithmic choreography—introduces the relationship between choreography in screendance and social media algorithms. Part 4—Being in (the) economic common—explores the digital commons as outlined by Bench, and its relationship to visibility, technology and profit-making. Part 5—Myth and the right to a future tense—discusses Jacobs and Zuboff and how they both deploy hiding to consider a future that transcends technocratic rationalism. In part 6—Hidden in the future I zip forward far into the future and remember a 2016 screendance work by Annie Pfingst and Helen Poynor. I do this to as a strategy to imagine a non-technocratic world. Finally, part 7—To distill production from consumption—describes how, through social media, we in screendance have acquired a logic of consumption disguised or hidden as a mode of production.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43951354","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Choreographing the Archive: Interfaces Between Screendance & Archival Film Practices 编舞的档案:界面之间的放映和档案电影实践

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.9196

Marisa C. Hayes, Luisa Lazzaro

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Perception, Temporality And Symbol: A Study Of Man With Cockerel By Ranbir Kaleka (2001-2002) 感知、时间性与象征:兰比尔·卡莱卡《人与小公鸡》研究(2001-2002)

The International Journal of Screendance Pub Date : 2022-08-25 DOI: 10.18061/ijsd.v13i1.8800

Sandhiya Kalyanasundaram

{"title":"Perception, Temporality And Symbol: A Study Of Man With Cockerel By Ranbir Kaleka (2001-2002)","authors":"Sandhiya Kalyanasundaram","doi":"10.18061/ijsd.v13i1.8800","DOIUrl":"https://doi.org/10.18061/ijsd.v13i1.8800","url":null,"abstract":"This article makes an early attempt to emerge a dialogue between neuroscientific theories of perception and video art while proposing alternate lenses to view Kaleka’s installation in the context of Indian contemporary video art. The author proposes that Neuroaesthetics as a field may benefit from studying screendance and audience engagement because the conceptual complexity offered by screendance has the potential to throw light on cognitive and affective systems during emergent aesthetic episodes.\u0000Time and symbol, two critical elements that pave the way for new perception, and how these elements transform into materiality in Kaleka’s work are discussed. This discussion reveals in more depth, the illusory loop that Kaleka constructs in order to engage the audience in a deeper and more critical perception of the human condition at the interface of society, politics and economics with the techniques of video art. While the paper places greater emphasis on perception of an artwork by its audience, artists may be able to use the neurocognitive model analysis to develop different engagement strategies with their audiences. The author’s intention is to delve into an expanded investigation of aesthetic experience and perception using the elusive links between art and science.","PeriodicalId":33311,"journal":{"name":"The International Journal of Screendance","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2022-08-25","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42999120","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0