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The pictoral image and the musical image (J.-A. Watteau - C. Debussy), a case of artistic intertextuality in terms of semiotic conduct and retoricA. 图画形象和音乐形象(j.a。华托- C.德彪西)，在符号学行为和反义方面的艺术互文性的一个案例。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.5
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引用次数: 0
Iconologie de la voix : du sermon De voce e verbo au Traitez de la voix et des chants. 声音的肖像学:从声音和动词的布道到声音和歌曲的处理。
Materia Pub Date : 2019-01-01 DOI: 10.1344/MATERIA2015.9.1
L. Wuidar
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引用次数: 0
El retaule de la Transfiguració de la catedral de Tortosa, obra contractada per Rafael Vergós i Pere Alemany 托托萨大教堂的长方形变形，由Rafael Vergós和Pere Germany承包的作品
Materia Pub Date : 2015-01-01 DOI: 10.1344/MATERIA2015.9.3
R. A. I. Pedrós, Jacobo Vidal Franquet
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引用次数: 0
La tonadilla hoy: tres visiones desde el extranjero 今天的托纳迪拉:来自国外的三种观点
Materia Pub Date : 2015-01-01 DOI: 10.1344/MATERIA2015.9.9
Aurèlia Pessarrodona
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引用次数: 0
On crides, balls, entremesses y cobles. The celebrations for the royal entry of Juan II and Juana Enríquez in Valencia (1459) as a paradigm of the union of the arts in medieval urban festivities. 在绳索上，在球上，在绳索上。在瓦伦西亚(1459年)为胡安二世和胡安娜皇室入境Enríquez举行的庆祝活动，作为中世纪城市庆祝活动中艺术结合的典范。
Materia Pub Date : 1900-01-01 DOI: 10.1344/materia2019.14-15.6
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引用次数: 0
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