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Artistas catalanes en las universidades argentinas y chilenas a principios del siglo XX. 20世纪初，阿根廷和智利大学的加泰罗尼亚艺术家。
Materia Pub Date : 2019-01-01 DOI: 10.1344/MATERIA2015.9.6
C. Samaniego, I. Valero
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引用次数: 0
Un coleccionista desconocido en la corte de Alfonso XII: el marqués de Campo (1814-1889). 阿方索十二世宫廷中一位不知名的收藏家:坎波侯爵(1814-1889)。
Materia Pub Date : 2019-01-01 DOI: 10.1344/MATERIA2015.9.5
A. Morant
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引用次数: 0
Space, painting and music: Houston chapel, Rothko, Feldman and the total work of art in contemporary aesthetics. 空间，绘画和音乐:休斯顿教堂，罗斯科，费尔德曼和艺术在当代美学的总工作。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.7
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引用次数: 0
El retaule de la Glorificació de la Verge de la catedral de Barcelona: un cas singular de recerca tipològica en la retaulística catalana del Set-Cents. 巴塞罗那大教堂圣母荣耀的矩形：加泰罗尼亚对Set Cents的报复中的一个独特的类型学研究案例。
Materia Pub Date : 2019-01-01 DOI: 10.1344/Materia2015.9.4
S. M. Saavedra
{"title":"El retaule de la Glorificació de la Verge de la catedral de Barcelona: un cas singular de recerca tipològica en la retaulística catalana del Set-Cents.","authors":"S. M. Saavedra","doi":"10.1344/Materia2015.9.4","DOIUrl":"https://doi.org/10.1344/Materia2015.9.4","url":null,"abstract":"En aquest article s’analitza tipologicament un dels retaules barrocs mes ornamentats de la catedral de Barcelona: l’altar de la Glorificacio de la Verge. A partir d’aquest singular exemple, de gran exuberancia decorativa, es busquen vincles amb alguns tractats d’art del sis-cents i el set-cents, com ara el Tratado de la pintura sabia , de Juan Andres Ricci, i l’obra Perspectiva pictorum et architectorum , d’Andrea Pozzo. El text preten ajudar a enriquir el ventall de les fonts que els nostres artistes i obradors van poder utilitzar per tirar endavant les mes diverses comandes artistiques.","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66406868","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Moda, cos i geometria en el segle XX. 20世纪的模式、形体和几何。
Materia Pub Date : 2019-01-01 DOI: 10.1344/MATERIA2015.9.7
Sílvia Rosés Castellsaguer
{"title":"Moda, cos i geometria en el segle XX.","authors":"Sílvia Rosés Castellsaguer","doi":"10.1344/MATERIA2015.9.7","DOIUrl":"https://doi.org/10.1344/MATERIA2015.9.7","url":null,"abstract":"Els experts en moda classifiquen la morfologia de l’anatomia femenina a partir de formes geometriques simples i compostes, les quals tambe poden emprar-se per classificar la silueta resultant despres de vestir la dona. Si observem detingudament les principals modes que han regit el segle XX, podrem establir tres grans grups segons les siluetes resultants: el rellotge de sorra (compost per dos triangles contraposats), el cilindre i el triangle invertit. Pero si analitzem de manera detallada els moments en els quals es produeixen, es posa de manifest que cada moda representa i determina un model de dona concret, amb una manera d’actuar en el context i de relacionar-se amb el sexe masculi, diferent de la resta. Davant d’aquests fets se’ns planteja la questio si aquesta associacio segueix vigent en l’actualitat, en un moment en que, com a consequencia del canvi de paradigma que representa la postmodernitat, els pilars i les estructures que han regit el nostre pensament han estat totalment alterats.","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66406679","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music in cinematographic and audiovisual theory. 电影和视听理论中的音乐。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.11
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引用次数: 0
The art dialectic in Passolini’s Salò or the the 120 days of Sodom. 帕索里尼的Salò或索多玛的120天中的艺术辩证法。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.12
{"title":"The art dialectic in Passolini’s Salò or the the 120 days of Sodom.","authors":"","doi":"10.1344/materia2019.14-15.12","DOIUrl":"https://doi.org/10.1344/materia2019.14-15.12","url":null,"abstract":"","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66407488","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
String and chisel: personal and artistic attributes of Vinnie Ream. 绳子和凿子:Vinnie Ream的个人和艺术属性。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.3
{"title":"String and chisel: personal and artistic attributes of Vinnie Ream.","authors":"","doi":"10.1344/materia2019.14-15.3","DOIUrl":"https://doi.org/10.1344/materia2019.14-15.3","url":null,"abstract":"","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66408099","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un documento chiave per la ricomposizione del Retablo di san Bernardino di Cagliari. 重建卡利亚里圣贝纳迪诺Retablo的关键文件。
Materia Pub Date : 2019-01-01 DOI: 10.1344/MATERIA2015.9.2
E. Pusceddu
{"title":"Un documento chiave per la ricomposizione del Retablo di san Bernardino di Cagliari.","authors":"E. Pusceddu","doi":"10.1344/MATERIA2015.9.2","DOIUrl":"https://doi.org/10.1344/MATERIA2015.9.2","url":null,"abstract":"Il retablo di san Bernardino , dipinto nel 1455 dai pittori catalani Joan Figuera e Rafael Tomas, e da considerarsi un’opera chiave per la comprensione delle dinamiche della pittura tardogotica in Sardegna. Negli ultimi anni le novita piu interessanti, giunte dagli studi dedicati al retablo, riguardano le discussioni sulla reale appartenenza al polittico di alcune tavole probabilmente estranee all’impianto originario. L’attuale restituzione compositiva dell’opera, esposta presso la Pinacoteca Nazionale di Cagliari, riprende lo schema indicato da Carlo Aru nei primi anni del Novecento e ancora oggi accoglie, oltre alle tavole con la narrazione della vita e dei miracoli del santo francescano, anche due tavole dedicate alla Crocifissione di Cristo e al suo Compianto ai piedi della croce. Recenti acquisizioni documentarie ribaltano la suddetta configurazione e tracciano, invece, un nuovo assetto compositivo per le tavole del retablo cagliaritano.","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66406186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Music and literature as phenomena in time. 音乐和文学作为时间现象。
Materia Pub Date : 2019-01-01 DOI: 10.1344/materia2019.14-15.8
{"title":"Music and literature as phenomena in time.","authors":"","doi":"10.1344/materia2019.14-15.8","DOIUrl":"https://doi.org/10.1344/materia2019.14-15.8","url":null,"abstract":"","PeriodicalId":33243,"journal":{"name":"Materia","volume":"66 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66407660","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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