{"title":"今天的托纳迪拉:来自国外的三种观点","authors":"Aurèlia Pessarrodona","doi":"10.1344/MATERIA2015.9.9","DOIUrl":null,"url":null,"abstract":"This paper presents the current state of research on the tonadilla , ranging from the nationalistic views of Jose Subira to more postmodern and transversal approaches, specifically from the year 2000 onwards. The article focuses especially on recent contributions by three scholars from abroad: the socioeconomical and gender perspective by Rebecca Haidt (Ohio State University); the recent monograph in English on the tonadilla by Elisabeth Le Guin (University of California), and the essays by Aurelia Pessarrodona at the University of Bologna. Keywords: tonadilla , musical theatre, short theatre, eighteenth century, state of the art.","PeriodicalId":33243,"journal":{"name":"Materia","volume":"1 1","pages":"179-186"},"PeriodicalIF":0.0000,"publicationDate":"2015-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":"{\"title\":\"La tonadilla hoy: tres visiones desde el extranjero\",\"authors\":\"Aurèlia Pessarrodona\",\"doi\":\"10.1344/MATERIA2015.9.9\",\"DOIUrl\":null,\"url\":null,\"abstract\":\"This paper presents the current state of research on the tonadilla , ranging from the nationalistic views of Jose Subira to more postmodern and transversal approaches, specifically from the year 2000 onwards. The article focuses especially on recent contributions by three scholars from abroad: the socioeconomical and gender perspective by Rebecca Haidt (Ohio State University); the recent monograph in English on the tonadilla by Elisabeth Le Guin (University of California), and the essays by Aurelia Pessarrodona at the University of Bologna. Keywords: tonadilla , musical theatre, short theatre, eighteenth century, state of the art.\",\"PeriodicalId\":33243,\"journal\":{\"name\":\"Materia\",\"volume\":\"1 1\",\"pages\":\"179-186\"},\"PeriodicalIF\":0.0000,\"publicationDate\":\"2015-01-01\",\"publicationTypes\":\"Journal Article\",\"fieldsOfStudy\":null,\"isOpenAccess\":false,\"openAccessPdf\":\"\",\"citationCount\":\"0\",\"resultStr\":null,\"platform\":\"Semanticscholar\",\"paperid\":null,\"PeriodicalName\":\"Materia\",\"FirstCategoryId\":\"1085\",\"ListUrlMain\":\"https://doi.org/10.1344/MATERIA2015.9.9\",\"RegionNum\":0,\"RegionCategory\":null,\"ArticlePicture\":[],\"TitleCN\":null,\"AbstractTextCN\":null,\"PMCID\":null,\"EPubDate\":\"\",\"PubModel\":\"\",\"JCR\":\"Q4\",\"JCRName\":\"Arts and Humanities\",\"Score\":null,\"Total\":0}","platform":"Semanticscholar","paperid":null,"PeriodicalName":"Materia","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.1344/MATERIA2015.9.9","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"Q4","JCRName":"Arts and Humanities","Score":null,"Total":0}
引用次数: 0
摘要
本文介绍了目前对tonadilla的研究现状，从Jose Subira的民族主义观点到更后现代和横向的方法，特别是从2000年开始。本文特别关注了三位国外学者的最新贡献:俄亥俄州立大学丽贝卡·海特(Rebecca Haidt)的社会经济和性别视角;最近由加州大学的伊丽莎白·勒·吉恩(Elisabeth Le Guin)撰写的关于托纳迪拉的英文专著，以及博洛尼亚大学的奥蕾莉亚·佩萨罗多纳(Aurelia Pessarrodona)撰写的论文。关键词:托纳迪拉，音乐剧，短剧，18世纪，艺术现状。
La tonadilla hoy: tres visiones desde el extranjero
This paper presents the current state of research on the tonadilla , ranging from the nationalistic views of Jose Subira to more postmodern and transversal approaches, specifically from the year 2000 onwards. The article focuses especially on recent contributions by three scholars from abroad: the socioeconomical and gender perspective by Rebecca Haidt (Ohio State University); the recent monograph in English on the tonadilla by Elisabeth Le Guin (University of California), and the essays by Aurelia Pessarrodona at the University of Bologna. Keywords: tonadilla , musical theatre, short theatre, eighteenth century, state of the art.
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