发布求助
文献互助 智能选刊 最新文献

Acta Universitatis Lodziensis Folia Litteraria Romanica最新文献

筛选
英文 中文
Eugène Delacroix et ses violons d’Ingres eugene德拉克洛瓦和他的安格尔小提琴
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.05
Edyta Kociubińska
{"title":"Eugène Delacroix et ses violons d’Ingres","authors":"Edyta Kociubińska","doi":"10.18778/1505-9065.13.05","DOIUrl":"https://doi.org/10.18778/1505-9065.13.05","url":null,"abstract":"“Eugène Delacroix and his Passions” Summary – The paper is devoted to Eugène Delacroix, the greatest French Romantic painter, who combines the “external cold” and the “inner fire”, as described by René Huyghe. An analysis of selected fragments of his Journal brings to the fore Delacroix’s literary and musical passions and their influence on the artist’s painting.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81181521","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Entre l’art et l’artisanat, ou en quête de l’esthétique du Grand-Guignol 在艺术和工艺之间，或者在寻找大木偶的美学
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.14
T. Kaczmarek
{"title":"Entre l’art et l’artisanat, ou en quête de l’esthétique du Grand-Guignol","authors":"T. Kaczmarek","doi":"10.18778/1505-9065.13.14","DOIUrl":"https://doi.org/10.18778/1505-9065.13.14","url":null,"abstract":"“Between Art and Craft – a Quest for the Esthetics of Grand-Guignol Theater” Summary – The Grand-Guignol theater is regarded as a common literary genre having nothing in common with the real art. Certainly repertoire of this “bloody scene” was a popular fraction of the boulevard theater. The procurers of a sensation competed in showing images of violence to flatter the tastes of the middle class eager for blood, human remains, gouged out eyes, scream, wheezing and other “special effects”. Nevertheless, authors associated with this movement also created a new aesthetic which was inspired by the achievements of such classics as Guy de Maupassant and Edgar Allan Poe. They were focused on the common goal: to scare the audience. However, they were rather oriented on the psychological dimension of the fear than on the bloody scenes of violence. New playwrights have found in their brilliant predecessors not only a theme of mystery and horror but also have transplanted their prosaic formal measures on the theatrical ground. The dramas were created concise in the form in which the pressure was meant to lead, according to the classical rules, through the point of culmination up to the final solution. In this article the Author presents the quests of writers who have laid down the foundations of the characteristic “theater of cruelty”.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88537369","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Portrait de l’artiste en jeune barbu : Le Peintre de Saltzbourg de Charles Nodier 留着胡子的年轻艺术家的肖像:萨尔茨堡画家查尔斯·诺迪尔
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.04
Marta Sukiennicka
{"title":"Portrait de l’artiste en jeune barbu : Le Peintre de Saltzbourg de Charles Nodier","authors":"Marta Sukiennicka","doi":"10.18778/1505-9065.13.04","DOIUrl":"https://doi.org/10.18778/1505-9065.13.04","url":null,"abstract":"“Portrait of the Artist as a Young Bearded Man: Charles Nodier’s Le Peintre de Saltzbourg” Summary – Charles Nodier was one of the leading advocates of the fraternity of artists in the 1830s, but his experience of life and work in artistic circles embracing writers, painters and composers was not limited to his own literary salon at the Arsenal. Already as a young man, Nodier moved in the circle of Méditateurs, a group started at the beginning of the 19th century by rebellious former students of Jacques-Louis David. This experience left its mark on Nodier’s work: his novel, Le Peintre de Saltzbourg (1803) reveals a certain affinity with the aesthetic doctrines of Maurice Quai and Méditateurs. This forgotten episode of the history of Romanticism was brought back to memory in 1832 by the republication of the novel in Œuvres de Charles Nodier, and by the contemporary critics, who compared Méditateurs to Jeunes-France, a popular artistic cenacle of the day.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81498671","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Un Pygmalion moderne. L’artiste aux limites de l’art dans "L’OEuvre" d’Émile Zola 现代皮格马利翁。在emile左拉的“作品”中，艺术家处于艺术的边缘
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.11
J. R. V. Rejchwald
{"title":"Un Pygmalion moderne. L’artiste aux limites de l’art dans \"L’OEuvre\" d’Émile Zola","authors":"J. R. V. Rejchwald","doi":"10.18778/1505-9065.13.11","DOIUrl":"https://doi.org/10.18778/1505-9065.13.11","url":null,"abstract":"","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86851175","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Mallarmé et Whistler mallarm<s:1>和惠斯勒
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.15
Z. Naliwajek
{"title":"Mallarmé et Whistler","authors":"Z. Naliwajek","doi":"10.18778/1505-9065.13.15","DOIUrl":"https://doi.org/10.18778/1505-9065.13.15","url":null,"abstract":"<jats:p>-</jats:p>","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83484031","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ? 小说和短篇小说中的女画家:工匠还是艺术家?
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.12
Anna Kaczmarek‐Wiśniewska
{"title":"Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ?","authors":"Anna Kaczmarek‐Wiśniewska","doi":"10.18778/1505-9065.13.12","DOIUrl":"https://doi.org/10.18778/1505-9065.13.12","url":null,"abstract":"“Women Painters in Emile Zola’s Novels and Short Stories: Artisans or Artists?” Summary – Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art). One of the consequences of the author’s passion for art are literary characters of male and female painters in several novels of his Rougon-Macquart series and some of his short stories. The paper focuses on a few characters of women painters, taking into consideration Zola’s opinion about female creation, its position and its value compared to the work of men. Christine Hallegrain from The Masterpiece, Clotilde Rougon from Doctor Pascal and Mrs Sourdis from an eponymic short story are used to prove that even the most gifted woman is not able to achieve the level of a male performance, as the value of the genuine art consists of the very element of male genius. This is why women painters can never be considered as artists, they are always just artisans.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"85230947","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Théodore de Banville : artiste ou artisan ? theodore de Banville:艺术家还是工匠?
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.02
W. Malinowski
{"title":"Théodore de Banville : artiste ou artisan ?","authors":"W. Malinowski","doi":"10.18778/1505-9065.13.02","DOIUrl":"https://doi.org/10.18778/1505-9065.13.02","url":null,"abstract":"","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"90398996","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Eugène Fromentin, un artiste complet ?
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.06
Maria Gubińska
{"title":"Eugène Fromentin, un artiste complet ?","authors":"Maria Gubińska","doi":"10.18778/1505-9065.13.06","DOIUrl":"https://doi.org/10.18778/1505-9065.13.06","url":null,"abstract":"Eugene Fromentin belongs to those outstanding artists who achieved successes in both painting and literature. In his epoch, he was greatly successful thanks to his paintings depicting Algerian nature and customs of that country. A talented writer, fascinated with orientalism, he travelled to Algeria and Egypt in order to search for invigorating impulses for his own imagination, to exploit them artistically and imaginatively as a vast space of sundry possibilities. From his travels to the East, Fromentin brought with him paintings being expressions of his solitary disposition and ‘supplemented’ his painting achievements in his unique way by publishing three travel diaries, A Summer in the Sahara (1857), A Year in Sahel (1859) and Notes from the Journey to Egypt (1881). In the preface to his second travel book he wrote that the objective of his ‘orientalising’ writing was not to restate the painting impressions but to express those feelings that only words can express. In our paper we want to show Fromentin as a painter, writer, traveller, art critic, a man of many talents, undeservedly forgotten, for whom painting was an impulse for creating multidimensional works.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"81012504","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Andrzej Rabsztyn, "L’hybridité du roman français à la première personne" (1789-1820), Katowice, Wydawnictwo Uniwersytetu Śląskiego, 2017, 242 pages
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.16
Maja Pawłowska
{"title":"Andrzej Rabsztyn, \"L’hybridité du roman français à la première personne\" (1789-1820), Katowice, Wydawnictwo Uniwersytetu Śląskiego, 2017, 242 pages","authors":"Maja Pawłowska","doi":"10.18778/1505-9065.13.16","DOIUrl":"https://doi.org/10.18778/1505-9065.13.16","url":null,"abstract":"","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73507183","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
« Chaque esprit est maçon » : l’Art Royal et l’idée de religion universelle dans la littérature française du XIXe siècle “每个灵魂都是泥瓦匠”:19世纪法国文学中的皇家艺术和普世宗教思想
Acta Universitatis Lodziensis Folia Litteraria Romanica Pub Date : 2018-02-07 DOI: 10.18778/1505-9065.13.03
Tomasz Szymański
{"title":"« Chaque esprit est maçon » : l’Art Royal et l’idée de religion universelle dans la littérature française du XIXe siècle","authors":"Tomasz Szymański","doi":"10.18778/1505-9065.13.03","DOIUrl":"https://doi.org/10.18778/1505-9065.13.03","url":null,"abstract":"“Each Mind is a Masonˮ: the Royal Art and the Idea of Universal Religion in 19th Century French Literature Summary – Masonic Royal Art, combining science and philosophy with spiritual research and moral improvement, radiates throughout the whole 19th century, which is the successor of both rationalist Enlightenment thought and 18th century illuminism. One of the key ideas of Freemasonry is the “Religion in which all Men agree” mentioned in Anderson’s Constitutions. The idea of a universal religion, referring to a primal revelation or taking the form of natural religion, has numerous variations in the 19th century, formed in contact with romantic literature (Madame de Staël), social utopias (Saint-Simonianism) or humanitarianism (Pierre Leroux). The aim of the article is to show the role played in this process by Freemasons and the influence they have exerted on other authors reflection on religion.","PeriodicalId":33181,"journal":{"name":"Acta Universitatis Lodziensis Folia Litteraria Romanica","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2018-02-07","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"84499062","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
首页 上一页
0
×
引用
GB/T 7714-2015
复制
MLA
复制
APA
复制
导出至
BibTeX EndNote RefMan NoteFirst NoteExpress
×
提示
您的信息不完整，为了账户安全，请先补充。
现在去补充
×
提示
您因"违规操作"
具体请查看互助需知
我知道了
×
提示
现在去查看 取消
×
提示
确定
请完成安全验证×
相关产品
×
本文献相关产品
联系我们：info@booksci.cn Book学术提供免费学术资源搜索服务，方便国内外学者检索中英文文献。致力于提供最便捷和优质的服务体验。 Copyright © 2023 布克学术 All rights reserved.
京ICP备2023020795号-1
ghs 京公网安备 11010802042870号
Book学术文献互助
Book学术文献互助群
群 号：481959085
Book学术官方微信