留着胡子的年轻艺术家的肖像:萨尔茨堡画家查尔斯·诺迪尔

IF 0.1 0 LANGUAGE & LINGUISTICS
Marta Sukiennicka
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引用次数: 0

摘要

查尔斯·诺迪尔是19世纪30年代艺术家兄弟会的主要倡导者之一,但他在包括作家、画家和作曲家在内的艺术界的生活和工作经历并不局限于他在阿森纳的文学沙龙。早在年轻的时候,诺迪埃就加入了msamdiaturs的圈子。msamdiaturs是19世纪初由雅克·路易斯·大卫(Jacques-Louis David)以前的叛逆学生发起的团体。这段经历在诺迪尔的作品中留下了印记:他的小说《萨尔茨堡的Peintre de Saltzbourg》(1803)显示出他与莫里斯·凯(Maurice Quai)和姆萨迪特乌斯(massadiaturs)的美学学说有一定的亲缘关系。这段被遗忘的浪漫主义历史在1832年被重新唤起人们的记忆,因为这本小说在Œuvres de Charles Nodier出版社再版,而且当时的评论家们把《m - -法兰西》(jeune - france)与当时流行的艺术奇迹相提并论。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Portrait de l’artiste en jeune barbu : Le Peintre de Saltzbourg de Charles Nodier
“Portrait of the Artist as a Young Bearded Man: Charles Nodier’s Le Peintre de Saltzbourg” Summary – Charles Nodier was one of the leading advocates of the fraternity of artists in the 1830s, but his experience of life and work in artistic circles embracing writers, painters and composers was not limited to his own literary salon at the Arsenal. Already as a young man, Nodier moved in the circle of Méditateurs, a group started at the beginning of the 19th century by rebellious former students of Jacques-Louis David. This experience left its mark on Nodier’s work: his novel, Le Peintre de Saltzbourg (1803) reveals a certain affinity with the aesthetic doctrines of Maurice Quai and Méditateurs. This forgotten episode of the history of Romanticism was brought back to memory in 1832 by the republication of the novel in Œuvres de Charles Nodier, and by the contemporary critics, who compared Méditateurs to Jeunes-France, a popular artistic cenacle of the day.
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