Les femmes peintres dans les romans et les nouvelles zoliennes : artisanes ou artistes ?

IF 0.1 0 LANGUAGE & LINGUISTICS
Anna Kaczmarek‐Wiśniewska
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引用次数: 0

Abstract

“Women Painters in Emile Zola’s Novels and Short Stories: Artisans or Artists?” Summary – Art is considered by Emile Zola as one of the crucial values, as well in his life as in his work. It appears there in many different ways: practical (collecting paintings, friendship with artists) and theoretic (critical writings on art). One of the consequences of the author’s passion for art are literary characters of male and female painters in several novels of his Rougon-Macquart series and some of his short stories. The paper focuses on a few characters of women painters, taking into consideration Zola’s opinion about female creation, its position and its value compared to the work of men. Christine Hallegrain from The Masterpiece, Clotilde Rougon from Doctor Pascal and Mrs Sourdis from an eponymic short story are used to prove that even the most gifted woman is not able to achieve the level of a male performance, as the value of the genuine art consists of the very element of male genius. This is why women painters can never be considered as artists, they are always just artisans.
小说和短篇小说中的女画家:工匠还是艺术家?
左拉小说和短篇小说中的女画家:工匠还是艺术家?艺术被埃米尔·左拉认为是一个至关重要的价值观,无论是在他的生活中还是在他的工作中。它以许多不同的方式出现在那里:实用的(收藏绘画,与艺术家的友谊)和理论的(艺术评论文章)。作者对艺术的热爱的结果之一是他的几部小说和一些短篇小说中的男性和女性画家的文学角色。本文着重分析了女性画家的几个特点,并结合左拉对女性创作的看法、女性创作相对于男性作品的地位和价值。《杰作》中的克莉丝汀·哈勒格兰、《帕斯卡医生》中的克洛蒂尔德·鲁贡以及同名短篇小说中的苏迪斯夫人都被用来证明,即使是最有天赋的女性也无法达到男性表演的水平,因为真正的艺术的价值正是由男性天才的元素构成的。这就是为什么女画家永远不能被认为是艺术家,她们永远只是工匠。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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