Joyce Studies Annual最新文献_第5页

"Might be what you like, till you hear the words": Joyce in Zurich and the Contrapuntal Language of Ulysses “也许是你喜欢的，直到你听到这些话”:乔伊斯在苏黎世和尤利西斯的对位语言

Joyce Studies Annual Pub Date : 2003-07-01 DOI: 10.1353/joy.2004.0005

Jurgen E. Grandt

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引用次数: 0

Ireland Must be Important. . . 爱尔兰一定很重要……

Joyce Studies Annual Pub Date : 2003-07-01 DOI: 10.1353/JOY.2004.0007

Terence Killeen

{"title":"Ireland Must be Important. . .","authors":"Terence Killeen","doi":"10.1353/JOY.2004.0007","DOIUrl":"https://doi.org/10.1353/JOY.2004.0007","url":null,"abstract":"When it came to the choice of an MA course at University College Dublin in 1969, for me and for almost all my friends who had graduated with a BA in English, there was only one real option—Modern English and American Literature. One or two specialists, of course, would choose Old and Middle English or Linguistics, but these were unloved by the bulk of us, who had resented being required to devote what felt like a disproportionate amount of time to them during our undergraduate years. The only other possibility was Anglo-Irish Literature, but this was almost automatically rejected. It consisted, as we perceived it, of uninspiring courses in such matters as Anglo-Irish speech patterns, the Abbey Theatre, short stories, and Nineteenth Century novelists, with even the risk of the dreaded Irish language, remembered with distaste from its compulsory imposition at school, making an appearance. Dullsville, in short. Anyway, Anglo-Irish Literature, as we saw it, was meant for Americans, and mainly Americans took it. No, Modern English and American Literature was where the action and the intellectual stars were. It promised access to the great world, to the world of contemporary and even avant-garde fiction and poetry, of the nascent but already inspiring literary theory—Writing Degree Zero had just appeared in translation in a cheap paperback: I read it with great excitement and without understanding a word— and of political consciousness—an important issue at the time; a world, in short, far removed from the provincialism, narrow perspectives and cultural isolation of our origins. And from these origins we could not get far enough away.","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"45 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2003-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116925155","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The National Library of Ireland's New Joyce Manuscripts: An Outline and Archive Comparisons 爱尔兰国家图书馆新乔伊斯手稿:大纲和档案比较

Joyce Studies Annual Pub Date : 2003-07-01 DOI: 10.1353/JOY.2004.0006

M. Groden

引用次数: 6

Contributors 贡献者

Joyce Studies Annual Pub Date : 2002-11-19 DOI: 10.1016/b978-0-12-814409-1.01002-8

A. Abyzov, Kevin C. Allan, Anahita Amiri, H. M. Brown, A. Calof, Qiang Chang, K. Christian, B. Clayton, F. Cucinotta, A. D’Gama, Mathew Sean Elitt, L. Fernández, R. Fitch, Jeffrey A. Golden, L. Groves, R. Hagerman, E. Jaffe, B. Johnson-Kerner, Alexandre Jourdon, A. Lander, M. J. Leigh, Youngshin Lim, A. Mahnke, Jéssica Mariani, G. Ming, R. Miranda, S. Mooney, J. Neul, Zachary S. Nevin, L. Niswander, C. Oliver, A. Persico, S. Pezoa, Christina Pyrgaki, Lawrence Reiter, A. Ricciardello, E. Rubenstein, Mustafa Şahin, Rosaysela Santos, S. Scuderi, E. H. Sherr, Hongjun Song, Siddharth Srivastava, P. Tesar, L. Turriziani, F. Vaccarino, Christopher A. Walsh, Feinan Wu, E. Yuen

引用次数: 0

Reading Joyce in and out of the Archive 在档案馆内外阅读乔伊斯

Joyce Studies Annual Pub Date : 2002-11-19 DOI: 10.1353/joy.2002.0007

Wim van Mierlo

引用次数: 3

"When in doubt do gender": Constructing Masculinities in "Penelope," "theyre all Buttons men" “当对性别有疑问时”:在《佩内洛普》中构建男性气质，“他们都是钮扣男”

Joyce Studies Annual Pub Date : 2002-07-01 DOI: 10.1353/JOY.2002.0005

Richard Brown

引用次数: 0

Of Questionable Character: The Construction of the Subject in Ulysses 可疑人物:《尤利西斯》的主体建构

Joyce Studies Annual Pub Date : 2002-07-01 DOI: 10.1353/joy.2002.0002

Kevin Attell

引用次数: 3

Stephen Dedalus's non serviam : Patriarchal and Performative Failure in A Portrait of the Artist as a Young Man 斯蒂芬·德达勒斯的非服务性:《青年艺术家肖像》中的父权与表演失败

Joyce Studies Annual Pub Date : 2002-07-01 DOI: 10.1353/JOY.2002.0006

A. Friedman

{"title":"Stephen Dedalus's non serviam : Patriarchal and Performative Failure in A Portrait of the Artist as a Young Man","authors":"A. Friedman","doi":"10.1353/JOY.2002.0006","DOIUrl":"https://doi.org/10.1353/JOY.2002.0006","url":null,"abstract":"In “Party Pieces in Joyce’s Dubliners,” I analyzed Joyce’s complex depiction of the Irish trope of “party pieces,” and of performance generally, in his first fictional text. 1 After writing the first fourteen stories of Dubliners in a style he called “scrupulous meanness,” Joyce felt that he had given short shrift to the Irish tradition of expansive hospitality and to a Dublin that was, as Mary and Padraic Colum put it, “oral as no other [city] in Western Europe was” (Colum 57). So in “The Dead” Joyce depicted a more complex and nuanced social world, one whose ambiguities derive in part from his treatment of “party pieces,” which become cultural, political, and moral barometers, especially for Gabriel Conroy, whose after dinner speech (a form of singing for one’s supper) engages the host /guest economy, while both praising and exposing the dying tradition that Joyce sought to recuperate. For all of his and its failings, Gabriel’s generous-spirited speech, and especially his praise of Aunt Julia’s singing as a “revelation,” underscores the privileged status of party pieces in this story and leads both to Gretta’s praising him for generosity and to his own potentially life-transforming revelation at the end. In A Portrait of the Artist as a Young Man, which as his brother Stanislaus says is “almost autobiographical, and naturally as it comes from Jim, satirical” (CDDSJ 12), Joyce further complicates the moral valance of performance that he depicts in Dubliners. He does so primarily by fictionalizing his relationship with John Joyce not as it was","PeriodicalId":330014,"journal":{"name":"Joyce Studies Annual","volume":"103 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2002-07-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121531517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 6

The Soft, the Sweet, and Bloom 柔软的，甜蜜的，盛开的

Joyce Studies Annual Pub Date : 2002-07-01 DOI: 10.1353/JOY.2002.0009

J. Simons

引用次数: 0

The First International James Joyce Symposium: A Personal Account 第一届詹姆斯·乔伊斯国际研讨会:个人叙述

Joyce Studies Annual Pub Date : 2002-07-01 DOI: 10.1353/JOY.2002.0004

A. Briggs

引用次数: 0