Literatura Ludowa最新文献_第3页

Figura Matki Boskiej Skępskiej jako wizerunek acheiropoietyczny 斯科普斯卡圣母像作为一种诗歌意象

Literatura Ludowa Pub Date : 2022-12-30 DOI: 10.12775/ll.4.2022.001

Łukasz Ciemiński

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Od fana do stalkera. Spektrum postaw fanowskich w koreańskim przemyśle kulturowym 从粉丝到跟踪者。韩国文化产业中粉丝的态度

Literatura Ludowa Pub Date : 2022-12-30 DOI: 10.12775/ll.4.2022.006

M. Lewandowska

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Helena Kapełuś i jej folklorystyka intensywna Helena Kapełuś及其密集的民间传说

Literatura Ludowa Pub Date : 2022-12-30 DOI: 10.12775/ll.4.2022.008

P. Grochowski

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Lubelski obrzęd kolędowania zimowego wobec kosmologii ludowej. Analiza semiotyczno-strukturalna i diachroniczna 卢布林的冬季颂歌仪式反对民间宇宙观。符号结构与历时分析

Literatura Ludowa Pub Date : 2022-12-30 DOI: 10.12775/ll.4.2022.002

Mikołaj Jarmakowski

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Dialectic of Fear: Centre-Liberal Media Discourse on Gender, LGBTQIA+ and Abortion in Contemporary Poland 恐惧的辩证法：当代波兰关于性别、LGBTQIA+和堕胎的中心自由媒体话语

Literatura Ludowa Pub Date : 2022-12-30 DOI: 10.12775/ll.4.2022.005

Aleksandra Krzyżaniak

引用次数: 1

From Stories to Behaviour, the Ebb and Flow of Fears and Panics: Discussion of the Needle-Spiking Epidemic Scares of 2021–2022 从故事到行为，恐惧和恐慌的Ebb和流动：2021–2022年刺针流行病恐慌的讨论

Literatura Ludowa Pub Date : 2022-12-01 DOI: 10.12775/ll.3.2022.004

Veronique Campion-Vincent

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U Thlen and the Nongshohnoh: Folklore, Experience, and Reality 吴与农社：民俗、经验与现实

Literatura Ludowa Pub Date : 2022-12-01 DOI: 10.12775/ll.3.2022.002

Auswyn Winter Japang

{"title":"U Thlen and the Nongshohnoh: Folklore, Experience, and Reality","authors":"Auswyn Winter Japang","doi":"10.12775/ll.3.2022.002","DOIUrl":"https://doi.org/10.12775/ll.3.2022.002","url":null,"abstract":"The need to better understand the supernatural is an ever-engaging aspect of any enquiry into the matter due to the changing paradigms of time and space and the existence of numerous misconceptions and observations concerning the same. Such is a case of the legend of U Thlen and the nongshohnoh phenomenon of Meghalaya, a north-eastern state in the sovereign country of India. U Thlen, an evil mystical being, is described in Khasi legends and recounted in Khasi folklore as an entity thirsty for human blood and never satiated. He was, however, tricked and captured by the Khasi people but never ultimately destroyed. As an act of deception – of reward and mainly revenge, U Thlen promised people riches in exchange for human sacrifice. An existing belief is that U Thlen was adopted by a Khasi household which saw the beginning of the nongshohnoh or the “cut throat” phenomenon. The surrounding belief about the keeping of U Thlen functions on the basis of prevailing social notions that human sacrifice offered to U Thlen equates to riches. While the legend of U Thlen has witnessed transcendence from narratives to lived realities over an incredible part of the history of the Khasi people, the nongshohnoh phenomenon has seen its fair share of criticism with time as well. It is in this regard that this study aims to (re)look into this very phenomenon as a living reality of the Khasi society. This paper also aims to look at existing beliefs and disbeliefs in U Thlen and the nongshohnoh phenomenon in order to arrive at an understanding, proper to the contemporary setting of the Khasi society, in the twenty-first century.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49300254","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Therianthropes in a Cartesian and an Animistic Cosmology: Beyond-the-Pale Monsters versus Being-in-the World Others 笛卡尔和动漫宇宙学中的Therianthropes：超越苍白的怪物与存在于世界其他人

Literatura Ludowa Pub Date : 2022-12-01 DOI: 10.12775/ll.3.2022.001

M. Guenther

{"title":"Therianthropes in a Cartesian and an Animistic Cosmology: Beyond-the-Pale Monsters versus Being-in-the World Others","authors":"M. Guenther","doi":"10.12775/ll.3.2022.001","DOIUrl":"https://doi.org/10.12775/ll.3.2022.001","url":null,"abstract":"The nature of human-animal hybrid beings (or therianthropes) is examined in an Animistic (traditional San Bushman) and a Cartesian (Early Modern Western) cosmology. In each ontological ambiguity is imagined and conceptualized in different terms. One of them is through monstrosity, which, in the Western schema, is equated with human-animal hybridity. This equivalence threatens the boundaries and categories that buttress western cosmology, through a being – the human-animal hybrid – deemed a conceptual and epistemological abomination. It elicits a category crisis that is as much cerebral as it is visceral as the were-beings it conceives are feared and demonized. No such valences attach to therianthropes in the cosmology described in this paper. It is an “entangled” cosmology shot through with ambiguity and fluidity in which human-animal hybridity is neither abominable nor feared. Instead, as a pervasive and salient theme of San world view and lifeways, especially its expressive and ritual spheres, along with hunting, ontological mutability becomes an integral component of people’s thoughts and lives and thereby normalized and naturalized. Beings partaking of this state are deemed another species of being with whom humans engage as other-than-humans, on shared social terms. Monsters are beings who negate or transgress the moral foundation of the social order. San monstrosity, conceptually and phenomenologically, becomes thereby a matter of deviation from social (moral) pre/proscriptions rather than from classificatory (ontological) ones. This basic conceptual difference notwithstanding, we also find a fundamental commonality: the inversion, through monsters and monstrosity, of each cosmology’s underlying epistemic matrices, of structure and ambiguity, respectively.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48211151","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Długie życie klasyki literatury dziecięcej 儿童文学经典的长寿

Literatura Ludowa Pub Date : 2022-12-01 DOI: 10.12775/ll.3.2022.008

Dariusz Piechota

引用次数: 0

Race and Horror in HBO’s Lovecraft Country HBO电视剧《洛夫克拉夫特国度》中的种族与恐怖

Literatura Ludowa Pub Date : 2022-12-01 DOI: 10.12775/ll.3.2022.005

Mariusz Woźniak

{"title":"Race and Horror in HBO’s Lovecraft Country","authors":"Mariusz Woźniak","doi":"10.12775/ll.3.2022.005","DOIUrl":"https://doi.org/10.12775/ll.3.2022.005","url":null,"abstract":"This article is an analysis of the HBO series Lovecraft Country in terms of the elements of racism and traditional horror elements present in it, including elements typical of the prose of one of the genre’s creators, H. P. Lovecraft. The purpose of the article is to explore typical horror elements that appear in the series and show how the authors of the series combine traditional horror with the horror of everyday life in the oppressed Black community in 1950s America. At the beginning of the article, the series and its main idea are described. The article then takes up the subject of the portrayal of racism in the series, specific examples of which are presented and discussed in terms of their compatibility with the realities of America at the time. The article also discusses elements related to the antiracism movement – situations presented in the series that exemplify the character’ struggle against racism are shown. Then the otherness depicted in the series is discussed – not only racial otherness, but also gender and sexual otherness; in this part of the article, otherness is given as a reason for oppression by society. The article also explores the use of traditional elements of horror genre in the series – it indicates which scenes in the series use the traditional concepts of the horror genre, and attempts to show which characters in the series function as monsters in the story. At the end of the article, it is explained how the series draws inspiration in the works of Lovecraft, whose name appears in the very title of the series.","PeriodicalId":32873,"journal":{"name":"Literatura Ludowa","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46355409","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0