{"title":"Light storm PLUS","authors":"He-Lin Luo, I-Chun Chen, Y. Hung","doi":"10.1145/3004257.3004479","DOIUrl":"https://doi.org/10.1145/3004257.3004479","url":null,"abstract":"In the analogue world, electronic signals are based on waveforms. Transmissions of sound waves, light waves, and water waves, all use waveforms to transmit vital information directly related to energy distribution, making waveforms an integral part of our daily lives. The art work Light Storm PLUS uses power generated by waveforms to control the motor of a high-speed rotation device transmitting electroluminescent (EL) cold light. The artwork replicates the shape of wave forms in the real world, thus the light waveforms fluctuate with same rhythm as they do in the analog world. Through interacting with the artwork, people sense that their bodies are key to the transmission of data, as they become active components in the feedback loop, but also become part of the mechanism of transmission.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"141 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130156632","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The unbearable lightness and heaviness of being","authors":"Yuko Oda","doi":"10.1145/3004257.3004472","DOIUrl":"https://doi.org/10.1145/3004257.3004472","url":null,"abstract":"In the sculptural installation, The Unbearable Lightness and Heaviness of Being, rapid prototyping machines were used to print the 3D forms, which were then installed in unique formations with other natural materials. This work contains conceptual and formal contradictions. Conceptually, it embodies an existence of opposing forces - depicting organisms in flight, but rooted. Structurally, the natural and synthetic are fused; fragile, intricate forms made of plastic and advanced digital technologies are juxtaposed with organic matter.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"291 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115917343","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Bodygraphe","authors":"E. Bravo, T. McGraw, Aaron Zernack","doi":"10.1145/3004257.3004476","DOIUrl":"https://doi.org/10.1145/3004257.3004476","url":null,"abstract":"Bodygraphe is an interactive, visual music application that unifies gestural computing with live performance art. Dancers become instruments and conductors that wholly generate graphics and sounds that correspond with their movements in real time. This video is the result of a process in computational aesthetics that explores the relationship between the body and form. Most specifically, we were inspired by visual art avant-gardes that prioritized expressive geometry, such as the Neo-concrete movement of the 1950s. Trough this project, we seek to make an aesthetic statement while also offering new implications for research regarding the interconnectivity between body and technology.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"164 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114522976","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Journey through the centre_01","authors":"Keith Brown","doi":"10.1145/3004257.3004473","DOIUrl":"https://doi.org/10.1145/3004257.3004473","url":null,"abstract":"My sculptures are born out of the direct, spontaneous, manipulation of geometry in a multi-dimensional cyber space where material, as we understand it, does not exist. In the cyber environment 3D entities may be encouraged to behave in ways not achievable through physical means. These virtual sculptures, made manifest through 3D printing, act as a vehicle which transports us to this strange and wonderful \"other place' --- to an environment where physics, materiality and gravity, play no part, freeing form from material constraints, and transcending our given understanding of how objects behave in the world, presenting us with truly new aesthetic experiences.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128713835","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
Wei-Peng Kuo, Jian-Wun Jhemg, Chia-Hsiang Lee, P. Lin
{"title":"Sympathist","authors":"Wei-Peng Kuo, Jian-Wun Jhemg, Chia-Hsiang Lee, P. Lin","doi":"10.1145/3004257.3004488","DOIUrl":"https://doi.org/10.1145/3004257.3004488","url":null,"abstract":"The Sympathist is an exploration of scenery as imagined by our brains. In the digital age, we spend most of our time in cyberspace exchanging information and knowledge; we are more familiar with tools connecting us to cyberspace than to the real environment. Our five senses, originally meant to accept natural frequencies, have been altered by uncoordinated artificial frequencies, so that we are forgetting our original feelings. This work links the brain wave detector to virtual scenes and brain landscapes. The viewers embark on a journey the moment they put on the device, as detected brain data is immediately reflected on the virtual scene. With input from the audience, the device gradually delves into the deepest layer of consciousness. When consciousness loses itself in a trance, it quickly returns to a starting point of rationality. The brain wave detector enables us to let go of rationality and meander around our instincts and deepest memories.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131627461","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"NARCISSUS","authors":"Santiago Echeverry","doi":"10.1145/3004257.3004487","DOIUrl":"https://doi.org/10.1145/3004257.3004487","url":null,"abstract":"NARCISSUS is an experimental video and series of large format prints created using the Kinect sensor and Processing 2.0. The works explore the nature of love and tension in the line. The ambiguity of perspective in 3D imagery makes it appear as if the main character in the piece is both lover and loved at the same time, reinforcing the idea of a passionate need that cannot be fulfilled. This work is inspired by a 1976 drawing of Colombian artist Luis Caballero, who died of AIDS in 1995, whose work was a painfully ecstatic, homo-erotic portrait of a generation that was just coming out of the closet. Almost 40 years later, we find ourselves in a Lipovetskian era, where narcissism appears to counterbalance the erotic angst. The actor's performance is altered due to the usage of technologies that question the traditional role of the video camera's single point of view.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"12 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114961960","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Homes","authors":"T. Waliczky, A. Szepesi, Jane Prophet","doi":"10.1145/3004257.3004485","DOIUrl":"https://doi.org/10.1145/3004257.3004485","url":null,"abstract":"Homes presents the interior spaces where people from the fishing village of Tai O live. The installation includes the everyday objects with which they surround themselves. Two LCD monitors show virtual interiors of two village houses. Visitors to the installation can wander these virtual interior spaces by using trackballs attached to each screen. A large photo showing the street where the houses are located is on a facing wall.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"69 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130346234","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"MovISee","authors":"Yen-Ting Cho, Yen-Ling Kuo, Yen-Ting Yeh","doi":"10.1145/3004257.3007171","DOIUrl":"https://doi.org/10.1145/3004257.3007171","url":null,"abstract":"MovISee is a digital software for people to create personal visual outputs. We use a depth camera to create mixed reality for people to explore the selected information and ultimately transform their understanding the ability of their body movement to create composite customized visual outputs. In short, it is a system to recreate information and explore personal creativity. The results reveal the sedimentary relative movements through filming; time and space are deconstructed to the extent that meaning is shifted and interpretations become multifaceted; multi-layered images are created in which the fragility and instability of our reality is questioned.","PeriodicalId":325371,"journal":{"name":"SIGGRAPH ASIA 2016 Art Gallery","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-11-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126779186","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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