Zbornik Radova Akademije Umetnosti最新文献_第8页

Changing is duration: An interview with Gordana Kaljalović Odanović 改变持续时间:对Gordana kaljaloviki odanoovic的采访

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/zbakum1801008m

Manojlo Maravić

{"title":"Changing is duration: An interview with Gordana Kaljalović Odanović","authors":"Manojlo Maravić","doi":"10.5937/zbakum1801008m","DOIUrl":"https://doi.org/10.5937/zbakum1801008m","url":null,"abstract":"Rođena 1951. u Beogradu. Diplomirala na Fakultetu likovnih umetnosti, Beograd 1975. i na Filoloskom fakultetu, odsek anglistike, 1977. Magistrirala na Fakultetu likovnih umetnosti/metal/. Radila kao kustos Galerije Doma Jugoslovenske armije 1978 - 1993. Studijski boravak: Pariz, Cite Internationale, 1986, 1990. Zaposlena na Akademiji umetnosti u Novom Sadu od 1993. Redovni profesor Akademije umetnosti, Univerziteta u Novom Sadu od 2006. do 2016. Realizovala 26 samostalnih izložbi i oko 20 kustoskih projekata u Srbiji i bivsoj Jugoslaviji, kao i Grckoj i ucestvovala na preko 200 grupnih izložbi u zemlji i inostranstvu. / Klivlend, London, Solun, Santa Barbara, Vervije i dr. / Dobitnik vise nagrada - Godisnje nagrade Galerije Kolarcevog narodnog univerziteta, Nagrade ULUS-a za malu plastiku, nagrade Jesenjeg salona, nagrade TV za doprinos kulturi povodom autorske izložbe Poetika linije. Realizovala skulpturu u eksterijeru 2005. Kakslautanen, Finska. Vodila radionicu za studente u Firenci 2005, 2006, 2007. u okviru Outside project. Jedan broj radova joj je u vlasnistvu muzeja u zemlji / Narodni muzej, Beograd; Muzej savremene umetnosti, Beograd; Muzej grada Beograda; Muzej savremene umetnosti Novi Sad; Muzej Zepter, Beograd; Muzej rudarstva i metalurgije Bo; Narodni muzej, Kraljevo, Pljevlja, Muzej u Iloku i dr. / i privatnih kolekcija u inostranstvu / Muzej žena, Santa Barbara, USA, Vervije, Belgija, Lamija, Hora, Lefkada, Grcka. Kustoski projekti - Poetika linije, Grad magicni univerzum, Intimni program za studiju predmeta u enterijeru, Skok u prazno, Afrodita između mita i stvarnosti, Promenljivi pejzaž, Grafit materija i energija spiritualne teritorije, Izbliza iz daleka 2014-2018 i dr.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"8-14"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71215445","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The importance of guitar handbooks by Georgije Milanovich and Ivan padovec in music education and methodology of guitar teaching in South Slavic region 米拉诺维奇和帕多维奇的吉他手册在音乐教育中的重要性及南斯拉夫地区吉他教学的方法论

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/ZBAKUM1801148E

D. Erak

引用次数: 0

Musical combinatorics, tonnetz, and the CubeHarmonic 音乐组合，tonnetz和立方和声

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/ZBAKUM1801104M

Maria Mannone, Eri Kitamura, Jiawei Huang, Ryo Sugawara, Y. Kitamura

引用次数: 0

Waltz as one of the spaces of grotesque in Alfred Schnittke's works 华尔兹作为阿尔弗雷德·施尼特克作品中的怪诞空间之一

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/ZBAKUM1801117I

Tijana Ilišević

{"title":"Waltz as one of the spaces of grotesque in Alfred Schnittke's works","authors":"Tijana Ilišević","doi":"10.5937/ZBAKUM1801117I","DOIUrl":"https://doi.org/10.5937/ZBAKUM1801117I","url":null,"abstract":"Humour, as one of the most vital phenomena of human nature and culture, has maintained the status of a special category, which evades being defined accurately. Esti Sheinberg thinks that a prerequisite for experiencing a musical piece as comic is the existence of certain incongruity among its meaningful units. She considers musical irony, satire, parody and the grotesque as correlatives of semantic ambiguities, which use two or more layers of meaning. She emphasises irony as a structural prototype for all other modes of ambiguity. Regarding irony as a phenomenon based on mutually excluding components of semantic opposites, Sheinberg makes a distinction in relation to the grotesque, which originates as a result of juxtaposition of aesthetic units, when contradictory semantic pairs are formed. The irresolvable ambiguity of the grotesque is the result of acceptance, not negation of all aspects of the representing subject. The hyperbolical nature of the grotesque in music is manifested through heightening the extreme within the framework of given parameters, while the exaggerations are noted as such in relation to the standard perceived as a human body and voice. The Dance of Death brings to the fore one of the most significant features of the grotesque - the acknowledgement and accumulation of contradiction, with no tendency to their conciliation. The selected compositions for this study are the examples of macabre waltzes in Alfred Schnittke's opus. After their analysis, a certain level of incompatibility among the meaningful elements of the piece has been located and determined, as well as the relationship between the form and content, and the level of deviation from the set norm. Taking into account the importance of the relationship between the body and movement in general and the grotesque, the significant part of the paper is devoted to Hatten's theory of musical gesture.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"117-134"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71215694","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A film study through the prism of psychoanalytic and analytic understanding of art and creativity 通过精神分析和对艺术和创造力的分析理解的棱镜来研究电影

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/ZBAKUM1801187R

Danijela Rakočević-Medojević

{"title":"A film study through the prism of psychoanalytic and analytic understanding of art and creativity","authors":"Danijela Rakočević-Medojević","doi":"10.5937/ZBAKUM1801187R","DOIUrl":"https://doi.org/10.5937/ZBAKUM1801187R","url":null,"abstract":"The field of our interest is psychology of art, that is, the united structural and functional aspects which deal with both the artist and the process of creating artwork, as well as with the very process of the reception of art and the process of its perception. Using the postulates of psychoanalytic and analytic theory, we present a case study - a film, through the prism of Freud and Jung. Psychoanalytic film theory (Freud) analyses the phenomenon of film with the emphasis on the personal and individual aspects of the creator, while analytic psychology (Jung) accentuates the archetypal approach to universality where the artwork is considered as a unique entity with the elements and patterns that can be found in other creative products. Comparing psychoanalytic and analytic approaches in interpreting art and film, a survey of basic terms is given in an attempt to determine, explain and interpret psychological process of the artist and artistic creation. Sublimation, catharsis and regression on the one side, to artistic sublimation, projective identification and reparation, including the concepts such autonomous complex, collective and personal unconscious. These are all the conceptual instruments used by theorists both in psychology and in art in order to better understand the process of creativity, art production and its reception.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"187-195"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71215886","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Teaching methods of traditional dances in cultural-artistic societies: Case study of children's groups from Pančevo and Bačka Palanka 文化艺术社会中传统舞蹈的教学方法:以pan<s:1> evo和ba<e:1> ka Palanka儿童团体为例

Zbornik Radova Akademije Umetnosti Pub Date : 2018-01-01 DOI: 10.5937/ZBAKUM1801158D

Svetlana Đačanin

{"title":"Teaching methods of traditional dances in cultural-artistic societies: Case study of children's groups from Pančevo and Bačka Palanka","authors":"Svetlana Đačanin","doi":"10.5937/ZBAKUM1801158D","DOIUrl":"https://doi.org/10.5937/ZBAKUM1801158D","url":null,"abstract":"Dance, as a syncretic entity of movement and music, has been present in the life of people since ancient times. Through dance, people express their emotions, aesthetic needs, physical and musical abilities. Besides its expressive function, dance can also be an educational means. In contemporary ethnochoreology traditional dances, which are nowadays taught systematically only at cultural-artistic societies, are not considered from the aspect of upbringing and educating children. This study is part of the research conducted for the purpose of a master thesis. The author of the study attempted to demonstrate on the example of three cultural-artistic societies how learning and mastering traditional dances can influence the child's development. The paper points to different methods of working in cultural-artistic societies from Pancevo and Backa Palanka. The aim of the paper is to show the similarities and differences in the approach to working with children in the cultural-artistic societies, as well as to indicate, by analysing certain traditional dances, how their mastering can influence the development of certain skills and abilities.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"158-170"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71216165","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Olivier's 'Essay on Hamlet' 奥利维尔的《哈姆雷特随笔》

Zbornik Radova Akademije Umetnosti Pub Date : 2017-01-01 DOI: 10.5937/ZBAKUM1705014K

Zoran Koprivica

引用次数: 0

Music is the thing that comes from the head and from the heart: An interview with maestro Mladen Jagust 音乐是一种来自头脑和心灵的东西:对艺术大师姆拉登·贾格斯特的采访

Zbornik Radova Akademije Umetnosti Pub Date : 2017-01-01 DOI: 10.5937/ZbAkUm1705009P

Ira Prodanov

{"title":"Music is the thing that comes from the head and from the heart: An interview with maestro Mladen Jagust","authors":"Ira Prodanov","doi":"10.5937/ZbAkUm1705009P","DOIUrl":"https://doi.org/10.5937/ZbAkUm1705009P","url":null,"abstract":"Mladen Jagust (10.decembar 1924, Sunja, Kraljevina SHS, danas Hrvatska), jedan je od najistaknutijih jugoslovenskih dirigenata horske, operske, simfonijske i oratorijumske literature, s uzornom međunarodnom karijerom. Jos kao mladic dirigovao je horom u svojoj osnovnoj skoli, i kasnije, u gimnaziji. Pored toga, svirao je violinu, klavir i harmoniku. Na zagrebackoj Muzickoj akademiji bio je ucenik cuvenog Fridriha Cauna kod koga je diplomirao 1949. godine. Svoje prakticno osposobljavanje za dirigentski poziv poceo je jos 1945. godine s Horom 'Ivan Goran Kovacic',koji je i osnovao. Radio je i s Kamernim horom Radio Zagreba, te kao korepetitor i dirigent zagrebacke Opere. Rukovodi Horom i Orkestrom Umetnickog ansambla Doma JNA u Beogradu u periodu 1957-66, a dirigent i direktor Opere i Baleta Srpskog narodnog pozorista u Novom Sadu bio je od 1. jula 1966. do 31. decembra 1970. Nakon odlaska iz Novog Sada, bio je dirigent i sef Simfonijskog orkestra i Hora RTV Beograd. Dobitnik je Oktobarske nagrade grada Novog Sada, Oktobarske nagrade grada Beograda, Vukove nagrade, a nagradu Udruženja kompozitora Jugoslavije dobio je za izvođenje domacih autora i snimke tih izvođenja (Kostana, Ohridska legenda, kao i kompletan opus Stevana St. Mokranjca). Delovao je i kao redovni profesor na Akademiji umetnosti u Novom Sadu i Fakultetu muzicke umetnosti u Beogradu, a za rad s Orkestrom novosadske Akademije dobio je i Nagradu za životno delo. Gostovao je u Austriji, Belgiji, Engleskoj, Italiji, Kanadi, Kubi, Mađarskoj, Maroku, Nemackoj, Poljskoj, Rusiji, Rumuniji, Svajcarskoj i Ukrajini, kao i u svim vecim centrima bivse Jugoslavije. Osamdeset godina života i 60 godina umetnickog rada obeležio je izvođenjem Rekvijema Đuzepea Verdija 2004. godine, a Bramsov Requiem izveo je u decembru 2016. godine s Orkestrom i Horom RTV Beograd, kako sam istice, 'za sebe'. Tokom citavog života, paralelno s dirigovanjem, posvetio se i slikarstvu i ostvario brojne izložbe, uglavnom akvarela.","PeriodicalId":31481,"journal":{"name":"Zbornik Radova Akademije Umetnosti","volume":"1 1","pages":"9-13"},"PeriodicalIF":0.0,"publicationDate":"2017-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71214936","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

John Cage's Aria viewed through the prism of contextual determination 约翰·凯奇的《咏叹调》从语境决定的角度来看

Zbornik Radova Akademije Umetnosti Pub Date : 2017-01-01 DOI: 10.5937/ZBAKUM1705132R

B. Radovanović

引用次数: 0

Embodiment, sound and visualization: A multimodal perspective in music education 体现、声音与视觉化:音乐教育的多模态视角

Zbornik Radova Akademije Umetnosti Pub Date : 2017-01-01 DOI: 10.5937/ZBAKUM1705120F

Sandra Fortuna

引用次数: 3