米拉诺维奇和帕多维奇的吉他手册在音乐教育中的重要性及南斯拉夫地区吉他教学的方法论

D. Erak
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引用次数: 0

摘要

19世纪第四个十年,在南斯拉夫地区第一次出现了两本手册,两所吉他学校——格鲁吉亚·米拉诺维奇的手稿在塞尔维亚出版,克罗地亚作曲家伊万·帕多维奇的印刷版在维也纳出版。通过对这两本手册的比较分析,可以确定它们都包含了以当时欧洲印刷吉他手册的方式学习演奏技术的基本方法说明。在旋律,节奏,速度,动力,agogics和修饰方面的基本理论术语进行了解释,因此它们也代表了业余音乐家的音乐理论手册。用于演奏乐器的技术改进的示例具有古典和声风格的旋律和和声特征,适合在吉他上演奏。在历史背景下,这两本手册代表了南斯拉夫地区吉他教学方法的早期开端。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
The importance of guitar handbooks by Georgije Milanovich and Ivan padovec in music education and methodology of guitar teaching in South Slavic region
In the fourth decade of the 19th century, for the first time in the South Slavic region, two handbooks, two guitar schools appeared - Georgije Milanovich's publication in manuscript in Serbia, and the printed publication by the Croatian composer Ivan Padovec published in Vienna. It has been determined by comparative analysis of the handbooks that they both contain the basic methodological instructions for learning the techniques of playing in the manner of European printed guitar handbooks of the time. The basic theoretical terms in the area of melody, rhythm, tempo, dynamics, agogics and embellishments are explained, thus they also represent handbooks of music theory for amateur musicians. The examples intended for the technical improvement of playing the instrument have melodic and harmonic characteristics of the classical harmonic style in the keys suitable for playing on the guitar. In the historical context, the two handbooks represent the early beginnings of guitar teaching methods in the South Slavic region.
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