{"title":"Verdad y saber en Zambrano. Hacia una onto-ético-epistemología","authors":"Begonya Sàez i Tajafuerce","doi":"10.1344/aurora2019.20.8","DOIUrl":"https://doi.org/10.1344/aurora2019.20.8","url":null,"abstract":"espanolEn lo que sigue voy a tratar de ir tras la huella de la pregunta por la verdad y por el saber que le corresponde, huella que atraviesa la obra de Maria Zambrano y que constituye, a mi entender, el nervio de su pensamiento, mediante una lectura atenta de lo que en Persona y democracia. La historia sacrificial llama «conocimiento historico», con el fin de sentar las bases de lo que podria conducir a una onto-etico- epistemologia. EnglishIn what follows, I will try to devel-op the question concerning truth and the knowledge of truth, which runs through the entirety of Maria Zambrano’s work and which, to my understanding, constitutes the core of her thinking by means of a close reading of what in Persona y democracia. La historia sacrificialshe calls “historical knowledge”, in order to establish the grounds for what could lead to an ontoeth-ic-epistemology.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"100-108"},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66368533","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"O «Logos» Musical da Democracia","authors":"Maria João Neves","doi":"10.1344/aurora2019.20.6","DOIUrl":"https://doi.org/10.1344/aurora2019.20.6","url":null,"abstract":"EnglishIn her book Persona y democracia, Maria Zambrano focuses on a collective perception of time. She considers that the natural place of the human is neither nature nor solitude but something intermedi-ate: society. It is the time of social coexistence that matters most to her here, considering it the foun-dation of historical time. In order to gain access to it, the philosopher relies on musical parameters and metaphors that she skilfully em-ploys in her analyses. This article intends not only to highlight these musical tools but to demonstrate how the musical logos is the most suitable way to access the zambra-nian concept of democracy. portuguesNo seu livro Persona y democracia, Maria Zambrano concentra-se numa percecao colectiva do tempo. Considera que o lugar natural do homem nao e nem a natureza nem a solidao, mas sim algo intermedio: a sociedade. E o tempo da convi-vencia social que mais lhe importa agora, por considera-lo o funda-mento do tempo historico. Para a ele aceder, a filosofa socorre-se de parâmetros e metaforas musicais que empregara com pericia ao longo da sua analise. Este artigo pretende nao so evidenciar estas ferramentas musicais, mas demons-trar como o logos musical e o modo percetivo mais adequado para aceder ao conceito zambraniano de democracia.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"79 1","pages":"62-70"},"PeriodicalIF":0.0,"publicationDate":"2019-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66368399","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Érase una vez «un reino de literatura...»","authors":"C. D. P. D. Rocca","doi":"10.1344/aurora2018.19.10","DOIUrl":"https://doi.org/10.1344/aurora2018.19.10","url":null,"abstract":"espanolEn este articulo se analiza, a partir de distintos textos de Javier Marias, la historia del reino de Redonda: un «reino junto al mar» a la vez real y ficticio con mas de una lengua pero sin subditos, una dinastia literaria que no se transmite por la sangre y cuyo rey sin soberania no es otro, actualmente, que el propio Marias. EnglishThis paper presents an analysis, based on different texts by Javier Marias, of the history of the Kingdom of Redonda: a «kingdom bythe sea», both real and fictitious, with more than one language but without subjects; a literary dynasty that is not transmitted by blood and whose king without sovereignty is no other, at present, than the very Marias himself.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"104-113"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367492","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Desencantar a Dulcinea, o Zambrano novelando a Cervantes","authors":"María Ortega","doi":"10.1344/aurora2018.19.7","DOIUrl":"https://doi.org/10.1344/aurora2018.19.7","url":null,"abstract":"espanolEste trabajo aborda la idea de novela de Maria Zambrano a la luz de su reflexion sobre el Quijote. La hipotesis explorada viene dada por la definicion zambraniana de novela como «lugar de revelacion». Atraves de un analisis del problema de la ambiguedad, del personaje de Dulcinea y del uso excepcional del genero narrativo que Zambrano hace en «Lo que le sucedio a Cervantes: Dulcinea», se concluye apuntando a una doble caracterizacion: de la novela, basada en elsuceso y en la historia vivida, y de la verdad —contenido de la revelacion—como proceso de creacion. EnglishThis paper tackles Maria Zambrano’s idea of the novel in light of her assessments of Don Quixote. Thehy pothesis explored comes from Zambrano’s definition of the novelas a «place of revelation». Through analysis of the question of ambiguity, the character of Dulcinea, and the particular use of narrative by Zambrano in the text «Lo que le sucedio a Cervantes: Dulcinea», wecan conclude a dual characterization: on the one hand, the novel based on the unfolding of eventsand lived history, and, on the other, the truth – the content of revelation– as a process of creation.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"25 1","pages":"68-80"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367846","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La novela como razón pedagógica en María Zambrano","authors":"Elena Pérez Mejuto","doi":"10.1344/aurora2018.19.8","DOIUrl":"https://doi.org/10.1344/aurora2018.19.8","url":null,"abstract":"espanolEl caracter interdisciplinario de este articulo, entre filosofia, literatura y pedagogia, propone un acercamiento a la lectura en clave pedagogica de la filosofia de Maria Zambrano, en la que la novela se reitera como fuente de conocimiento que va a la par con la vida. Un conocimiento olvidado en un ambito educativo que, aun hoy, despues de mas de cien anos de pedagogias activas, sigue vinculando el saber con la especializacion tecnica y aquellos conocimientos que acompanan el ritmo del mercado. EnglishThe interdisciplinary nature of this article, sitting between philosophy, literature and pedagogy, suggests a pedagogical reading of Zambrano’s philosophy, in which the novel is reiterated as a source of knowledge that goes hand-in-hand with life. A forgotten knowledge in the field of education which, even today, after more than one hundred years of active teaching and learning, continues to link understanding with technical specialization and knowledge associated to market values.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"82-89"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367911","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"María Zambrano y la novela: una nueva forma de conocimiento","authors":"A. S. Vázquez","doi":"10.1344/aurora2018.19.9","DOIUrl":"https://doi.org/10.1344/aurora2018.19.9","url":null,"abstract":"espanolEste trabajo analiza, por una parte, el realismo narrativo de Benito Perez Galdos a la luz de los clasicos espanoles que le sirven de referencia, de autores como Dickens, Balzac o Zola, y de la compania critica de Leopoldo Alas, Clarin. Por otra parte, se detiene en las reflexiones de Maria Zambrano sobre el novelista canario para mostrar tanto la distancia que guardan en relacion con Ortega, como su cercania a otros autores (Menendez Pidal —y el Centro de Estudios Historicos—, Americo Castro, entre otros). El trabajo concluye con la idea de que la lectura que Zambrano realiza de Galdos apunta a un pensamiento sobre la historia esencial y sobre la novela (en su forma realista) como forma de conocimiento, cuestiones que Zambrano ve desplegadas con especial sabiduria en la escritura del autor de Fortuna y Jacinta, novela especialmente querida por Zambrano, junto a Misericordia. EnglishThis paper presents an analysis of, firstly, the narrative realism of Benito Perez Galdos, with reference to the Spanish classics and authors such as Dickens, Balzac and Zola, and then of the literary criticism of Leopoldo Alas «Clarin». It also considers Maria Zambrano’s reflections on the Canarian novelist to show both their distance from Ortega as well as their proximity to other authors (Menendez Pidal, and the Centro de Estudios Historicos; and Americo Castro, among others). The paper concludes with the idea that Zambrano’s reading of Galdos ultimately points to an idea about essential history and the realist novel as a source of knowledge. According to Zambrano, these ideas are extensively deployed in the writings of the author of Fortuna and Jacinta, a novel that, along with Misericordia, she especially admired.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"90-102"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66368286","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"María Zambrano, lectora de «Paradiso»","authors":"María Carrillo Espinosa","doi":"10.1344/aurora2018.19.3","DOIUrl":"https://doi.org/10.1344/aurora2018.19.3","url":null,"abstract":"espanolEste articulo presenta una discusion sobre las palabras liminares de Maria Zambrano a Paradiso, la famosa novela de Jose Lezama Lima. La interpretacion de Zambrano es original. Ella destaca elviaje espiritual del protagonista Jose Cemi y encuentra una explicacion mistica del erotismo lezamiano. Asi, se cuestionara la pertinencia de esta lectura y se pondra en dialogo con estudios contemporaneos sobre el escritor cubano. EnglishThis paper presents a discussion of Maria Zambrano’s preliminary comments on Paradiso, the famous novel written by Jose Lezama Lima. Her interpretation is quite original, as she emphasizes the spiritual journey of the protagonist Jose Cemi and finds a mystical explanation for Lezama’s eroticism. The pertinence of this reading is questioned and compared with contemporary studies on the Cuban writer.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"26-33"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367605","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Novela y novelería en María Zambrano","authors":"M. García","doi":"10.1344/aurora2018.19.6","DOIUrl":"https://doi.org/10.1344/aurora2018.19.6","url":null,"abstract":"espanolMaria Zambrano entiende que no es posible una comprension total del hombre sin las aportaciones de las diversas formas de creacion por la palabra. En este trabajo se pretende dilucidar si la filosofa considera que la novela, ese nuevo genero que inaugura la Modernidad en Occidente, es capaz, comolo fue la Tragedia y lo es aun el genero lirico, de enriquecer el conocimiento del hombre. EnglishMaria Zambrano believes it is impossible to have a complete understanding of the human being without considering the diverse forms of creation using the word. This essay aims to elucidate whether the philosopher considers that the novel, a new literary style that led to Modernity in the Westernworld, is capable — as Tragedy was the past, and the lyrical style still is – of enriching our knowledge of the human being.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"54-66"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367767","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"El sueño de la libertad. Novela y tragedia en «El sueño creador», de María Zambrano","authors":"Antonio Castilla Cerezo","doi":"10.1344/aurora2018.19.4","DOIUrl":"https://doi.org/10.1344/aurora2018.19.4","url":null,"abstract":"espanolEn este articulo propongo una lectura de El sueno creador que partede una tesis de Max Scheler (el serhumano como «animal ascetico»),desarrollandola por recurso a una paradoja relacionada con una afirmacion fundamental de Helmuth Plessner (el ser humano como «animal excentrico»). A esta se anaden ciertas observaciones que me han llevado a aludir a unos pocos novelistas (de Cervantes a Beckett) y personajes tragicos (Edipo, Antigona), asi como a la aportacion de ciertos filosofos espanoles (Ortega y Trias, en particular). EnglishThis paper proposes a reading of El sueno creador based on a thesis of Max Scheler (the human being as “ascetic animal”), and develops by recourse to a paradox related to a fundamental affirmation of Helmuth Plessner (the human being as “eccentric animal”). Additional observations are included, which make reference to several novelists (from Cervantes to Beckett) and tragic characters (Oedipus, Antigone), as well as to the contributions of certain Spanish philosophers (Ortega and Trias, in particular).","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"34-41"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367720","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"La ambigüedad de un género en movimiento","authors":"Ana Bundgård","doi":"10.1344/aurora2018.19.1","DOIUrl":"https://doi.org/10.1344/aurora2018.19.1","url":null,"abstract":"espanolEste articulo trata de la ambiguedad inherente al genero novela desde la aparicion del Quijote de Cervantes. En la exposicion se destaca que la valoracion que Maria Zambrano ha hecho de la ambiguedad ha condicionado su interpretacion de la novela en generaly del Quijote en particular, lo cual se fundamenta marcando las diferencias entre la autora y Ortega y Gasset al respecto. A modo de conclusion, se cierra el articulo con un planteamiento critico sobre la exegesis del Quijote realizada por Maria Zambrano en varios ensayos. EnglishThis article addresses the ambiguity inherent in the novel as a genresince the publication of Don Quixote. Its focus is Maria Zambrano’s assessment of this ambiguity andits import on her understanding of the novel in general and of Don Quixote in particular, the latter marking a fundamental difference between her interpretation and Ortega y Gasset’s. The article concludes with a critical assessment of Zambrano’s reading of Don Quixote as she expressed it in numerous essays.","PeriodicalId":31420,"journal":{"name":"Aurora papeles del Seminario Maria Zambrano","volume":"1 1","pages":"6-16"},"PeriodicalIF":0.0,"publicationDate":"2018-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"66367413","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
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