Litera最新文献

{"title":"Discursive formulas of response in Modern Greek","authors":"E. Onufrieva, I. Tresorukova","doi":"10.25136/2409-8698.2023.12.69250","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.69250","url":null,"abstract":"\u0000 The article is dedicated to the study of discursive formulas of response in Modern Greek. Discursive formulas of response, i.e. idioms which are used in speech as a reaction to what was previously said by the interlocutor and which reproduce some of the phonetic properties of the previous utterance, constitute one of the most language-specific layers of phraseology and pose a difficulty for a correct decoding and translation. The aim of the article is to describe the little-studied material of Modern Greek formulas of response, to determine their types and specific properties and to identify typical communicative situations in which they are used. The study is based on the instances of use of such structures in literary works, internet texts, movies and series in Modern Greek, along with data from dictionaries. Methods of structural, semantic, contextual and comparative analysis are used. The findings of the study provide evidence that in Modern Greek there exist structures corresponding to the definition of discursive formulas of response. Eight types of such structures can be distinguished based on the type of the initiating utterance: reactions to a question; reactions to an address; reactions to an expression of agreement or disagreement; reactions to an expression of opinion or an evaluation; reactions to a factual statement; reactions to a greeting, a farewell or a well-wish; reactions to an expression of gratitude; reactions to a directive. It is shown, however, that the key role in every case is played by the actual lexical make-up of the initiating utterances. From the authors’ point of view, what is particularly interesting for the comparative analysis of discursive formulas of response in different languages is the fact that some Modern Greek formulas of response have the form of a curse or of an ill-wish.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":" 4","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138613359","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"S.G. Chavain's novel \"Elnet\": the unity of the Mari language, folklore and traditions","authors":"G. Shkalina","doi":"10.25136/2409-8698.2023.12.69202","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.69202","url":null,"abstract":"\u0000 The article contains an analysis of the genre content and poetics of the novel \"Elnet\" by the classic of Mari literature Sergey Grigoryevich Chavain in the unity of the Mari language, folklore and cultural traditions of the Mari people. The work is considered as a \"linguistic metaphor\", in the context of ideological issues of the epoch, as an intellectual novel in the Mari national literature. The author's concept associated with the archetypal image of the Elnet River, symbolically placed in the title of the work, is revealed, its connection with the writer's ideological plan, as well as with the Mari national and world cultural tradition, its literary and artistic context is revealed. Considerable attention is paid in the article to the consideration of this image as an expression of the traditional ancestral faith, the core of which is the worship of nature and the cultivation of the human in man in the bosom of the \"accommodating and nurturing landscape\" (the term of Lev Gumilev).  The article is devoted to a comprehensive and interdisciplinary study of the classic novel of Mari literature. The content of the actual literary text of the novel is considered in a broad socio-cultural context, through the prism of the mythological, philosophical, and aesthetic views of the Mari people. 3. The article proves that the name of Sergei Grigoryevich Chavain is one of the most fateful for the Mari nation; the author of the novel \"Elnet\" was concerned about the state of the intellectual and cultural status of the nation, its world–building horizon; the writer remains today a \"singer of the people\", a vivid symbol of national life. For the first time in regional science, the question is raised about the main levels of the Mari world created in the novel \"Elnet\" by Sergei Grigoryevich Chavain, vividly traced in the title image – the image of Elnet; they are defined in the article as follows: 1) Elnet as a tributary of the Volga, one of the most beautiful rivers in the territory of the Mari territory; 2) Elnet as the motherland, the Ecumene; 3) Elnet as the \"golden\" world of wonderful Mari songs; 4) Elnet as the prophetic Path of the Mari people. The story of Mari, understood by S. Chavain, is a Road leading into the distance behind an open door, at the same time it is a spiritual process fueled by a rich cultural heritage, currents of the present, and a dream of accomplishment.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":" 8","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138614219","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"L. N. Tolstoy's Pattern in the cultural landscape of Crimea","authors":"Elena Romanovna Kotliar, Oksana Vladimirovna Reznik, Natal'ya Yur'evna Gotsanyuk","doi":"10.25136/2409-8698.2023.12.69161","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.69161","url":null,"abstract":"\u0000 The cultural landscape as a concept is not a homogeneous formation, but, like a mosaic, includes patterns of cultures, both ethnic groups and state and other entities, religions, professional traditions, art, literature, science. Outstanding personalities who have contributed to the culture of the area have a separate role. The Crimean cultural landscape is rich and diverse, which is natural for a multiethnic region with a rich centuries-old history. Many outstanding figures of culture and art have contributed to the cultural landscape of Crimea, such as artists I.K. Aivazovsky, M.A. Voloshin, K.F. Bogaevsky, poets and writers A. Mickiewicz, A. S. Pushkin, I. Shmelev, architects A. N. Beketov, P.Ya. Saferov and N.P. Krasnov, composer A. Karamanov, ethnographer and sociologist N.Y. Danilevsky and many others. The subject of this article is the contribution to the cultural landscape of Crimea of the outstanding writer, cultural and philosophical figure, Leo Nikolaevich Tolstoy. Research methods used in the article are: the method of historicism in retrospect of the details of the cultural landscape of the Crimea, the method of historiography in clarifying the concept of cultural landscape, the associative-artistic method in comparing what L.N. Tolstoy wrote about the Crimea and its contribution to the cultural landscape. The scientific novelty of the research consists in understanding L. N. Tolstoy's contribution to the cultural landscape of Crimea. The cultural landscape of Crimea is rich and diverse due to both the unique natural and climatic zone and the geographical location of the peninsula on the way from east to west, which since ancient times has led to the polyethnicity, polylingualism, and multi-confessional nature of the Crimean cultural ecumene. The formation of the Crimean cultural landscape was influenced not only by communities, but also by prominent personalities who lived and/or visited the peninsula at different times. The contribution to the Crimean culture of the famous writer, philosopher, educator L. N. Tolstoy consists in his deep philosophical understanding of the local cultural flavor, expressed in the cycle \"Sevastopol stories\", as well as in the diaries of the writer, where he talks about Crimea as a place whose beauty and harmony embodies the philosophical harmony of thought, understanding by man and his the eternal pursuit of goodness and light as the goal of life.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":" 34","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138619096","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Special vocabulary of the Russian sublanguage of social work in the stratification aspect","authors":"A. E. Mezit, Tatyana Anatolevna Kattsina","doi":"10.25136/2409-8698.2023.12.68702","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.68702","url":null,"abstract":"\u0000 The article examines the vocabulary of the Russian sublanguage of social work from the standpoint of stratification terminology, identifies and characterizes the varieties of terminological vocabulary, as well as special names functioning in the lower case of the sublanguage. The object of the study is the sublanguage of social work employees. The subject of the study is the lexical composition of a special sublanguage of social work. The following methods were used in the course of the study: the method of selective receipt of special texts, the sociolinguistic method, the functional-semantic method and the method of linguistic description. The author considers the studied vocabulary from the standpoint of genesis, formal-structural criterion, motivation, on the basis of correlation with logical categories. The results of the study identified stratification categories of special vocabulary of the Russian sublanguage of social work, carried out the classification of special units by genesis, from the standpoint of formal structural criteria, on the basis of motivation and correlation with logical categories. It is revealed that the key functions of the special vocabulary in the studied sublanguage are nominative and cognitive. In the course of the research, the conclusion is made about the \"maturity\" of the special vocabulary of the sublanguage of social work and its high linguistic informativeness. The scientific novelty of the research lies in the fact that for the first time (within the framework of the problems of modern linguistics) a comprehensive analysis of the vocabulary of the Russian sublanguage of special work was carried out, stratification categories of professional vocabulary of the sublanguage of social work were identified.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"570 ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139012922","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"From the search for the \"quiet girl\" in N. Gumilev's poetry","authors":"Polina V. Porol, O. A. Porol","doi":"10.25136/2409-8698.2023.12.69122","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.69122","url":null,"abstract":"\u0000 N. Gumilev's appeal to the theme of China can be traced in a number of his poetic texts, the pinnacle of which can be called the cycle of poems \"Porcelain Pavilion\" (1918). The study examines one of the dominant Chinese images in N. Gumilev's poetry – the image of a Chinese girl, clearly visible among the space of poetic texts created by the poet – both Chinese and Russian. Special attention is paid to the interpretation of poetic works, the semantics and functioning of the image of a Chinese girl in the poet's perception are analyzed. During the research, the authors of the article turn to the cultural and historical realities of China, its philosophy and mythology. China and Russia are separated in N. Gumilev's mind and, at the same time, merged into one in a number of works. The reasoning and conclusions of the authors of the article are based on critical research, a comparison of two cultures.   The analysis of poetic works was carried out in the semantic aspect using the search for textual parallels. The study was carried out using the structural-semiotic method. What was new in the work was the identification and interpretation of the image of a Chinese girl in N. Gumilev's poetry. During the research, the following poetic works were analyzed: \"The Queen\" (1909), \"I believed, I thought...\" (1911), \"The Girl\" (1912), \"The Moon on the Sea\" (1918), \"The Road\" (1918), \"The Three Wives of the Mandarin\" (1918). In the cycle \"Porcelain Pavilion\", the image of a Chinese girl occurs nine times. The genesis of the \"quiet girl\" in the poems under consideration is revealed. It was found that the image of a Chinese girl corresponds to the \"canons of the image\" of Nothing (\"The Queen\"). The image of a Chinese girl symbolizes the outcome of human existence in a world without God, without being in its highest sense (\"I believed, I thought...\"). In the poem \"Moon on the Sea\", as in the subsequent poems of the cycle \"Porcelain Pavilion\" (\"Connection\", \"Poet\", \"House\"), N. Gumilev adheres to the Chinese tradition, comparing the female image with the moon.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":" 7","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138615518","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"''Visible is a symbol'': Nature as an animated creature pictured by Russian and German romantics","authors":"N. M. Il'chenko, Elena Gennad'evna Chernysheva","doi":"10.25136/2409-8698.2023.12.69146","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.12.69146","url":null,"abstract":"\u0000 The topicality of the research refers to the problem of national identity, national code, embodied among other spheres of spiritual life and in literature. Romantics' worldview was composed on the foundation of folklore, myth and literary tradition. The system of symbolic motifs of 'infancy' and 'pre-earth life', affinity of souls, joining in death and others became significant elements of the works in the Romanticism period. The study object is the collection of writings connected to natural-philosophic ideas of Nature as a living creature. The subject-matter of the research is national identity of Romanticism, manifested in the peculiarities of Nature perception. In the process of analysis, a comprehensive literary approach was used, combining historical-literary, historical-genetic, comparative-typological methods, which made it possible to establish the specifics of the embodiment of ideas about Nature by writers of Russia and Germany of the Romantic era. Presenting the natural-philosophic system of life conception, the writers relied on F. Schelling's philosophy. It is demonstrated that Russian romantics associate the origin of ideal female images with Heaven (angel-woman) and German romanticists – with the Earth (flower woman). Angel woman and flower woman help the characters to understand the essence of the existence. Natural symbols used in the works (sky, earth, flower atc.) and other symbolic images (melody, kiss, icon etc.) convey the specific mystic world understanding of the authors. Novelty of the research lies in the analysis of dominant images, that makes it possible to determine 'the independence of the face' of romantics in Russia and Germany, basing on the idea of a man dependent on Nature that existed in the developed national tradition. This approach makes it possible to specify the understanding of the particular characteristics of archetypic female images presented in ethnic-cultural sphere.\u0000","PeriodicalId":31345,"journal":{"name":"Litera","volume":"317 3","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-12-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"138625750","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"A.A. Fet's Lyrics in the Interpretation of V. Solovyov: on the question of methodology","authors":"Yuliya Yur'evna Anokhina","doi":"10.25136/2409-8698.2023.11.68832","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.11.68832","url":null,"abstract":"The present study is aimed at identifying specific features of the methodology of interpretation of Russian lyrics by V.S. Solovyov. The article raises the question of the methodological tools of Solovyov's interpretive strategy on the example of his approach to the lyrics of A.A. Fet. In particular, an immanent analysis of the article \"On lyrical poetry. About the last poems of Fet and Polonsky\" (\"Russian Review\", 1890). The compositional features of the work are studied, the complex of problems that Solovyov puts forward in connection with his proposed interpretation of Fet's lyrics is considered. At the same time, special attention is paid to the problem of creating an artistic image of the poet in Solovyov's poem \"A.A. Fet, October 19, 1884\" - a poem inspired by the presentation of the first Pushkin Prize to Fet for the complete translation of Horace. The methodology presented in this article for the study of Solovyov's approach to Fet's lyrics, as well as his general theoretical calculations about the essence of lyrics as such, are based on the possibilities of logical and semantic contextual analysis of the utterance. The novelty of the research consists in the fact that for the first time the problem of actualization by Solovyov of the dialectic of such properties as \"subjectivity\" / \"objectivity\", \"singularity\" / \"multiplicity\", \"completeness\" / \"openness\", \"form\" / \"content\" when reading Fet's poetry is considered. It is shown that in Solovyov's article \"On lyrical poetry\" this method is used in the disclosure of various aspects. It is argued that the interaction of the properties of \"completeness\" and \"openness\" in Solovyov's presentation of general theoretical issues related to the problem of defining poetry allows the philosopher to deduce the definition of \"pure lyrics\". It is concluded that Solovyov's analysis of the thematic range of Fet's lyrics and his study of the formal features of poetry are based on dialectical principles, which makes it possible to correlate the philosopher's approach with the hermeneutic tradition.","PeriodicalId":31345,"journal":{"name":"Litera","volume":"53 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"135763712","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Structure and functions of the fabulous media narrative of the Instagram social network (using motivating content as an example)","authors":"Dmitrii Nikolaevich Pavlov","doi":"10.25136/2409-8698.2023.11.69086","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.11.69086","url":null,"abstract":"The research task set by the authors is based on an attempt to analyze the phenomenon of the media narrative in a structural and functional aspect. The selected material includes publications of a social network banned in the Russian Federation for promoting Instagram photos. For the study, the authors selected three thematically representative accounts (the total number of subscribers is 600 thousand) and five materials containing information about the success stories of various celebrities. The subject side of the analysis includes narrative functions (motives) that can be found in these publications. The relevance of this work lies in the manipulative power of the above-mentioned materials and their ability to bring a person into an active motivated state. It is noted that such materials can carry a psychological and terrapeutic function for the viewer. The methodological basis is the narrative theory of V.Y. Propp, which assumes the decomposition of the material into invariant composite blocks necessary for the construction of a media story. The scientific novelty of the research lies in the need for the presence of such content in the media space. Since the authors of the study provide a universal set of mandatory narrative matrices, bloggers, firstly, get the opportunity to save time when creating publications, and secondly, they get the opportunity to bring the audience into an active motivated state through the success story of a famous personality. Among the most important conclusions, the authors note the exceptional popularity of the narrative motives of departure, struggle, transfiguration, victory and accession (wedding). They contain the main elements of the narrative. Similarly, the authors note that differences in the creation of materials (videos, texts, illustrative material) do not affect the interest of viewers and do not exclude the above-mentioned fairy-tale motives. Consequently, due to the fact that such materials are highly popular, the authors claim that they have an important social function.","PeriodicalId":31345,"journal":{"name":"Litera","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139294470","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The image of a \"new woman\" in the novel \"Virgin Soil\" by I. S. Turgenev and in the short story \"Mourning the Dead\" by Lu Xun","authors":"Xiaoting Wu","doi":"10.25136/2409-8698.2023.11.68968","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.11.68968","url":null,"abstract":"The object of this article is the image of \"new woman\" in Russian and Chinese literature. The subject of the study is the correlation between the characters of two heroines, Zijun and Marianna, who are the bearers of a new female identity, in the story \"Mourning the Dead\" by Lu Xun and the novel \"Virgin Soil\" by I. S. Turgenev. The aim of the study is to identify the main factors that determined different outcomes of the storyline of these characters, despite the similarity of their fates. In order to achieve the set goal, it is necessary to solve the following tasks: 1) to reveal the personality of the two characters by analyzing their life path, as well as the beginning and end of their respective love; 2) to analyze the author's intention based on the socio-historical context of the period of creation of these two works. The following methods were used during the study: comparative method, method of holistic analysis of a literary work, as well as cultural-historical method. The scientific novelty of the work lies in the fact that the article is the first attempt to compare Lu Xun's short story \"Mourning the Dead\" with I. S. Turgenev's novel \" Virgin Soil \", with special attention paid to the opposite denouement of the stories of Zijun and Marianna. Based on the analysis, it is concluded that the outcome of the fates of these heroines is directly related to their perceptions of their own lives and love, which are conditioned, in turn, by the different intentions of the authors regarding the logic of the development of their characters. The scientific significance of the study lies in the fact that the data obtained not only reveal the ideas about the image of the \"new woman\" in general, but also contribute to a deep comparative understanding of the analyzed books, which can contribute to the field of comparative literary studies between Russia and China.","PeriodicalId":31345,"journal":{"name":"Litera","volume":"11 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139300667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Reflections on Chinese studies of Russian women's prose","authors":"Li Chai","doi":"10.25136/2409-8698.2023.11.69051","DOIUrl":"https://doi.org/10.25136/2409-8698.2023.11.69051","url":null,"abstract":"The active development of women's prose is an important phenomenon in world literature. After the 1980s, a large number of works by Russian writers were translated in China, which attracted more attention of Chinese Russian scholars. The subject of the research is the historical and cultural prerequisites for the study of Russian women's prose in China and the current state of research on this prose. The relevance of the article can be determined by the fact that with the rapid changes in the socio-cultural environment, the study of women's prose in China gradually demonstrates a systematic and interdisciplinary growing trend, thanks to which it is possible to take a fresh look at the study of Russian women's prose in China. Russian writers' main translated works and the main studies of Chinese scientists on Russian women's prose, published since 1942 to the present, are the material of the study. The research method is the analysis of review materials and generalization of philology researches opinions. The author's special contribution to the research of the topic is the answers received to questions about the context, development, current state and directions of studying Russian women's prose in China. Conclusions are drawn that 1992 is an important moment, before that Chinese scientists mainly paid attention to the translation of foreign women's literature, including Russian, after 1992, through a practical analysis of Western feminist theories in literary studies, Chinese researchers proposed the concept of \"soft feminism\", which influenced the development of women's prose in China, which led to attention to the inner world of a woman, her role not only in the family, but also in culture and history.","PeriodicalId":31345,"journal":{"name":"Litera","volume":"70 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-11-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"139303548","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}