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Perancangan Alat Pengumpul Jelaga di Kendaraan Beroda Empat

ARS Pub Date : 2023-04-28 DOI: 10.24821/ars.v26i1.6959

Vanessa William, David Widyanto

{"title":"Perancangan Alat Pengumpul Jelaga di Kendaraan Beroda Empat","authors":"Vanessa William, David Widyanto","doi":"10.24821/ars.v26i1.6959","DOIUrl":"https://doi.org/10.24821/ars.v26i1.6959","url":null,"abstract":"Jelaga atau PM 2.5 merupakan salah satu partikel polusi yang dihasilkan dari pembakaran tidak sempurna dari mesin pembakaran yang biasa digunakan pada kendaraan bermotor. Pada masa ini di kota metropolitan seperti Jakarta, konsentrasi jelaga di udara terus meningkat sehingga mengancam kesehatan manusia dan keseimbangan lingkungan. Faktor-faktor utama yang menyebabkan peningkatan konsentrasi jelaga di Jakarta adalah peningkatan jumlah kendaraan bermotor sebagai alat transportasi sehari-hari. Penelitian ini bertujuan untuk merancang sebuah alat pengumpul jelaga yang mudah digunakan dan dipasang ke kendaraan bermotor serta efisien dalam ekstraksi jelaga. Penulis merancang produk ini juga bertujuan untuk mengurangi jelaga di udara dan membantu mengajak masyarakat terlibat dalam proses tersebut. Dalam proses perancangan, penulis melakukan studi literatur, observasi pada knalpot kendaraan bermotor, mencari data statistik, menyusun analisa permasalahan, dan eksperimen. Data-data yang terkumpul kemudian diuji berdasarkan beberapa prinsip desain sehingga menghasilkan solusi yang ideal. Studi ini merupakan pengembangan prototype pertama yang masih dalam tahap pengembangan dan produk yang dirancang oleh penulis berhasil menarik perhatian calon pengguna dari segi konsep dan eksekusi desain.","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2023-04-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41666607","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Imrich Esterházi a jeho historiografia pri výskume dejín umenia 伊姆里希·埃斯特哈齐及其历史研究

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0011

Katarína Orviská

引用次数: 0

Dominikánsky kostol v Košiciach – niekoľko poznámok k pretrvávajúcim dilemám 巴斯克的多明尼加教会——对持续困境的几点评论

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0008

Bibiana Pomfyová

引用次数: 0

Communicating Identity of Patrons Through Works of Art: Donatello’s David and the Medici. Reflections and Interpretations 通过艺术作品传达赞助人的身份：多纳泰罗的《大卫与美第奇》。反思与解读

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0009

M. Mrázová

引用次数: 0

Patrón dynastie a mesta? Sv. Ján Almužník a jeho kult pri formovaní dynastickej a mestskej identity 王朝和城市的格局？圣约翰·阿尔穆日尼克和他的崇拜塑造了一个充满活力的城市身份

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0010

Veronika Kucharská

引用次数: 0

Pokus o interpretáciu rytých symbolov na fasáde kaplnky sv. Margity Antiochijskej v Kopčanoch

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0006

Martin Illáš

{"title":"Pokus o interpretáciu rytých symbolov na fasáde kaplnky sv. Margity Antiochijskej v Kopčanoch","authors":"Martin Illáš","doi":"10.31577/ars-2022-0006","DOIUrl":"https://doi.org/10.31577/ars-2022-0006","url":null,"abstract":"On the south facade of the chapel of St. Margaret of Antioch in Kopčany (Slovakia), there are two stones with engraved symbols. On one of the stones, the signs X, X in a rectangular frame and a schematically depicted face surmounted by three crosses are engraved. On the second stone, only the signs X and some simple lines are carved very indistinctly. Only the signs on the first stone are the subject of the analysis. The sign X can be interpreted as a Christogram. The rectangular frame around the second sign X can be interpreted as a symbol for the whole world or universe. The face with the three crosses can be considered an image of Christ. The signs as a whole composition probably symbolize Christ, his sacrifice, salvation through his death on the cross, the universal effect of salvation and saving from eternal death and perdition. The symbols had probably a protective function for the church and for the community of the faithful who used the church as well as for the buried in the cemetery. For these symbols, their meaning and function can be found analogies made in similarly reduced form and dimensions from the early Middle Ages (6 th –10 th centuries) in the territory of France, Germany, Switzerland or Austria.","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-12-19","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44484436","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Right of Art, the Principle of the Artist, the Imperative of the Scholar. The Example of a Romanesque Sculptor’s Workshop in the Context of the Law of the Frame 艺术的权利，艺术家的原则，学者的要求。框架法则语境下的罗马式雕塑家工作室实例

ARS Pub Date : 2022-12-19 DOI: 10.31577/ars-2022-0007

P. Waszak

引用次数: 0

K problému nových systémov reprezentácie krajiny 新的国家代表制问题

ARS Pub Date : 2022-08-01 DOI: 10.31577/ars-2022-0002

Zora Rusinová

{"title":"K problému nových systémov reprezentácie krajiny","authors":"Zora Rusinová","doi":"10.31577/ars-2022-0002","DOIUrl":"https://doi.org/10.31577/ars-2022-0002","url":null,"abstract":"The paper focuses on some fundamental issues of landscape representation systems in connection with new technologies and scopic regimes. It is based mainly on environmental aesthetics and ecology criteria, which present it as a summary and complex space with certain specific natural, social, eco nomic and political relationships. In this sense, it also follows the basic theses of the Anthropocene philosophy and its iconography using non-traditional artistic methods combining creativity and research with digital visualisation possibilities. Using examples from contemporary art, text mainly reflects the visualisation of the landscape in three systems of its technical representation, namely projects that use mapping, graphic data and technical images of satellite technologies as well as Google Earth imaging systems, GPS method and neutrality of Google Street View Photography. It shows how the original sensory-perceptual, ideologically uninterested approach to depicting the landscape has now changed to the so-called visually objectified and ecologically engaged. The text aims to demonstrate that from the point of view of art history, the application of digital, especially satellite technologies in the field of artistic creation, also calls for some comparisons with older models of landscape and world representation.","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46884581","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

A. A. L. / A. L. L. alebo Ada (časť I.) A.A.L./A.L.L.或Ada（第一部分）

ARS Pub Date : 2022-08-01 DOI: 10.31577/ars-2022-0001

Monika Mitášová

{"title":"A. A. L. / A. L. L. alebo Ada (časť I.)","authors":"Monika Mitášová","doi":"10.31577/ars-2022-0001","DOIUrl":"https://doi.org/10.31577/ars-2022-0001","url":null,"abstract":"This paper is composed of two parts. The first one deals with the question of modes of depiction (notations, diagrams, algorithms, sketches) related to the scientific and artistic study of natural and cultural systemic phenomena, dynamic systems and open systems, including extra-systemic phenomena, singularity, and a chance. The question is how system-related scientific and artistic modes of depiction inspire each other? The second part of this paper tackles a question of scientific and artistic imagina tion in the concept of poetic science (Augusta Ada, Lady Lovelace). This first part traces answers to the questions mentioned above in Ada Lovelace‘s education, study and work preceding her translation and interpretation of Babbage‘s Analytical engine. The number of her diagrammatic notes also included a first known (computer) algorithm. At that time, landscape painters studied scientific diagrams of atmospheric phenomena (rainbow, clouds, light reflection and refraction etc.) and developed specific approaches to sketching and notating air motion and light changes in the Earth‘s atmosphere that are associated with weather and climate and transformed them in accordance with their painting programs. This process is traced in sketches, paintings and texts of landscape painters Constable, Turner and Ruskin. Ruskin‘s ty pology of sketches concludes this part by referring to his drawings, paintings, and daguerreotypes. This first part aims to offer an introductory differentiation of possible and actual relations between scientific and artistic depictions introducing notations, diagrams, and algorithms in comparison with three of Ruskin‘s types of sketches: 1) experimental, 2) determinant, 3) commemorative.","PeriodicalId":31329,"journal":{"name":"ARS","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45387697","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Pôdorys chrámu v súčasnom umení. Príklad Larvy Bohdana Hostiňáka 寺庙在当代艺术中的基础。Larva Bohdan医院示例

ARS Pub Date : 2022-08-01 DOI: 10.31577/ars-2022-0003

Adrian Kobetič

引用次数: 0