Etudes Armeniennes Contemporaines最新文献_第8页

Témoigner malgré toutLes récits des victimes du génocide des Arméniens face aux violences sexuées 尽管有亚美尼亚种族灭绝受害者面对性暴力的叙述，但仍要作证

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/EAC.987

J. Chabot, M. Doucet, Sylvia Kasparian

{"title":"Témoigner malgré toutLes récits des victimes du génocide des Arméniens face aux violences sexuées","authors":"J. Chabot, M. Doucet, Sylvia Kasparian","doi":"10.4000/EAC.987","DOIUrl":"https://doi.org/10.4000/EAC.987","url":null,"abstract":"Depuis deja deux decennies, les travaux menes a partir d’une approche genree des genocides ont profite d’un renouvellement des methodes et des questionnements. C’est ainsi que les recherches sur le genocide des Armeniens ont explore les violences specifiques commises contre les femmes. Dans cette perspective, les travaux des chercheurs issus de differentes disciplines ont montre que l’ideologie genree (ou gender ideology) a joue un role determinant des le debut du genocide des Armeniens avec la separation et le massacre des hommes. Quant aux femmes, elles sont victimes de viols, d’enlevements, d’esclavage sexuel et de conversions forcees a l’islam. Selon plusieurs chercheurs, ces elements font tous partie d’un programme genocidaire « d’assimilation biologique ». A partir d’une approche multidisciplinaire qui conjugue histoire et linguistique, nous voulons interroger les recits des temoins du genocide des Armeniens en lien avec les violences sexuees perpetrees contre les victimes. Dans cette perspective, notre analyse porte sur le contenu enonciatif des temoignages et sur les dispositifs rhetoriques par lesquels ils representent les violences sexuees infligees aux victimes. Notre corpus est compose de temoignages livres et publies au plus pres de l’evenement. Celui-ci est analyse au prisme d’outils informatiques de pointe en analyse du discours.","PeriodicalId":31125,"journal":{"name":"Etudes Armeniennes Contemporaines","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2016-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70071026","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Cultural Erasure: The Absorption and Forced Conversion of Armenian Women and Children, 1915-1916 文化抹去:1915-1916年亚美尼亚妇女和儿童的吸收和强迫转换

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/EAC.997

Ümit Kurt

引用次数: 5

Stefan Ihrig, Justifying Genocide in Germany. Violence against the Ottoman Armenians and German reactions, from Bismarck to Hitler Stefan Ihrig，为德国的种族灭绝辩护。对奥斯曼亚美尼亚人的暴力和德国人的反应，从俾斯麦到希特勒

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/eac.1051

R. Kévorkian

引用次数: 0

Marc Fromager, Guerres, pétrole et radicalisme. Les chrétiens d’Orient pris en étau Marc Fromager，战争，石油和激进主义。东方基督徒陷入困境

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/eac.1053

Taoufik Bourgou

引用次数: 0

Adnan Çelik et Namık Kemal Dinç, Yüz Yıllık Ah ! Toplumsal Hafızanın Izinde. 1915 Diyarbekir 吹祈祷女神，吹百年女神！Toplumsal Hafızanın Izinde。1915 Diyarbekir

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/eac.1040

Duygu Tasalp

引用次数: 0

Bedross Der Matossian, Shattered Dreams of Revolution: From Liberty to Violence in the Late Ottoman Empire 《破碎的革命之梦:奥斯曼帝国晚期从自由到暴力》

Etudes Armeniennes Contemporaines Pub Date : 2016-06-30 DOI: 10.4000/eac.1043

Yaşar Tolga Cora

引用次数: 0

Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter 艺术家和革命者:作为奥斯曼亚美尼亚画家的帕诺斯·特勒梅齐安

Etudes Armeniennes Contemporaines Pub Date : 2015-12-30 DOI: 10.4000/EAC.893

Gizem Tongo

{"title":"Artist and Revolutionary: Panos Terlemezian as an Ottoman Armenian Painter","authors":"Gizem Tongo","doi":"10.4000/EAC.893","DOIUrl":"https://doi.org/10.4000/EAC.893","url":null,"abstract":"Probably no painter in the late Ottoman Empire was at war with the ruling block more than the Ottoman Armenian artist Panos Terlemezian (1865-1941). Terlemezian was politically active against the Ottoman state’s periodic repressions of its Armenian subjects during the absolutist regime of Sultan Abdulhamid II (r. 1876-1909) and also during the Armenian Genocide of 1915. As such his early life was scarred by prison and exile. Yet neither his political commitments nor his constant displacements prevented him from becoming the most talented of painters, first, of modern Ottoman art, and then, of modern Armenian art. Focusing on the period 1885-1915, this paper explores Terlemezian’s “initial identity” as an Ottoman-Armenian painter; situating him within both the history of the late-Ottoman Empire in which he became a revolutionary and within the international art world with which he interacted as he was developing as an artist. This paper concludes that Terlemezian’s story points to a cosmopolitan and integrated art world in Ottoman Istanbul, but only in brief periods of historical opportunity, suggesting how the political agendas of a state can create extraordinary circumstance in an artist’s life.","PeriodicalId":31125,"journal":{"name":"Etudes Armeniennes Contemporaines","volume":"1 1","pages":"111-153"},"PeriodicalIF":0.0,"publicationDate":"2015-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70070713","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 2

The Unknown Craftsman Made Real: Sopon Bezirdjian, Armenian-ness and Crafting the Late Ottoman Palaces 不知名的工匠成为现实:Sopon Bezirdjian，亚美尼亚和制作晚期奥斯曼宫殿

Etudes Armeniennes Contemporaines Pub Date : 2015-12-30 DOI: 10.4000/EAC.883

Alyson Wharton-Durgaryan

{"title":"The Unknown Craftsman Made Real: Sopon Bezirdjian, Armenian-ness and Crafting the Late Ottoman Palaces","authors":"Alyson Wharton-Durgaryan","doi":"10.4000/EAC.883","DOIUrl":"https://doi.org/10.4000/EAC.883","url":null,"abstract":"Sopon Bezirdjian (1839-1915) was an Armenian subject of the Ottoman Empire, born in Constantinople. He spent his earlier professional life designing the decorative programs for the palaces of Sultan Abdulaziz (r.1861–76), such as Beylerbeyi (1865) and Ciragan (1871), which were built under the management of the architect Serkis Balyan. This essay draws attention to legacy of Sopon, which has been virtually written out of the historiography. In contrast to recent interpretations that foreground cosmopolitanism, this essay stresses the Armenian nature of the teams that were responsible for these works of the 1860s to 70s and starts to place the role of Sopon within these teams. It also, through looking at Sopon’s archive of drawings, investigates Sopon’s engagement with his Ottoman, Armenian and the European (he moved to England around 1880) sides to his identity and shows how Armenian aspects were increasingly coming to the foreground as political strains increased. This essay puts forward the case for the highlighting the Armenian-ness behind the crafting of late Ottoman architecture and for the centrality of this working milieu to later communal transformations.","PeriodicalId":31125,"journal":{"name":"Etudes Armeniennes Contemporaines","volume":"1 1","pages":"71-109"},"PeriodicalIF":0.0,"publicationDate":"2015-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70070642","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Gendered Narratives of Loss and Survival through Art Practice 艺术实践中失落与生存的性别叙事

Etudes Armeniennes Contemporaines Pub Date : 2015-12-30 DOI: 10.4000/eac.935

Helin Anahit

引用次数: 0

Photography and the Empty Landscape: Excavating the Ottoman Armenian Image World 摄影与空景:发掘奥斯曼亚美尼亚影像世界

Etudes Armeniennes Contemporaines Pub Date : 2015-12-30 DOI: 10.4000/EAC.859

D. Low

引用次数: 5