Dalhousie French Studies最新文献_第3页

Création du Groupe d’études dumasiennes 成立杜马斯研究小组

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089975ar

引用次数: 0

Disillusionment and Death in Ourika and “La Noire de...” 《奥里卡》和《黑色的…》的幻灭与死亡

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089969ar

S. Rangarajan

引用次数: 0

Hommage à Marie-Claire Blais

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089974ar

Kirsty Bell, L. Gauvin, Herménégilde Chiasson, Oriel C. L. MacLennan, Paula Ruth Gilbert, Anne de Vaucher Gravili, Marie-Andrée Bergeron

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A Madame Bovary for a New Millennium: Leïla Slimani’s Dans le jardin de l’ogre (2014) 《新千年的包法利夫人:蕾拉·斯利曼的食人魔花园》(2014)

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089968ar

H. Christiansen

{"title":"A Madame Bovary for a New Millennium: Leïla Slimani’s Dans le jardin de l’ogre (2014)","authors":"H. Christiansen","doi":"10.7202/1089968ar","DOIUrl":"https://doi.org/10.7202/1089968ar","url":null,"abstract":"Best known for her 2016 suspense novel, Chanson douce, Leïla Slimani first attracted attention for her novel about a female sex addict, Dans le jardin de l’ogre. Having realized that women never figure in media accounts of sexual addiction, she immersed herself in Leo Tolstoy’s Anna Karenina, François Mauriac’s Thérèse Desqueyroux, Joseph Kessel’s Belle de jour, and Gustave Flaubert’s Madame Bovary. Reviewers of Dans le jardin de l’ogre often mention the latter in passing, and Slimani herself has identified Emma as one of her favorite heroines, but thus far there has been only one scholarly study that deals with specific connections between the two novels. While they seem unlikely bedfellows on the surface—Flaubert’s text is a traditional nineteenth-century roman de formation that unfolds in linear fashion, while Slimani’s is decidedly modern in subject and in its slippage back and forth in time—a close reading reveals numerous uncanny similarities in narrative technique, characterization, themes, and motifs. It is hard to imagine a more promising pairing to test Julia Kristeva’s theory that “tout texte se construit comme mosaïque de citations, tout texte est absorption et transformation d’un autre texte” (85). This study shows that Dans le jardin de l’ogre is one of those mosaics that has “absorbed” many of Madame Bovary’s salient features and “transformed” them into something quite modern and distinctive.","PeriodicalId":311064,"journal":{"name":"Dalhousie French Studies","volume":"14 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127089563","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

Marguerite Duras, le judaïsme et l’interdit du N/nom dans Le camion et La pluie d’été 玛格丽特·杜拉斯，犹太教和禁止在卡车里和夏天的雨

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089971ar

Rebecca Josephy

{"title":"Marguerite Duras, le judaïsme et l’interdit du N/nom dans Le camion et La pluie d’été","authors":"Rebecca Josephy","doi":"10.7202/1089971ar","DOIUrl":"https://doi.org/10.7202/1089971ar","url":null,"abstract":"In the script and film, Le camion (1977) by Marguerite Duras, a single biblical name – “Abraham” – emerges from a backdrop of indistinct characters and places. During the film, the name becomes taboo. Thirteen years later, a similar phenomenon occurs in La pluie d’été (1990) when the verse “I, son of David, King of Jerusalem” from Ecclesiastes repeats regularly throughout the text and generates a feeling of discomfort and embarrassment. Furthermore, in this novel, characters are “polynymous”, shifting from one identity to another, one name to another. Here, the act of naming is entirely unique and provokes a deep sense of fear that manifests in the text through the characters’ paroxysmal reactions: cries, screams, howls, and silence. The main focus of this article will be to study the source of this malaise and to determine the prohibitions and taboos that lead to this incredible loss of speech. Thus, in the first part of the article, I examine how and why Duras populates Le camion and La pluie d’été with biblical, Jewish names and the way in which “Abraham” and the “the son of David” in these works become concentrated into a single word and identity: “Jew” or Juden”. In the second part of the article, I explore how the characters’ paroxysmal reactions relate to the difficulty and importance of assigning a name, both in terms of individual identity, but also in terms of the prohibitions and interdictions against divine representation and verbalization in the Hebrew Bible.","PeriodicalId":311064,"journal":{"name":"Dalhousie French Studies","volume":"15 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125351950","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

The Kafkaesque and the Absurd – Fear and Hope in the Writings of Franz Kafka and Albert Camus 卡夫卡式与荒诞——卡夫卡与加缪作品中的恐惧与希望

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089966ar

Lars Straehler-Pohl

{"title":"The Kafkaesque and the Absurd – Fear and Hope in the Writings of Franz Kafka and Albert Camus","authors":"Lars Straehler-Pohl","doi":"10.7202/1089966ar","DOIUrl":"https://doi.org/10.7202/1089966ar","url":null,"abstract":"The world remains silent on the existential questions of human life. This existential silence is the defining moment both in the philosophy of Albert Camus and in the literary work of Franz Kafka. Silence manifests itself in the absurd as well as in the Kafkaesque, but those two perspectives differ in their implications with respect to hope. Kafka’s main protagonists in his three big novels are marked by the fluctuation between hope and fear. The uncertainty of their fate contrasts with the relative stability of Camus’s figures within his philosophy of the absurd. In contrast to prior research, the mythical figure of Sisyphus is here prominently considered. Sisyphus is without hope, whereas Josef K. (The Trial) is bound to it as to fear itself. The comparison of the two figures deviates from the classical analyses of Politzer (1960), Darzins (1960), Gillon (1961) and Bryant (1969), but also from newer approaches such as Viqez Jimenez (2017). Although the topic of hope has been analysed in some of these works, the article stresses the importance of hope in a terminological triplet. It examines hope, fear and silence in a philosophical perspective as a general approach to the Absurd and the Kafkaesque.","PeriodicalId":311064,"journal":{"name":"Dalhousie French Studies","volume":"11 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-06-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114565667","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

IN MEMORIAM : Jean Wilson (1961-2022) 悼念：让-威尔逊（1961-2022）

Dalhousie French Studies Pub Date : 2022-06-22 DOI: 10.7202/1089972ar

引用次数: 0

L’homoérotisme en autotraduction : Le cas de Sud / South de Julien Green 自我翻译中的同性恋:朱利安·格林的南/南案例

Dalhousie French Studies Pub Date : 2021-03-29 DOI: 10.7202/1076096AR

Genevieve Waite

{"title":"L’homoérotisme en autotraduction : Le cas de Sud / South de Julien Green","authors":"Genevieve Waite","doi":"10.7202/1076096AR","DOIUrl":"https://doi.org/10.7202/1076096AR","url":null,"abstract":"As a translingual American writer, Julien Green (1900-1998) wrote a wide variety of novels, plays, short stories, and essays, as well as one of the longest recorded journals of the twentieth century. Among his bilingual texts Green published an important homoerotic play, Sud (1953), which he later translated into English as South (1959) in collaboration with his sister, Anne Green. Although the homoerotic nature of the characters of Green’s novels has been examined in certain critical texts, the evolution of this homoeroticism in Green’s self-translated play, Sud / South, has not yet been studied in detail. This article will, therefore, show how Green radically transformed the drama of homosexual love from his first play, Sud (1953), in his self-translation, South (1959), and the effects of these linguistic changes on the reader. More specifically, this critical analysis will demonstrate how Green used a translative approach of the moins-dit in order to conceal a substantial portion of his original French play’s central intrigue. Because of multiple omissions, revisions, and additions in self-translation, Ian Wiczewski’s love for the young Erik Mac Clure, as well as Édouard Broderick’s homosexual orientation, are less visible in South than in Sud. Consequently, Sud and South appear as two very disparate versions of the same text.","PeriodicalId":311064,"journal":{"name":"Dalhousie French Studies","volume":"119 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133413258","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Homosexualité, Islam et désacralisation du pouvoir royal dans Le jour du Roi d'Abdellah Taïa 在阿卜杜拉·塔伊亚国王日，同性恋、伊斯兰教和对王权的亵渎

Dalhousie French Studies Pub Date : 2021-03-29 DOI: 10.7202/1076097AR

T. Berrada

{"title":"Homosexualité, Islam et désacralisation du pouvoir royal dans Le jour du Roi d'Abdellah Taïa","authors":"T. Berrada","doi":"10.7202/1076097AR","DOIUrl":"https://doi.org/10.7202/1076097AR","url":null,"abstract":"In his novel Le jour du Roi Abdellah Taïa explores the theme of alterity in its relation to two political and symbolic forces: expressing one’s self in the language of the Other and narrating homo-erotic and homosexual relationships in Morocco under the dictatorship of Hassan II. It is the translation of these two aspects that leads to the creation of a new narrative about homosexual Franco-Moroccan identity. This narrative, in turn, reveals the instability of a model of identification subjected to a normalizing sexual apparatus controlling bodies and minds in a place where homosexuality is still punishable by law. This renders the identification process for the two main characters of the novel particularly problematic as they can no longer sustain it without going back to the sources of foundational myths and more particularly to the original murder in Islam. This article argues that the killing of one character by the other goes back to the original murder of Abel by Cain, a model which becomes emancipated from the Western Oedipal complex, translating a new conception of a love relation between two male characters. By so doing, it calls for a reevaluation of the normativity imposed by the king who is using his power based on a patriarchal interpretation of religious legitimacy in view of political gain.","PeriodicalId":311064,"journal":{"name":"Dalhousie French Studies","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-03-29","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132494516","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

From Transformative Travels to Translingual Poetics: the "Ultime voyage" of Victor Segalen and François Cheng 从变革性旅行到译语诗学:Victor Segalen和francois Cheng的“终极之旅”

Dalhousie French Studies Pub Date : 2021-03-29 DOI: 10.7202/1076099AR

Xinyi Tan

引用次数: 0