Homosexualité, Islam et désacralisation du pouvoir royal dans Le jour du Roi d'Abdellah Taïa

T. Berrada
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Abstract

In his novel Le jour du Roi Abdellah Taïa explores the theme of alterity in its relation to two political and symbolic forces: expressing one’s self in the language of the Other and narrating homo-erotic and homosexual relationships in Morocco under the dictatorship of Hassan II. It is the translation of these two aspects that leads to the creation of a new narrative about homosexual Franco-Moroccan identity. This narrative, in turn, reveals the instability of a model of identification subjected to a normalizing sexual apparatus controlling bodies and minds in a place where homosexuality is still punishable by law. This renders the identification process for the two main characters of the novel particularly problematic as they can no longer sustain it without going back to the sources of foundational myths and more particularly to the original murder in Islam. This article argues that the killing of one character by the other goes back to the original murder of Abel by Cain, a model which becomes emancipated from the Western Oedipal complex, translating a new conception of a love relation between two male characters. By so doing, it calls for a reevaluation of the normativity imposed by the king who is using his power based on a patriarchal interpretation of religious legitimacy in view of political gain.
在阿卜杜拉·塔伊亚国王日,同性恋、伊斯兰教和对王权的亵渎
在他的小说《国王之日》Taïa中,他探讨了与两种政治和象征力量的关系中的另类主题:用他者的语言表达自我,叙述哈桑二世独裁统治下摩洛哥的同性恋关系。正是这两个方面的翻译导致了一种关于同性恋的法裔摩洛哥人身份的新叙述的创造。反过来,这种叙述揭示了一种身份认同模式的不稳定性,这种模式受制于一种正常化的性装置,这种性装置控制着人们的身体和思想,而在这个地方,同性恋仍然受到法律的惩罚。这使得小说中两个主要人物的身份识别过程变得特别有问题,因为如果不回到基本神话的来源,尤其是伊斯兰教最初的谋杀,他们就无法继续下去。本文认为,一个角色被另一个角色杀死可以追溯到最初的该隐谋杀亚伯,这一模式从西方的俄狄浦斯情结中解放出来,翻译了两个男性角色之间的爱情关系的新概念。通过这样做,它要求重新评估国王强加的规范性,国王使用他的权力,基于宗法对宗教合法性的解释,考虑到政治利益。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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