Acta Iassyensia Comparationis最新文献_第5页

Le monstre dans Thérèse Raquin d’Emile Zola: Représentations et esthétique 埃米尔·左拉therese Raquin中的怪物:表现与美学

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0009

Elyssa Rebai

{"title":"Le monstre dans Thérèse Raquin d’Emile Zola: Représentations et esthétique","authors":"Elyssa Rebai","doi":"10.47743/aic-2022-1-0009","DOIUrl":"https://doi.org/10.47743/aic-2022-1-0009","url":null,"abstract":"Thérèse Raquin, a novel of youth which constituted a decisive turning point in the romantic career of Émile Zola, surprises its reader by the omnipresence of the question of monstrosity and the polysemic use of the word “monster”, thereby revealing Zola’s will to exploit all the richness of the vocabulary and his refusal to confine the term to a fixed and restricted definition. The author uses the word “monster” in a multitude of senses, referring to architectural ugliness, bodily infirmity, behavioral deceit, in order to highlight the transgression of moral and social law. The novel is also striking by its dialectic of the ugly and the beautiful. Our article is therefore aiming to study the monster varieties related to space, bodies and characters in Thérèse Raquin, with some attention provided to the aesthetics of the monstrous. La lecture de Thérèse Raquin, roman de jeunesse qui a constitué un tournant décisif dans la carrière romanesque d’Emile Zola, étonne par l’omniprésence de la question de la monstruosité et de l’emploi polysémique du mot « monstre », décelant par là la volonté zolienne d’exploiter toute la richesse du vocabulaire et son refus de se confiner dans une définition figée et restreinte. L’auteur emploie en effet le mot « monstre » dans une multitude de sens qui renvoie à l’idée de la laideur architecturale, de l’infirmité corporelle, de la fourberie comportementale, mettant ainsi en relief cette transgression de la loi morale et sociale. Cette œuvre frappe également par cette dialectique saisissante du laid et du beau. Notre article se proposerait donc d’étudier les différentes déclinaisons du monstre rattachées à l’espace, aux corps et aux caractères ainsi que le rapport qu’il pourrait entretenir avec l’esthétique et, en particulier, avec l’idée du beau et de l’attirant.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70888173","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Egoul ca monstru lăuntric în poemele lui Jalāl adDīn Muhammad Rūmī și Mahmūd Shabestarī Egoul ca monstru lăuntricîn poemele lui Jalāl adīn Muhammad Rúmīși Mahmúd Shabestong

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0003

Andrei Victor Cojocaru

引用次数: 0

Lo monstruoso en cuatro novelas del siglo XIX 19世纪四部小说中的怪物

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0005

Ana María Alonso Fernández

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Dos pequeños “monstruos” en las novelas contemporáneas de Benito Pérez Galdós 贝尼托·佩雷斯·加尔多斯当代小说中的两个小“怪物”

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0012

Lavinia Similaru

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Book Review: Irina Bădescu (2021). Fragil, cuvântul întrupat: studii de istorie intelectuală şi istorie culturală. Volum îngrijit de Vlad Alexandrescu. Text stabilit de Vlad Alexandrescu şi Adina Ruiu, studiu introductiv şi bibliografie de Vlad Alexandrescu. Bucureşti: Editura Spandugino, 1128 p. 书评：Irina Bădescu（2021）。脆弱，这个词体现了：知识史和文化史研究。弗拉德·亚历山德雷斯库主编。Vlad Alexandrescu和Adina Ruiu建立的文本，Vlad亚历山德雷斯库的介绍性研究和参考书目。布加勒斯特：斯潘杜吉诺出版社，1128页。

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0018

Mădălina Ceciuleac

引用次数: 0

Itinerarium mentis in Monstrum. Saggio su Juan Rodolfo Wilcock 蒙斯特罗姆的精神漫步。关于胡安·鲁道夫·威尔科克的文章

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0010

Giuseppe Crivella

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Bitches and Witches: Grotesque Sexuality in Ovid’s Scylla (Metamorphoses 13.73014.74) 婊子和女巫:奥维德的锡拉中的怪诞性行为(变形记13.73014.74)

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0002

Sophie Emilia Seidler

{"title":"Bitches and Witches: Grotesque Sexuality in Ovid’s Scylla (Metamorphoses 13.73014.74)","authors":"Sophie Emilia Seidler","doi":"10.47743/aic-2022-1-0002","DOIUrl":"https://doi.org/10.47743/aic-2022-1-0002","url":null,"abstract":"As paradigmatic emblems of fantasy and imagination, creative freedom and poetic license, hybrid monsters in Ovid’s Metamorphoses preside over the author’s playful engagement with traditional aesthetic, moral, and societal values, and gendered ideals. This article aims at a subversive reading of one monstrous creature in the final pentad of Ovid’s epic: Scylla (Met. 13.730-14.74). As a monster, Scylla incorporates several misogynistic stereotypes (“doggishness”, puella dura, self-laceration, vagina dentata), but she eventually escapes the objectifying male gaze and finds rest in a stable, permanent shape that is no longer the feminine-gendered battlefield for male heroism. Breaking away from the conventional epic plot structure “male hero wins over feminized beasts and/or beautiful girls”, Ovid considers the Roman national hero Aeneas with but a minimum of attention, while nymphs and women take center stage: Scylla’s transformation from a girl into a monster and, finally, into a geological rock formation, is intertwined with tales about female solidarity and intimacy and about women’s sexual desire, rage, and revenge. While Scylla’s canine bloodlust and Circe’s vengeful magic certainly reproduce typically patriarchal anxieties projected onto women, they are also traces of unruly, recalcitrant femininity within the canonical, male-dominated world of heroic epic.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"22 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70887699","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Book Review: Ileana Oana Macari & Iulia Andreea Milică (Eds.) (2021). Romanian Culture – A Crash Course. Iaşi: Editura Universităţii „Alexandru Ioan Cuza” din Iaşi, 205 p. 书评：Ileana Oana Macari和Iulia Andreea Milică（编辑）（2021）。罗马尼亚文化——速成班。Iaşi：“Alexandru Ioan Cuza”，伊阿西大学出版社，205页。

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0019

Sorin Mocanu

引用次数: 0

Caliban as a Postmodern Puzzle 卡利班是一个后现代的谜题

Acta Iassyensia Comparationis Pub Date : 2022-01-01 DOI: 10.47743/aic-2022-1-0013

E. Ciobanu

引用次数: 0

La haine dans la création littéraire : le cas de George Sand 文学创作中的仇恨:以乔治·桑为例

Acta Iassyensia Comparationis Pub Date : 2021-01-01 DOI: 10.47743/aic-2021-1-0002

Elyssa Rebai

{"title":"La haine dans la création littéraire : le cas de George Sand","authors":"Elyssa Rebai","doi":"10.47743/aic-2021-1-0002","DOIUrl":"https://doi.org/10.47743/aic-2021-1-0002","url":null,"abstract":"Hatred pervades relationships among competing writers. Authors who seek literary fame may many a time face situations revealing the envy and hatred of their rivals or detractors, but hatred often becomes implacable when a woman author is involved. The most reputed case of misogyny among the 19th century writers is that of George Sand. The career of this woman author is marked by clashes and tensions, but despite the hatred and the envy of male writers, the animosity of her detractors and the constraining and degrading prejudices of her epoch, she did not surrender to despair or doubt, and never renounced her literary dreams. She fought against all odds and managed to prove that freedom and competence are not inaccessible to women, that genius can be female. La haine est au fondement de la création littéraire. Celui qui veut gagner une notoriété littéraire doit passer par une série de si tuations qui révèlent l’envie et la haine de ses détracteurs ou rivaux. Mais cette haine littéraire devient implacable lorsqu’il est question de femme auteur. Le cas qui attise le plus de feu de la misogynie littéraire, durant le XIXe siècle, est celui de George Sand. Le parcours de cette femme auteur n’est pas mené sans heurts et tensions, mais malgré la haine et l’envie de ses confrères masculins, l’animosité de ses détracteurs et les préjugés contraignants et avilissants de son époque, elle ne s’est jamais livrée au désespoir ni au doute et n’a jamais abandonné son rêve. Elle a lutté envers et contre tout jusqu’à réussir à démontrer que la liberté et la compétence ne sont pas inaccessibles à la femme, que le génie peut être aussi femelle.","PeriodicalId":30923,"journal":{"name":"Acta Iassyensia Comparationis","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"70886701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0