Studia Litteraria et Historica最新文献

{"title":"Literaturoznawcze aspekty slawistyki w świetle misji słowiańskich filologii narodowych (1848–1939)","authors":"Lech Miodyński","doi":"10.4467/20843933st.22.016.16168","DOIUrl":"https://doi.org/10.4467/20843933st.22.016.16168","url":null,"abstract":"W artykule przedstawiono uwarunkowania rozwoju zarówno uniwersalnych (porównawczo-kontekstowych), jak i partykularnych (narodowych) ujęć w badaniach literatur słowiańskich w okresie ich konstytuowania się w kilku krajach jako ściśle naukowych. Modele etnocentryczne w rozwoju słowianoznawstwa – w równym stopniu w środowiskach małych narodów, jak i mocarstw (Rosja) – opierały się na podstawach pragmatycznych (aktualne misje społeczno-kulturalne poszczególnych wspólnot) oraz ideologiczno-politycznych (wizja misji we wspólnocie wyższego rzędu). W modelach szerszych chodziło zaś często o wykreowanie jednej spójnej tożsamości grupy literatur, konkurencyjnej wobec niesłowiańskich żywiołów cywilizacyjnych. Pokazano w tym kontekście ewolucję wyobrażeń o takiej tożsamości na tle zmian metodologii badawczych po romantyzmie. Wybrane przykłady ilustrują też przemiany spojrzenia na rolę literaturoznawstwa slawistycznego i centrów opiniotwórczych (Wiednia, Pragi, Petersburga, Moskwy) w przedziale czasowym rozciągniętym między ważnymi cezurami: 1848‒1918‒1939.\u0000\u0000ABSTRACT\u0000Slavistic Aspects of Literary Studies in Light of the Mission of the Slavonic National Philologies (1848–1939)\u0000\u0000This article presents, as strictly scientific, the factors that determine the development of both universal (comparative-contextual) and particular (national) approaches in the studies on Slavonic literatures in the period of their constituting in several countries. The ethnocentric patterns in the evolution of Slavonic studies –to the same degree in the communities of small nations and the powers (Russia) –were based on pragmatic (current socio-cultural missions of individual societies) and ideological/political (idea of the mission in the higher category community) foundations. Whereas the broadscale patterns were often concerned with creating the uniform, coherent identity of the group of literatures, competitive towards non-Slavonic civilizational elements. In that context, the article shows the evolution of the images of such an identity against a background of the changes of research methodologies after Romanticism. Chosen examples also illustrate the transformations of the view on function of Slavonic (literary) studies and opinion-making centers (Vienna, Prague, St. Petersburg, Moscow) in the time span between important turning points: 1848‒1918‒1939.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"449 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77023894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Beginnings of Egyptian Science Fiction Literature","authors":"B. Michalak-Pikulska, Sebastian Gadomski","doi":"10.4467/20843933st.22.019.16171","DOIUrl":"https://doi.org/10.4467/20843933st.22.019.16171","url":null,"abstract":"There has been a long debate about the origins of science fiction literature in Egypt. Scholars debate who was the first writer to include motifs of the genre, who made references to it and sought inspiration in it. It is commonly assumed that the beginnings of science fiction in Egypt date back to the late forties or early fifties of the last century, and Taufīq al-Ḥakīm and Yūsuf ‘Izz ad-Dīn ‘Īsàare mentioned as pioneers of the genre. But were they definitely the first writers who alluded to science fiction in their literary works? Did this literary genre in Egypt really appear in the 1940s or 1950s? Drawing on the latest studies, the authors of the article attempt to answer these questions and bring the beginnings of science fiction literature in Egypt closer to the fore. They also seek to highlight the importance of the first examples of SF literature in Egypt and their role in promoting the new literary genre in the country.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"9 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-11-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89115590","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Les phantasmata du mélancolique d’après Louis de Caseneuve (1626)","authors":"Magdalena Koźluk","doi":"10.4467/20843933st.22.011.15599","DOIUrl":"https://doi.org/10.4467/20843933st.22.011.15599","url":null,"abstract":"In Louis de Caseneuve’s Melancholicus aeger emblem, we find a strange imaginary iconographic universe which, through the original associations proposed by the author, was to facilitate the memorization of the most frequent phantasmata in patients with melancholy. In the article, I analyze the engraving of this emblem as well as the Latin commentary that accompanies it. I distinguish five categories: melancholic bestiary, fragility, infirmity, gloomy and prophetic ideas, extravagance ‒the disorders of the senses and of the imagination evoked by the Caseneuvian iconography which, in a representative way, illustrate the pathologies from which melancholics may suffer. I also demonstrate the importance of the mnemonic method present in this medical collection created for didactic purposes, as well as attempt to identify the ancient sources that probably inspired Caseneuve.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"15 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"77054801","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Imaginaire mélancolique et rhétorique sacrée dans La Dernière Semaine de Michel Quillian","authors":"D. Krawczyk","doi":"10.4467/20843933st.22.012.15600","DOIUrl":"https://doi.org/10.4467/20843933st.22.012.15600","url":null,"abstract":"There are few areas of late 16th-century literature in France from which melancholy is absent. Religious literature does not escape it either, as testified by a very popular theme of vanitas. It is also evident in apocalyptic writing where religious rhetoric and melancholy meet. The French apocalyptic epics of the time take advantage of these possibilities to reinforce the effectiveness of the message. This article explores the melancholic landscapes in Michel Quillian’s La Dernière Semaine and considers the place that this imagery and these themes might have had in its author’s parenetic design and rhetorical choices.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"33 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86974610","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La mélancolie marotique. Sur une rime du Psaume 137","authors":"I. Fabre","doi":"10.4467/20843933st.22.010.15598","DOIUrl":"https://doi.org/10.4467/20843933st.22.010.15598","url":null,"abstract":"Marot’s Psalm paraphrases have been widely hailed as a major poetic achievement in French Renaissance poetry. Although Marot wants to stay as close as possible to his biblical source, his rendering of Ps. 137 stands out due to some of its metrical features and tone, as shaped by the initial rime aquatiques-melancoliques, which is totally absent from earlier translations. Far from being ornamental, such an innovative move imparts a new reading to the text, reworking some of its features while thoroughly rephrasing the expression of loss that pervades the entire poem. Engaging in a close exegetical reading of the text, the article aims at showing how Marot achieves to convey a deeper poetic meaning in addressing one of the most violent, excruciating songs of the Psalter, thus turning its bitter harshness into a meditative piece of sorts and a genuine masterpiece, testifying to both his spiritual commitment and his aesthetic position.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"53 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"83253163","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Mélancolie, illusion diabolique et création poétique","authors":"M. Closson","doi":"10.4467/20843933st.22.007.15595","DOIUrl":"https://doi.org/10.4467/20843933st.22.007.15595","url":null,"abstract":"The sixteenth century inherited three discourses on melancholy: the medical, philosophical, and religious ones. While the first presented it as a mental illness linked to a disorder of the humours, the second, with the rediscovery of Aristotle’s Problem XXX, saw it as a sign of creative genius, and the third reminded us that it was, according to Saint Jerome’s expression, the balneum diaboli; it allowed Satan to take possession of the patient’s mind, causing him to hallucinate. So how can we distinguish the melancholy of the genius from the pathology of the same name, especially when the latter is associated with the devil?\u0000\u0000The devil’s ability to create illusory worlds on the border between dream and reality coincides with Renaissance artists’works populated by ghosts, monsters, witches and demons. Could not these scenes, presented both as manifestations of the devil and projections of the hallucinated mind, be linked to the figure of the melancholic artist?","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"88022169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"La mélancolie dans Les Regrets de Du Bellay, sa place parmi les autres humeurs et sa thérapie","authors":"O. Millet","doi":"10.4467/20843933st.22.013.15601","DOIUrl":"https://doi.org/10.4467/20843933st.22.013.15601","url":null,"abstract":"The article aims to clarify the point in literary history concerning the composition of the Regrets by Du Bellay, taking into account the sonnets written on the occasion of the poet’s trip to Italy that he later left out of the collection. This enables us to situate melancholy in the context of the function of all the humours in the book. Already the first part, clearly marked by melancholy, anticipates the therapy developed in the next two parts; therefore, the itinerary of the poet and of the book becomes that of a gradual recovery. Melancholy as a temperament constitutes a new point of departure; it could therefore no longer be presented, as was the case of the omitted sonnets, in the form of simple, medically operable humour crises, but as a temperament to be transformed progressively, from the sense of perdition to the salvation of a recovered balance.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"158 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89312447","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"« Éros mélancolique ». La folie d’amour chez les poètes de la fin du XVIe siècle","authors":"V. Ferrer","doi":"10.4467/20843933st.22.009.15597","DOIUrl":"https://doi.org/10.4467/20843933st.22.009.15597","url":null,"abstract":"The article proposes to show how the poets of the late sixteenth century give new energy to the paradigm of love madness that runs through the literary tradition, from the desperate heroes of the Greco-Latin pastoral to the Roland Furious, not forgetting the “fools-for-love” of the courtly Middle Ages, by taking advantage of expanding philosophic-medical knowledge and a demonic imaginary in vogue.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"7 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"86694937","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Les « reliques cendreuses » de la Ville éternelle. Mélancolie et espoir dans Les Antiquités de Rome de Joachim Du Bellay","authors":"Dorota Szeliga","doi":"10.4467/20843933st.22.014.15602","DOIUrl":"https://doi.org/10.4467/20843933st.22.014.15602","url":null,"abstract":"During his stay in Rome (1553–1557), Joachim Du Bellay composed the collection of sonnets Les Antiquités de Rome, often overshadowed by the more famous Les Regrets. However, the charm of the poems dedicated to the eternal city, and the history of its greatness and fall, is increasingly appreciated. The poet consistently describes the impressions of a sixteenth-century visitor contemplating the image of the ancient city from which only ruins seem to have remained. The mood of melancholy is built by a specific construction of images and appropriately selected vocabulary. It is a vision of the city turned into ruin, where even the honor is turned into ‘ashes’, and the only remnants of the past glory is its name. However, the poet does not want to leave the reader in a mood of despondency, and carefully interweaves melancholic and optimistic motifs: traces of the greatness of ancient Rome have survived in the finest literary works, and Du Bellay himself emphasizes that he is the first French poet to describe the glory of the eternal city. This is also important because the collection is dedicated to King Henry II and is probably conceived to show him the path that France should follow in striving for the perfection of the Roman empire, while avoiding its weaknesses. Therefore, the collection is not only a melancholic reminiscence of ancient Rome, but also a canzoniere dedicated to the beautiful city, where one can find inspiration to build France in the spirit of Gallicanism.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"18 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"89538676","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Entre dépression et ennui. Les étranges mélancolies de Clemens Ianicius (1516–1543)","authors":"Elwira Buszewicz","doi":"10.4467/20843933st.22.006.15594","DOIUrl":"https://doi.org/10.4467/20843933st.22.006.15594","url":null,"abstract":"The purpose of the article is to describe melancholic moods in the elegies of Clemens Ianicius (1516–1543), a prematurely deceased Polish Neo-Latin poet. First, the author recapitulates briefly the poet’s biography (his peasant pedigree, education, studies at the Collegium Lubranscianum in Poznań, interrupted because of his father’s poverty, his fortunes and misfortunes resulting from the ecclesiastical and nobility patronage, his stay and studies in Padua, graduation with doctoral degree, coronation with a laurel wreath, and finally his illness and death). The analysed poems include elegies from two main collections of Ianicius’verses: the Variae elegiae and the Tristia. The author traces the development of the poet’s melancholic temperament, starting with the elegies concerning his favourite patron’s (the Primate Andrzej Krzycki) fever and the mourning after his death, and finishing with the elegies from the Tristia, treating the poet’s disease and sadness.","PeriodicalId":30881,"journal":{"name":"Studia Litteraria et Historica","volume":"21 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2022-08-02","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"73067658","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}