{"title":"Economy or Ethnography?","authors":"Aida Brenko","doi":"10.32458/ei.27.17","DOIUrl":"https://doi.org/10.32458/ei.27.17","url":null,"abstract":"The text depicts the role of Vladimir Tkalčić in the Ethnographic Museum in Zagreb from 1919 to 1934, a period characterised by the so-called diarchy between him and Salamon Berger. Various museological and expert concepts that they represented and implemented were a reflection of new ideas and inherited concepts in turbulent times after World War I and the establishment of a new state, the Kingdom of Serbs, Croats and Slovenes. Tentatively, we can speak of a “scientific” approach and a “commercial” approach that juxtaposed, intertwined, and complemented each other. The data from the museum documentation show that S. Berger understood the activities of the Museum as a continuation of his previous trade and craft practices, while V. Tkalčić sought to introduce museological and scientific principles in the museum work.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"100 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117249471","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Museum of Arts and Crafts as a Generator of New Institutions in the Time of Director Vladimir Tkalčić (1933-1952)","authors":"Jasmina Fučkan","doi":"10.32458/ei.27.14","DOIUrl":"https://doi.org/10.32458/ei.27.14","url":null,"abstract":"Vladimir Tkalčić held the function of Director of the Museum of Arts and Crafts from the beginning of September 1933 to June 1952, which was the period of his vocational maturity – from age 50 until his retirement. The paper provides insight into Tkalčić’s vision of the development of the institution and into his achievements which allowed, already in his lifetime, that practice systems be derived from the Museum of Arts and Crafts and funds be formed as a baseline for the establishment of new institutions in Zagreb, such as the conservation and restoration workshop of the Yugoslav Academy of Sciences and Arts, the Museum of Serbs in Croatia, and the Technical Museum. Interpretations of certain achievements that Tkalčić accomplished in conditions of economic and political instability, in a whirlwind of confusion combined with the violence of wartime, are inevitably imbued with controversy. Examination of the documentation fund of the Museum of Arts in Crafts, in the first place Tkalčić’s legacy and registry books from years of his mandate, provides an insight into the contextual mosaic of his complex endeavours, as well as into the set of his character qualities that supported the principles of professional ethics.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129722417","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Photographic Legacy of Vladimir Tkalčić in the Context of Modern Digitalisation Processes and the Issue of Copyright Regulation","authors":"S. Grković","doi":"10.32458/ei.27.19","DOIUrl":"https://doi.org/10.32458/ei.27.19","url":null,"abstract":"Following the information tendencies of the 21st century, the Cultural Heritage Photographic Documentation Office of the Ministry of Culture and Media decided to present the most valuable and interesting parts of its Photo Library to the general public. Tkalčić’s photographic legacy was one the first sections made available to the public and, in addition, the first one that, from a legal point of view, in accordance with the Copyright and Related Rights Act, required and underwent the copyright regulation procedure. The article addresses professional and legal undertakings related to making Tkalčić’s photographic legacy available to the public.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126610112","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Development of Museological Thought in Croatia and Vladimir Tkalčić’s Place in It","authors":"Žarka Vujić","doi":"10.32458/ei.27.12","DOIUrl":"https://doi.org/10.32458/ei.27.12","url":null,"abstract":"The paper first provides an overview of the historical level of museology and the history of museology as its special aspect because researching the work of a personality from the history of museums in Croatia belongs exactly to this level and aspect of museology. Next, successive stages of the development of museological thought are given, and persons who made contributions in Croatia are identified. In conclusion, it is determined that although Tkalčić cannot be called the initiator of the Croatian museology, as provided in the entry in the Croatian Encyclopaedia, he was an expert on basic theoretical museological concepts, even more so in the field of practical museology, who not only kept track of foreign thought but also laid in practice many foundations related to the furnishing of museum buildings, the principles of good exhibition, and the use of various means of communication, all with an aim to allow also the least educated audience to find museums to be places of education and learning.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"329 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"115967501","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Collection of Carpets and Kilims of the Museum of Arts And Crafts in Zagreb","authors":"Andrea Klobučar","doi":"10.32458/ei.27.18","DOIUrl":"https://doi.org/10.32458/ei.27.18","url":null,"abstract":"The article comprises a contribution to the knowledge of Vladimir Tkalčić’s museological work during his directorship at the Museum of Arts and Crafts in Zagreb (1933–1952). Tkalčić’s role in the creation and presentation of the Museum’s “comprehensive” collection of carpets and kilims is determined in the context of museological practices and research in the field of carpet-making at the time. Based on the analysis of the number and type of carpets and kilims acquired during his term, and an examination of the Museum’s archival material, primary and secondary documentation, it is possible to gain an insight into the history of the collection and Vladimir Tkalčić’s collecting and exhibiting policies.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"72 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"124674348","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Role of Vladimir Tkalčić in the Establishment of the Museum of Arts and Crafts Record-Keeping System","authors":"Antonija Dejanović","doi":"10.32458/ei.27.16","DOIUrl":"https://doi.org/10.32458/ei.27.16","url":null,"abstract":"This paper will attempt to provide an insight into the creation and evolution of the foundation system of museum records of the Museum of Arts and Crafts, which was developed during the directorship of Vladimir Tkalčić (1933–1952) and to a certain extent maintained even after the end of said period. A comparative analysis will show what corresponded and what differed in the mentioned system in managing the museum inventory (or with museum documentation) from the foundation of the Museum of Arts and Crafts (1880) until 1933. Also, special emphasis will be placed on the creation of a central or unique inventory book of the Museum of Arts and Crafts, which (albeit in digital form) is still maintained in the Museum of Arts and Crafts today.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"57 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"126479766","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"The Role of Vladimir Tkalčić in the Establishment of the Ethnographic Museum Record-Keeping System","authors":"Aleksandra Vlatković","doi":"10.32458/ei.27.15","DOIUrl":"https://doi.org/10.32458/ei.27.15","url":null,"abstract":"The paper presents an overview of Vladimir Tkalčić’s activity and role in the establishment and management of museum records of the Ethnographic Museum. Immediately after its founding, approximately 20,000 objects entered the museum’s holdings, therefore, one of the first tasks was their expert processing, inventorying and cataloguing. Thanks to Tkalčić, the foundations of museum’s professional and scientific activity were laid, with an effort to abide by the museological principles of the time. The paper emphasizes the form and method of museum record-keeping, which was maintained even after Tkalčić’s directorship, albeit with minor modifications, and to a significant degree corresponds to the contemporary practice of museum record-keeping of the Ethnographic Museum, as well as to the current regulations.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"1951 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-31","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129156077","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Vladimir Tkalčić","authors":"Katarina Bušić","doi":"10.32458/ei.27.2","DOIUrl":"https://doi.org/10.32458/ei.27.2","url":null,"abstract":"Kao jedan od rijetkih muzejskih stručnjaka u Hrvatskoj, Vladimir Tkalčić bio je uključen u događanja koja će dovesti do osnivanja Etnografskog odjela Hrvatskoga narodnog muzeja u listopadu 1919. godine, a kasnije, tijekom petnaestogodišnjeg službovanja u Muzeju (1919. – 1934.), kao prvi čuvar (kustos), a potom i kao upravnik/direktor (1925. – 1934.), kontinuirano je radio na usmjeravanju i organizaciji stručnog i znanstvenog rada, što je obuhvaćalo širok i danas aktualan dijapazon muzejske djelatnosti. U članku se razmatrajudvije teme: Tkalčićeva uloga u osnivanju i smještanju Etnografskog odjela Hrvatskoga narodnog muzeja u zgradu tadašnjeg Trgovačko-obrtnog muzeja i Tkalčićev utjecaj na profiliranje rane stručne djelatnosti, s naglaskom na prikupljanje predmeta za fundus.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130642991","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Care mi amice nec non fratre in Christo, St. Cecilia, Ethnographique","authors":"Ivan Grkeš, Tihana Petrović Leš","doi":"10.32458/ei.27.9","DOIUrl":"https://doi.org/10.32458/ei.27.9","url":null,"abstract":"U članku se daje doprinos poznavanju društvenog djelovanja Vladimira Tkalčića kao intelektualca na temelju njegove korespondencije s etnologom Milovanom Gavazzijem. Korespondencija se sagledava u kontekstu intelektualne historije te se naglašava njezina važnost za proučavanje subdiscipline povijesti hrvatske etnologije. Budući da se radi o osobitom tipu korespondencije, u kojoj se prožimaju stručni i privatni karakter, rad je podijeljen u tri dijela koji prate različite aspekte analizirane korespondencije: etnografski, muzikološki te privatni.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"197 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122727740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
{"title":"Doprinos Vladimira Tkalčića razvoju sustava muzejske dokumentacije Muzeja za umjetnost i obrt","authors":"Antonija Dejanović","doi":"10.32458/ei.27.5","DOIUrl":"https://doi.org/10.32458/ei.27.5","url":null,"abstract":"Ovim radom pokušat će se omogućiti uvid u nastanak i razvoj osnovnog sustava/ sistema muzejske dokumentacije Muzeja za umjetnost i obrt, koji je razvijen za vrijeme ravnateljstva Vladimira Tkalčića (1933. – 1952.) i koji je u određenoj mjeri zadržan i nakon završetka navedenog razdoblja. Komparacijom će se pokazati što je u navedenom sustavu/sistemu korespondiralo kao i što je bilo različito od načina vođenja muzejskog inventara (ili s muzejskom dokumentacijom) od vremena osnutka Muzeja za umjetnost i obrt (1880.) pa sve do 1933. godine. Također, poseban naglasak stavit će se na formiranje centralne ili jedinstvene inventarne knjige Muzeja za umjetnost i obrt koja se (iako u digitalnom obliku), u Muzeju za umjetnost i obrt vodi i danas.","PeriodicalId":307917,"journal":{"name":"Etnološka istraživanja","volume":"19 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2022-12-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130503528","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}