Museum of Arts and Crafts as a Generator of New Institutions in the Time of Director Vladimir Tkalčić (1933-1952)

Jasmina Fučkan
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Abstract

Vladimir Tkalčić held the function of Director of the Museum of Arts and Crafts from the beginning of September 1933 to June 1952, which was the period of his vocational maturity – from age 50 until his retirement. The paper provides insight into Tkalčić’s vision of the development of the institution and into his achievements which allowed, already in his lifetime, that practice systems be derived from the Museum of Arts and Crafts and funds be formed as a baseline for the establishment of new institutions in Zagreb, such as the conservation and restoration workshop of the Yugoslav Academy of Sciences and Arts, the Museum of Serbs in Croatia, and the Technical Museum. Interpretations of certain achievements that Tkalčić accomplished in conditions of economic and political instability, in a whirlwind of confusion combined with the violence of wartime, are inevitably imbued with controversy. Examination of the documentation fund of the Museum of Arts in Crafts, in the first place Tkalčić’s legacy and registry books from years of his mandate, provides an insight into the contextual mosaic of his complex endeavours, as well as into the set of his character qualities that supported the principles of professional ethics.
弗拉基米尔·特卡尔伊奇(Vladimir tkal伊奇)时代的工艺美术博物馆作为新机构的产生者(1933-1952)
Vladimir tkal伊奇从1933年9月初至1952年6月担任工艺美术博物馆馆长,这是他从50岁到退休的职业成熟期。本文深入介绍了tkal伊奇对该机构发展的愿景,以及他的成就,这些成就在他有生之年就已经允许从艺术和工艺博物馆中衍生出实践系统,并将资金作为在萨格勒布建立新机构的基线,例如南斯拉夫科学和艺术学院的保护和修复车间,克罗地亚塞尔维亚人博物馆和技术博物馆。对特卡尔伊奇在经济和政治不稳定的条件下,在混乱的旋风加上战时的暴力中取得的某些成就的解释,不可避免地充满了争议。考察工艺艺术博物馆的文献基金,首先是tkal伊奇的遗产和他任职期间的登记簿,可以深入了解他复杂努力的背景马赛克,以及他支持职业道德原则的一系列性格品质。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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