Jurnal Dimensi Seni Rupa dan Desain最新文献

{"title":"INOVASI BATIK BANYUMAS (KAJIAN PERKEMBANGAN MOTIF)","authors":"Galih Apriliyanto","doi":"10.25105/dim.v15i2.5641","DOIUrl":"https://doi.org/10.25105/dim.v15i2.5641","url":null,"abstract":"AbstractBanyumas batik is batik to its uniqueness in terms of vision. Influence inland culture and coastal area made character batik Banyumas more varied.The batik in Banyumas and the making process are knowledge that communicates locally. Data analysis techniques using art-based research using Alan William's innovation theory. The analysis used to express conversions in Banyumas batik, with the background of the craftsmen who innovate in terms of visual (motives for change, color, arrangement orpattern, and stuffing).The result showed that the diversity motive in Banyumas influenced by (1) Banyumas geography regions, (2) nature and character of the concerned community, (3) the belief system, (4) customs, (5) natural and environment conditions, (6) the connection between regions batik. The motives in Banyumas batik observed in spesifications can be classified first classical motive combination (of floraand fauna) with another motive and create the colors. Both, simplify the another classic custom motive side form to add color to an improved. Third, adopt a other batik regions with custom Banyumas style.  AbstrakBatik Banyumas merupakan batik yang memiliki keunikan dalam segivisualisasi. Keterpengaruhan budaya pedalaman dan pesisiran menjadikan karakter batik Banyumas lebih bervariasi. Inovasi yang ada di dalam motif batik Banyumas dan bagaimana proses terjadinya inovasi pada batik Banyumas merupakan pengetahuan yang bersifat lokal. Teknik analisis data menggunakan pendekatan artbased research dengan menggunakan teori inovasi Alan William. Analisis yang digunakan untuk mengungkapkan evolusi di dalam batik Banyumas, dengan dilatarbelakangi pengrajin yang melakukan inovasi dari segi visual (perubahan motif, warna, susunan atau pola, dan isian). Hasil penelitian menunjukkan bahwa kemunculan keberagaman motif Banyumas dipengaruhi oleh (1) letak geografis daerah Banyumas, (2) sifat dan karakter masyarakat yang bersangkutan, (3) sistemkepercayaan, (4) adat istiadat, (5) kondisi alam dan lingkungan, (6) adanya hubungan antar daerah pembatikan. Perubahan motif dalam batik Banyumasapabila diamati secara spesifikasi dapat dikelompokkan pertamamengkombinasi motif klasik (flora dan fauna) dengan motif lain denganmengkreasikan warna. Kedua, menyederhanakan motif klasik dari sisigubahan bentuk dengan menambahkan warna yang lebih cerah. Ketiga,mengadopsi motif batik daerah lain dengan gubahan gaya Banyumas.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"116284675","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGARUH PERILAKU PENGHUNI TERHADAP BENTUK LAY OUT UNIT HUNIAN RUSUNAMI KALIBATA JAKARTA","authors":"Susy Irma Adisurya","doi":"10.25105/dim.v15i2.5643","DOIUrl":"https://doi.org/10.25105/dim.v15i2.5643","url":null,"abstract":"AbstractThe dense population of Jakarta has led to an increase in the construction of residential property, especially Vertical Housing types such as apartments and flats. The construction of subsidized apartments and rental apartments (rusunami) is now the choice of the governmentand property developers to fulfil the needs of residential homes for people with middle and lower socioeconomic levels. Rusunami Kalibata is the newest flat type that is in great demand by the urban Jakarta community because it's located in the center of the city and it's location is strategically close to public facilities. The Kalibata rusunami unit has 2 (two) types, namely studio type and two room type. Rusunami occupant consist of 2 types: themselves and family. Occupants consisting of 2 or more people with friendship or family status. The problem of this research is whether there is an influence of behavior and activities of residents on the form oflayout of flat residential units. This study used descriptive qualitative method. The results of this study concluded the activities and behavior of residents is very influential with the form of layout in the residential apartment unit.   AbstrakPadat nya jumlah penduduk Jakarta menyebabkan meningkatnya pembangunan properti perumahan khususnya tipe bangunan Vertikal Housing seperti apartemen dan rumah susun (rusun). Pembangunan apartemen bersubsidi dan rusun sewa milik (rusunami) sekarang ini menjadi pilihan pemerintah dan pengembang properti untuk memenuhi kebutuhan rumah tinggal bagi masyarakat dengan tingkat sosial ekonomimenengah dan bawah. Rusunami Kalibata merupakan tipe rusun terbaru yang banyak diminati masyarakat urban Jakarta karena letaknya di tengah kota Jakarta dan lokasinya strategis karena dekat dengan fasilitas umum. Unit rusunami kalibata ini ada 2 (dua) tipe yaitu tipe studio dan tipe dua kamar. Penghuni rusunami 2 tipe, yaitu :sendiri dan keluarga. Penghuni yang lebih dari 2 orang ada yang statusnya pertemanan dan ada yang keluarga. Permasalahan dari penelitian ini adalah apakah ada pengaruh perilaku dan kegiatan penghuni terhadap bentuk layout unit hunian rusun. Penelitian ini menggunakan metode Deskriptif Kualitatif. Hasil dari penelitianini menyimpulkan bahwa aktifitas dan perilaku penghuni sangat berpengaruh dengan bentuk Layout pada unit hunian rusunami.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2019-02-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"131066820","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENELITIAN DESAIN FURNITUR BERBASIS PANGKALAN DATA 3D SEBAGAI STRATEGI R&D & MANUFAKTUR PERUSAHAAN STUDI KASUS: CS TRADING SDN BHD, MALAYSIA","authors":"Susi Hartanto, Devanny Gumulya, Adityarahman Sugandhi, Jonathan Ariefianto","doi":"10.25105/dim.v14i2.2866","DOIUrl":"https://doi.org/10.25105/dim.v14i2.2866","url":null,"abstract":"AbstractOne of the most competitive markets in product design is furniture market. Every company tries to provide the best in terms of products and services. CS Trading is a Malaysian trading house with top US retailer clients such as Topline and Homelegance. CS provides design services, include receive and modify data from clients, and position themselves as a mediator between retailers and manufacturers. All of CS drawings comein 2D CAD or PDF or other 2D form files, which in current industry competition, it has becoming less representative and not visually attractive. This research aims to create 3D database based on CS existing 2D data. 3D data are then categorized according to furniture items and its components, where new designs can be easily extracted. Fromthe research, 294 furniture databases are made. Modularity and carry over strategy are the most suitable R&D and manufacture strategy, because these strategies are good for companies with large product categories. From the research result, CS Trading can accelerate R&D process and manufacturing. In the long run they can excel in terms ofvariety of products and speed of service.  AbstrakIndustri furnitur adalah salah satu industri desain produk terbesar dan dengan persaingan yang sangat kompetitif. Setiap perusahaan berusaha memberikan produk dan servis yang terbaik. CS. Trading Sdn Bhd. adalah perusahaan trading dengan klien peritel dari Amerika seperti Topline dan Homelegance. Proses desain yang mereka lakukan adalah menerima dan atau memodifikasi gambar dari klien dan menjadi mediator antara klien dan manufaktur. Dengan posisinya sebagai mediator, CS mengalami beberapa kendala dalam proses desain, yaitu proses desain yang masih dalam bentuk gambar 2D, sehingga gambar kurang representatif dan tidak menarik. Penelitian ini bertujuan untuk mengubah proses desain CS dengan strategi membuat data 3D desain berdasarkan data gambar 2D yang ada. Data ini dianalisa dan dibuatkan pangkalan data berdasarkan kategori jenis furnitur dan komponennya, dimana desain baru dengan mudah bisa dihasilkan dengan cepat. Hasil penelitian ini adalah pembuatan 294 database furnitur. Strategi R&D dan manufaktur yangtepat diterapkan pada CS Trading adalah strategi modularitas dan strategicarry over detail. Karena kedua strategi ini cocok bagi perusahaan yang memiliki kategori produk yang banyak. Dengan hasil dari penelitian ini proses desain CS Trading menjadi lebih efektif dan efisien dari sebelumnya sehingga memiliki keunggulan dari sisi keragaman produk dan kecepatan servis","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"8 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-12-13","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"128397454","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"TRANSFORMASI BATIK DAN GLOBALISASI","authors":"Suyin Pramono, Setiawan Sabana, Achmad Haldani","doi":"10.25105/DIM.V15I1.4199","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4199","url":null,"abstract":"Abstract \u0000 \u0000Lately, we have noticed there are many changes in all fields. Therefore, it is suitable for “globalization” to be the main topic in this study, which is interpreted as a process where humans are vastly interconnected through various ways. From a cultural point of view, \"globalization\" is often interpreted as a homogeneous global culture. We are unconsciously directed to have a homogeneous passion and taste of the market \u0000simultaneously and even develop a uniformed trend of consumer goods with worldclass branding and marketing. This is indirectly the result of global interconnection and ultimately erodes cultural diversity. Batik is one of the cultural works that has always undergone transformation in alignment with changes in economic, social and political conditions in its era. The context for the discussion of batik transformation and globalization is that cultural work takes part with significant role in social and economic life. Therefore, strategic thinking about batik transformation is formulated \u0000as problem identification, which then is confronted with how diversity and variety of cultural works adapt or survive the massive and rapid industrial development. In this study, the review concerns on the analysis in which is more focused to the form of interdisciplinary interaction. The qualitative data analysis model is conducted using an approach that emphasizes cultural work as an industrial commodity. Batik, which always present in every event of the life of the Indonesian people and is always has deep \u0000philosophical values, is also able to manifest as an aesthetic reflection that has competitiveness in the global world so that it become an important and interesting subject to study. \u0000 \u0000Abstrak \u0000Kita semua menyadari bahwa dalam kurun waktu belakangan ini telah \u0000banyak perubahan di segala bidang. Bersamaan dengan kondisi yang \u0000demikian lebih tepat bila 'globalisasi' yang akan menjadi topik utama dalam penelitian ini diartikan sebagai suatu proses dimana manusia secara pesat saling terhubung melalui berbagai cara. Dari sudut pandang budaya, \u0000'globalisasi' sering diartikan sebagai budaya global yang bersifat homogen. \u0000Secara tidak sadar kita diarahkan untuk mempunyai kegemaran dan selera pasar yang homogen secara serentak bahkan menjadi selera dunia yang konsumtif atas produk dengan branding dan marketing tingkat dunia. Hal ini secara tidak langsung merupakan akibat dari saling keterkaitan secara global dan akhirnya menggerus ragam budaya. Batik merupakan salah satu karya budaya yang selalu mengalami transformasi sesuai dengan perubahan kondisi ekonomi, sosial dan politik pada masanya. Konteks pembahasan tentang transformasi batik dan globalisasi ini adalah bahwa karya budaya memainkan peranan dalam kehidupan sosial dan ekonomi. Dengan latar belakang tersebut selanjutnya strategi pemikiran tentang perubahan batik diformulasikan sebagai identifikasi permasalahan yang dipertentangkan dengan karya budaya dalam variasi perubahan industr","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"97 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"134039152","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KEBERTAHANAN ATAP GONJONG DAN PERUBAHAN ARSITEKTUR DI WILAYAH SUMATERA BARAT","authors":"Resky Annisa Damayanti","doi":"10.25105/DIM.V15I1.4195","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4195","url":null,"abstract":"Abstract \u0000 \u0000Rumah Gadang is often referred to as Rumah Bagonjong. The typical gonjong roof and character in accordance with the identity of the people of West Sumatra. At present, many people do not understand the meaning of the gonjong roof. The purpose of this study was to determine and analyze the sustainability of the gonjong roof in West Sumatra by paying attention to the philosophy and symbolic meaning of the gonjong roof itself as seen from its application to the building of modern architecture. The method used is descriptive qualitative which starts from the field. Data and \u0000information obtained from the field are drawn from their meanings and concepts through descriptive analytical exposure and without using numbers because they prioritize the process. In the end, this research will reveal the facts, phenomena, and circumstances that occur. \u0000The results showed that the gonjong roof was 'forced' to survive in the midst of modern architectural changes, and this led to a shift in cultural meanings and values which actually threatened the original symbolic values. \u0000 \u0000 \u0000Rumah Gadang sering kali disebut dengan Rumah Bagonjong. Atap \u0000gonjongnya yang khas dan berkarakter sesuai dengan jati diri masyarakat \u0000Sumatera Barat. Pada masa sekarang, banyak masyarakatnya yang tidak \u0000paham akan makna atap gonjong. Tujuan penelitian ini untuk mengetahui \u0000dan menganalisis kebertahanan atap gonjong di Sumatera Barat dengan \u0000memperhatikan filosofi dan makna simbolik dari atap gonjong itu sendiri \u0000dilihat dari penerapannya pada bangunan arsitektur modern. Metode yang \u0000digunakan adalah kualitatif deskriptif yang dimulai dari lapangan. Data dan \u0000informasi yang diperoleh dari lapangan ditarik makna dan konsepnya \u0000melalui pemaparan secara deskriptif analitik dan tanpa menggunakan angka \u0000karena lebih mengutamakan proses. Pada akhirnya, penelitian ini akan \u0000mengungkapkan fakta, fenomena, dan keadaan yang terjadi. \u0000Hasil penelitian menunjukkan bahwa atap gonjong 'dipaksa' bertahan di \u0000tengah perubahan arsitektur modern sekarang ini, dan hal tersebut \u0000menyebabkan terjadinya pergeseran makna dan nilai budaya yang justru \u0000mengancam nilai-nilai simbolik yang masih asli.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"22 3","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120844326","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PERANCANGAN DESAIN INTERIOR MUSEUM DENGAN TEKNIK INTERAKTIF SEBAGAI RUANG PUBLIK MASA KINI","authors":"P. Salim, R Christianto, S. Rachmayanti","doi":"10.25105/DIM.V15I1.4196","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4196","url":null,"abstract":"Abstract \u0000 \u0000 \u0000This study aims to analyze a museum interior design to be able to find the latest output regarding displaying or circulation techniques in a public space, especially museum. This study background is a public phenomenon visited by museums nowadays, which is seen on their social media accounts. Especially for contemporary and art design museums, it becomes an attractive icon for young people, as well as seniors. However, there are many things that need to be considered in designing a museum interior where many factors support for a success interior design, including: display techniques, gallery categorization, signage systems, and lighting. This study will examine how to applied the above items. As a comparison, contemporary art museums in Jakarta and New York. By doing these comparisons, researcher expected there will be a resume on how designing a good contemporary art museum. With good and attractive interior \u0000design in a contemporary art museum, it will further increased visitors interest and the awareness of the community to explore the museum. The method used is by observing and documenting techniques and analyzing the interior of research objects, combined with literature studies, hopefully this research can contribute to the museum design technique as an ergonomic and interactive public space for the wider community. For future development of the museum, this research contributes for a better, good and friendly display techniques. \u0000 \u0000 \u0000 \u0000Abstrak \u0000Penelitian ini bertujuan untuk menganalisa perancangan interior sebuah \u0000museum untuk dapat ditemukan luaran terbaru perihal teknik display \u0000maupun sirkulasi dalam sebuah ruang publik yakni museum. Latar belakang penelitian adalah fenomena masyarakat luas yang terlihat kesadaran untuk berkunjung ke museum, yang terlihat pada akun sosial media masyarakat jaman sekarang yang demikian semarak, khususnya untuk museum bernafaskan contemporary dan art design, menjadi satu ikon menarik bagi kalangan muda, juga para senior. Namun demikian banyak hal yang perlu diperhatikan pada perancangan sebuah interior museum dimana banyak factor yang mendukung kesuksesan sebuah desain museum, antara lain dalam hal teknik display, pengkategorian gallery, system signage, maupun pencahayaan. Dengan design interior yang baik dan menarik pada sebuah museum kontemporer, diharapkan akan semakin menaikkan minat para pengunjung dan kesadaran masyarakat akan semakin meningkat untuk mengeksplorasi isi dari museum tersebut. Metode yang digunakan adalah dengan teknik pengamatan dan pendokumnetasian serta analisa interior objek penelitian, dipadukan dengan studi literature, diharapkan penelitian ini memberikan kontribusi pada teknik perancangan museum sebagai sebuah ruang public yang ergonomis dan interaktif menyenangkan bagi masyarakat \u0000luas. Untuk pengembangan museum ke depannya, penelitian ini memberikan sumbangsih perihal teknik display yang baik dan bersahabat","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129888894","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"PENGEMBANGAN PRODUK ROTAN DI PENGRAJIN ROTAN CURUG DENGAN PENDEKATAN SOCIAL DESIGN","authors":"Geoffrey Tjakra, Devanny Gumulya, S. Liman","doi":"10.25105/DIM.V15I1.4202","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4202","url":null,"abstract":"Abstract \u0000 \u0000 \u0000Wira Multi Agung is a SME producing rattan basket who operates near UPH. It has been our responsible as academic to help surrounding community who is in struggle. Their products is good in terms of quality and weaving technique and yet WMA is still struggling when the order is low. Therefore, the objective of this activity is to help the artisans developing product that reflects WMA years of experience in weaving rattan. \u0000Together we developed fashion and home accessories. We used social design approach; there are five intense collaboration between the academic team and the artisans. The results are three women bags and two dinner table decorations. With design social approach that emphasize on high level of intensity during the interaction process, the product able to represent the WMA's richness in craftmansip and their local geniuses. \u0000 \u0000 \u0000 \u0000 \u0000Abstrak \u0000 \u0000Wira Multi Agung adalah sebuah UMKM produk rotan yang dekat lokasinya \u0000dengan UPH, sudah menjadi kewajiban civitas academica UPH untuk \u0000merangkul komunitas sekitar. Produk yang dihasilkan sudah cukup baik dari segi kualitas dan teknik anyamannya dan banyak dibeli pasar lokal maupun internasional. Namun WMA mengalami kendala konsistensi order karena 100% desain dari pembeli, WMA tidak mengembangkan produknya sendiri. \u0000Keunikan WMA dari pengrajin rotan di Cirebon adalah mereka fokus pada \u0000aneka keranjang dan aksesoris rumah, tidak membuat kursi. Tujuan dari PKM ini adalah membantu mengembangkan produk rotan yang menunjukkan keahlian anyam pengrajin WMA. Metode PKM yang digunakan adalah desain social melalui kolaborasi bekreasi bersama secara intensif sebanyak lima kali kunjungan tim akademisi ke pengrajin. Hasil dari PKM ini tiga tas wanita dan dua aksesoris rumah tangga. Dengan metode desain sosial, yang menekankan intensitas interaksi desainer dan pengrajin maka produk yang dihasilkan mencerminkan keahlian tangan dari WMA.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"43 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127552707","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KEGIATAN PENGABDIAN KEPADA MASYARAKAT : Perancangan Sarana Pendidikan Anak Usia Dini Untuk Sekolah Cahaya Al-fuqron, Desa Gunung Sari, Kecamatan Mauk, Kabupaten Tanggerang","authors":"Devanny Gumulya, R. Adiputra","doi":"10.25105/DIM.V15I1.4203","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4203","url":null,"abstract":"Abstract \u0000 \u0000Early childhood education is one of the most important stages in the process of child growth. This program was designed in order to prepare young children for further education at the elementary school stage. However, many early childhood education facilities, especialy owned by the government located in villages still have unfeasible facilities, based on data from Early Childhood Education Association in 2016. From unfit buildings to inadequate learning facilities. UPH saw this as an oppounity to do \u0000community service, since it is necessary to design an appropriate and suitable learning tool for children in their early childhood age, in which case study was conduct on an early childhood education facility located in a village in Mauk area, Cahaya Al Fuqron. The design process begins with researching data through observation to the facility, interviews with the people in the area as well expert on the early childhood education. \u0000The results were twenty multifunction furnitures designed and produced for the school. Hopefully in the long run this can be developed to another inadequate early childhood education facilities in other villages and provide appropriate and suitable facilities to the children with lower-middle class target market. The design also supports the home-based furniture industry and as an effort to support and assisting early childhood education nationally.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129202066","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"INSPIRASI GEROBAK MAKANAN TRADISIONAL BETAWI PADA DESAIN COUNTER MAKANAN BETAWI DI AREA PUSAT JAJAN","authors":"Reno Fanthi, Dila Hendrassukma, Amarena Nediari, Fauzia Latif","doi":"10.25105/DIM.V15I1.4194","DOIUrl":"https://doi.org/10.25105/DIM.V15I1.4194","url":null,"abstract":"Abstract \u0000 \u0000Traditional food carts can be a symbol of the distinctiveness of Indonesian culinary culture. Placement in a food court needs special attention so that it can blend with food court interior in the mall building. Traditional Betawinese food carts in foodcourt are expected to provide Betawinese cultural identity as an inspiration in applying local culture in commercial place. The uniqueness of Betawinese culture should be presented as the element of design in the counter so that the visitor could have the \u0000experience from the process of serving that used to be seen when serving in traditional food carts. This experiences are expected to provide insight and maintain the preservation of Betawinese traditional food. The identification of traditional Betawinese food carts is obtained through direct research conducted on objects by using goal grid methods. The outcome of this research is to create harmony between tradional food carts with the thematic interior of food court that served Indonesian cuisine to the visitiors. \u0000 \u0000 \u0000Abstrak \u0000Gerobak makanan tradisional dapat menjadi tanda kekhasan budaya kuliner Indonesia. Penempatannya pada sebuah foodcourt perlu mendapatkan perhatian khusus agar dapat menyatu dengan interior pusat jajan yang berada dalam bangunan mal. Identifikasi gerobak makanan tradisonal khas Betawi, didapatkan melalui penelitian langsung yang dilakukan terhadap objek. Hal ini dilakukan untuk dapat menciptakan keselarasan antara gerobak makanan tradisional, dengan tema pusat jajan pada bangunan mal yang menyajikan kuliner Indonesia sebagai menu yang ditawarkan kepada pengunjung. Gerobak makanan tradisional khas Betawi pada pusat jajan diharapkan dapat memberikan identitas budaya Betawi sekaligus menjadi sebuah inspirasi dalam menerapkan kekayaan budaya lokal pada sebuah fasilitas publik. Kekhasan budaya Betawi dalam penyajian makanan tradisional hendaknya desain gerobak, sehingga \u0000pengunjung pusat jajan, tetap mendapatkan pengalaman dari proses \u0000penyajian makanan khas Betawi layaknya makanan tersebut diproses saat \u0000berjualan dengan gerobak keliling. Pengalaman ini diharapkan dapat \u0000memberikan wawasan serta menjaga kelestarian dari makanan tradisional \u0000khas Betawi. Hasil luaran yang didapat adalah berupa desain gerobak \u0000makanan tradisional khas Betawi yang berada di sebuah pusat jajan pada \u0000bangunan mal.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"39 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2018-09-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"114080595","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"KERAJINAN ANYAM SEBAGAI PELESTARIAN KEARIFAN LOKAL","authors":"Asidigisianti Surya, Siti Mutmaniah","doi":"10.25105/dim.v12i1.65","DOIUrl":"https://doi.org/10.25105/dim.v12i1.65","url":null,"abstract":"AbstractThe existing of weaving techniques has been developing and relating with thelocal natural resource that spread out through Nusantara territorial. This localresource becomes the main material. The weaving techniques has becomesheritage that has been passing through generations. Beside mats, baskets andhats beside are used in daily life, they are used as traditional ceremonial. As thelocal genius, the weaving could be used as the potential conservation of localcommunity.AbstrakKehadiran kerajinan anyam dalam perkembangannya berkorelasidengan sumber daya alam setempat yang tersebar di seluruh wilayahNusantara. Sebagai bahan baku utama sumber daya setempat, anyamanmerupakan warisan budaya leluhurnya yang terus berlangsung turuntemurun.Di samping tikar, keranjang, topi pun merupakan alat-alatsehari-hari yang sering kali diperlukan dalam upacara-upacara tradisional. Kerajinan anyam berbasis kearifan lokal dapat digunakansebagai media untuk melestarikan potensi masing-masing daerah.","PeriodicalId":307454,"journal":{"name":"Jurnal Dimensi Seni Rupa dan Desain","volume":"48 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2016-04-18","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122132376","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}