Oxford Research Encyclopedia of Communication最新文献

{"title":"Queer Healthcare Communication","authors":"Nicole C. Hudak","doi":"10.1093/acrefore/9780190228613.013.1188","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1188","url":null,"abstract":"Queer healthcare communication spans different literature and topic areas. The medicalization of queer bodies has historically and continues to influence how queer individuals interact and communicate within healthcare settings. Further, heterosexism is rampant within medical institutions that perpetuate the idea that all patients are heterosexual. Because of the influence of heterosexism, medical schools are designed to ignore queer bodies. If queer bodies are acknowledged, they are positioned as something exotic and not presented as a typical patient. Heterosexism is further communicated in patient and provider interactions by providers assuming their patients’ heterosexual identity and assuming all queer patients are promiscuous. In turn, queer patients may make decisions about their healthcare based on providers’ heterosexist attitudes. Providers who practice medicine have also demonstrated their limited knowledge about queer patients and how to care for them. The literature on discrimination of queer patients focuses more on how providers have used both verbal and non-verbal forms of communication. In looking at queer discrimination, queer invisibility demonstrates more covert functions of healthcare communication. Due to the invisibility of queer patients, disclosure becomes a site of interest for researchers. While some queer patients try to seek out queer-friendly providers, researchers have given recommendations on how healthcare providers can improve their queer competency. Finally, some notable topics within queer healthcare communication include queer pregnancy, HIV, and why transgender identity should be a separate topic as transgender people have their own healthcare needs.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"84 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-06-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"132247953","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Agonistic Queer TV Studies for Western Europe","authors":"Florian Vanlee","doi":"10.1093/acrefore/9780190228613.013.1164","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1164","url":null,"abstract":"Queer TV studies have until now focused predominantly on U.S. TV culture, and research into representations of sexual and gender diversity in Western European, Asian, and Latin American programming has only recently found traction. Due to this U.S. focus, queer television in Western Europe has yet to be comprehensively documented in scholarly sources, and Western European queer television studies hardly constitute an emancipated practice. Given that U.S.-focused queer theories of television remain the primary frame of reference to study LGBT+ televisibility in Western Europe, but its domestic small screens comprise a decidedly different institutional context, it is at this time necessary to synthetically assess how the U.S. television industry has given way to specific logics in queer scholarship and whether these logics suit conditions found in domestic television cultures.\u0000 Queer analyses of U.S. TV programming rightly recognize the presence and form of non-heterosexual and non-cisgender characters and stories as a function of commerce; that is to say, television production in the United States must primarily be profitable, and whether or how the LGBT+ community is represented by popular entertainment is determined by economic factors. The recognition hereof pits queer scholars against the television industry, and the antagonistic approach it invites dissuades them from articulating how TV could do better for LGBT+ people rather than only critiquing what TV currently does wrong. While it is crucial to be attentive toward the power relations reflected and naturalized by television representations, it is also important to recognize that the discretion of prescriptive, normative interventions by queer TV scholars relates to conditions of U.S. television production.\u0000 The dominance of public service broadcasters (PSBs) and their historical role in spearheading LGBT+ televisibility highlights the distinctive conditions queer TV scholarship is situated in in Western Europe and troubles established modes of engaging the medium. Where the modest scale of national industries already facilitates more direct interaction between academics and TV professionals, PSBs are held to democratic responsibilities on diverse representation and have a history of involving scholars to address and substantiate their pluralistic mission. Consequently, Western European television cultures offer a space to conceive of an agonistic mode of queer TV scholarship, premised not only on contesting what is wrong but also on proposing what would be right. Hence, future engagements with domestic LGBT+ televisibility must look beyond established analytics and explore the value of articulating openly normative propositions about desirable ways of representing sexual and gender diversity.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"13 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"125675657","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Brazilian Queer Cinema","authors":"João Nemi Neto","doi":"10.1093/acrefore/9780190228613.013.1205","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1205","url":null,"abstract":"Brazilian cinema is born out of a desire for modernity. Moving images (movies) represented the newest technological innovation. Cinematographers brought to the growing cities of Brazil an idea—and ideal—of “civilization” and contemporaneousness. At the same time, queer identities started to gain visibility. Therefore, a possible historiography of cinema is also a potential for a historiography of queer identities.\u0000 Nonetheless, as a non-Anglo country and former colony of Portugal, Brazil presents its own vicissitudes both in the history of cinema and in queer historiography. To understand dissident identities in a peripherical culture (in relation to Europe), one must comprehend the ways ideas and concepts travel. Therefore, queer and intersectionality function as traveling theories (in Edward Said’s terms) for the understanding of a Brazilian queer cinema.\u0000 A critical perspective of the term “queer” and its repercussions in other cultures where English is not the first language is imperative for one to understand groundbreaking filmmakers who have depicted queer realities and identities on the Brazilian big screen throughout the 20th century and the first decades of the 21st century.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"30 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"127736248","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"African American Queer Cinema","authors":"V. Evans","doi":"10.1093/acrefore/9780190228613.013.1202","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1202","url":null,"abstract":"African American queer cinema was born as a reaction to the AIDS/HIV epidemic as well as the blatant homophobia that existed within the Black community in the 1980s. It began with the pioneering works of queer directors Isaac Julien and Marlon Riggs and continued during the new queer cinema movement in the 1990s, particularly including the works of lesbian queer director Cheryl Dunye. However, these works were infinitesimal compared to the queer works featuring primarily White lesbian, gay, bisexual, transgender, and queer (LGBTQ) protagonists during that time. That trend continues today as evidenced by looking at the highest-grossing LGBTQ films of all times: very few included any African American characters in significant roles. However, from the 1980s to the 2020s, there have been a few Black queer films that have penetrated the mainstream market and received critical acclaim, such as The Color Purple (Spielberg, 1982), Set It Off (Gary, 1996), and Moonlight (Jenkins, 2016), which won the 2018 Academy Award for Best Picture. The documentary film genre has been the most influential in exposing audiences to the experiences and voices within the African American queer communities. Since many of these films are not available for viewing at mainstream theaters, Black queer cinema is primarily accessed via various cable, video streaming, and on-demand services, like Netflix, Hulu, and HBO.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"25 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-05-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"121699955","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Relationship Conflict and Communication","authors":"D. Canary","doi":"10.1093/acrefore/9780190228613.013.759","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.759","url":null,"abstract":"Since the 1970s hundreds of scholars from several disciplines have devoted their energies to understanding interpersonal conflict communication. One cannot offer an inclusive essay on the topic, even if the space allowed is 10 times greater than given here.\u0000 One can, however, select salient aspects of the topic—those that appear often and implicate relational welfare. Toward that end, there are four parts to approaching the topic. First, a rationale for examining interpersonal conflict communication is presented. Emphasis on interpersonal conflict communication is confined to only a handful of reasons. Second, conceptualizations of interpersonal conflict are briefly represented and analyzed according to two dimensions that can help demarcate what scholars tend to study under the aegis of “conflict.” Third, a general pedagogical model of important considerations or “events” is given; each of the various components are elaborated, and each indicating what one should consider when involved in conflict. Fourth, future directions of research regarding the topic are explored.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"26 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-04-26","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"117102701","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Folly in the Fourth Estate: Editorial Cartoons and Conflicting Values in Global Media Culture","authors":"Christopher J. Gilbert","doi":"10.1093/acrefore/9780190228613.013.983","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.983","url":null,"abstract":"The editorial cartoon is a touchstone for matters of free expression in the journalistic tradition. Since their early inception in the politically charged engravings of 18th-century pictorial satirist William Hogarth to the present day, editorial cartoons have shone forth as signifiers of comic irreverence and mockery in the face of governmental authority and in the more generalized cultural politics of the times. In democratic nations they have been cast as a pillar of the fourth estate. Nevertheless, they—and the cartoonists, critics, commentators, and citizens who champion them—have also long stood out as relatively easy targets for concerns about where the lines of issues such libel, slander, defamation, and especially blasphemy should be drawn. This goes for Western-style democracies as well as authoritarian regimes. In other words, the editorial cartoon stands at a critical nexus of meaning and public judgment. At issue from one vantage is what it means to promote the disclosure of folly as the foolish conduct of public officials and the stupidity of institutions that are thereby worthy as objects of ridicule. From another vantage, there is the matter of what it is to deplore the comicality in journalistic opinion-making that goes too far.\u0000 To approach editorial cartoons from the standpoints of free expression and press freedoms is to verge on conflicting values of civil liberty in and around the so-called right to offend. This was true in the age of Hogarth. It was true in the days of famed French printmaker and caricaturist Honoré Daumier, who was imprisoned for six months from 1832 until 1833 after portraying Emperor Louis-Philippe in the L Caricature. It is also particularly true today in a global media age wherein editorial cartoons, whether or not they are syndicated by official newspapers, can traverse geographic and other boundaries with relative ease and efficiency. Furthermore, the 21st century has seen numerous cartoon controversies vis-à-vis what many commentators have referred to as “cartoon wars,” leading to everything from high-profile firings of cartoonists (including in the United States) through bans and imprisonments of artists in Middle Eastern countries to the 2015 shootings of cartoon artists at the headquarters of French satirical magazine Charlie Hebdo. Indeed, if the threshold of the free press is the killed cartoon, the limit point of the freedom of expression is the killed cartoonist. Hence the importance of looking beyond any one editorial cartoon or cartoonist in order to contemplate the comic spirit in certain historical moments so as to discover the social, political, and cultural standards of judgment being applied to the carte blanche of journalism and the comic license of those using graphic caricatures to freely editorialize their takes on the world—or not.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"4 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-02-23","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"122265084","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Queer Worldmaking","authors":"H. Otis, Thomas R. Dunn","doi":"10.1093/acrefore/9780190228613.013.1235","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1235","url":null,"abstract":"The theory and practice of queer worldmaking is a vital part of the study of queer communication. Rooted in the acts, activism, artistry, and the everyday lives of LGBT+, queer, and proto-queer people across the world, the theorization of queer worldmaking emerged alongside the founding of queer theory itself in the late 1990s. Surfacing in both José Esteban Muñoz’s writing on minoritarian performance and disidentification as well as Lauren Berlant and Michael Warner’s essay, “Sex in Public,” the term “queer worldmaking” was quickly taken up in communication scholarship, driving Gust Yep’s foundational work on “The Violence of Heteronormativity in Communication Studies.” Evolving according to various disciplinary demands and cultural influences, contemporary endeavors in queer worldmaking in communication studies largely follow three general paths: (a) drawing upon quare/queer of color theories to theorize worldmaking through/as enactments of disidentification(s), queer futurity, queer utopias, hope, and queer relationality; (b) conceptualizing academia, scholarship, and academic pursuits as productive sites for envisioning and creating queer worlds; and (c) tending to the worldmaking potentialities of queer memories, monuments, and archives. These intellectual pathways overlap, interweave, and split off into unpredictable rhizomatic directions, paving the way for scholarship that converses with, diverges from, and pushes forward queer worldmaking in communication studies in curiously queer directions.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"5 4","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-24","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"120836097","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Harold Innis’s Concept of Bias: Its Intellectual Origins and Misused Legacy","authors":"Edward Comor","doi":"10.1093/acrefore/9780190228613.013.962","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.962","url":null,"abstract":"Harold Innis is one of the foundational theorists of media and communications studies. In the mid-20th century, he developed his concept of media bias (also called the bias of communication). It remains Innis’s most cited concept, but it is also significantly misunderstood. For example, since his death in 1952, bias has often been applied in ways that are akin to a form of technological or media determinism. This has been an ongoing problem despite the fact that Innis developed his concept as a means of compelling analysts to reject such mechanistic formulations. Indeed, his goal was to promote more self-reflective modes of scholarship and, by extension, a recognition that such intellectual capacities—which he believed were essential for civilization’s survival—would be lost if they were not recognized and defended. More generally, Innis contextualized his work regarding media bias in terms of interrelated historical conditions involving political economic dynamics. Through his application of the concept to over 4000 years of history, he sought to provide his contemporaries with the reflective perspective needed to comprehend the underpinnings of modern biases that stressed present-mindedness and spatial control to the neglect of creativity and duration.\u0000 Bias was derived from Innis’s studies on Canadian economic development involving the exploitation of its resources (an approach to history called the staples thesis). Several of the insights he garnered in those studies need to be recognized if we are to fully understand his subsequent communications research. Also, tracing the origins of his concept of bias enables us to fully assess the nature of Innis’s supposed media determinism. Typical uses of bias today focus on the spatial or temporal orientations that many assume are compelled through the use of a specific medium or set of media technologies. This misreading, inspired mainly by Marshall McLuhan’s representations of Innis, has led to assumptions regarding Innis’s determinism and a general neglect of the complexity of his original work. To repeat, Innis developed bias in order to redress the mechanistic and unreflective thinking of his day and always conceptualized it in terms of factors that are salient to the place and time being examined. Moreover, he applied bias alongside now largely forgotten concepts ranging from unused capacity to classic power–knowledge dialectics. Lastly, he situated the development and implications of a particular medium in relation to both old and new media (not just technologies, but organizations and institutions also). In sum, to comprehend Innis’s concept of bias, its intellectual and political underpinnings need to be acknowledged, the political economic dynamics of its development and application understood, and the implications of McLuhan’s influence recognized.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"1 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2021-01-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"130209938","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"Global Jihad and International Media Use","authors":"el‐Sayed el‐Aswad, M. Sirgy, R. Estes, D. Rahtz","doi":"10.1093/acrefore/9780190228613.013.1151","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.1151","url":null,"abstract":"Globalization and international media are potent contributors to the rise of the Islamist global jihad. Widespread digital communication technologies that connect people all over the world are a substantial component of globalization. Over the past three decades, “virtual jihad” has emerged as a potent disseminator of radical religious-political ideologies, instilling fear and fostering instability worldwide. Western and global media, while often misrepresenting Islam and Muslims, have played a significant role in disseminating jihadist ideologies. The involvement of global jihadists (mujāhidīn) across myriad media outlets and platforms has allowed them to promote their agenda around the world. Using the Internet and media outlets, global jihadists are able to attract and recruit people to their ranks in an accelerated manner. Jihadists have engaged in media activities that have empowered and expanded the global jihad movement, even in the face of increased mitigation efforts.","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"263 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"133452490","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

{"title":"The Politics of Translation and Interpretation in International Communication","authors":"Elaine Hsieh","doi":"10.1093/acrefore/9780190228613.013.701","DOIUrl":"https://doi.org/10.1093/acrefore/9780190228613.013.701","url":null,"abstract":"Traditionally, translators and interpreters are viewed as neutral intermediaries who facilitate communication between people who do not share the same language. However, because cultural consciousness is embedded in language, translation and interpretation do not simply transfer information from one language to another but are political acts that can define, shape, and resist norms and values of both the source and target cultures. The production of translation and interpretation cannot be separated from the analysis of knowledge, reasoning, and cultural consciousness—along with the tensions inherent in the (re)production of power and cultural hierarchies.\u0000 There are four themes when exploring the politics and political nature of translation and interpreting as communicative activity: (a) the historical roles of translations and interpreters, (b) translation as a change agent, (c) language access as justice, and (d) technology as a solution to language barriers. Translators traditionally claim an invisible, passive, conduit role to legitimize their work. It is assumed that the translator role is akin to a bureaucratic function. Translators may not alter the contents of business conversations and contracts, diplomatic exchanges, literature, or religious texts. Nevertheless, researchers have found that translation is not only a product of cross-cultural interactions but also a process that cannot avoid changing the language, ideology, and knowledge of both the source culture and the target culture. Language itself harbors biases and perspectives. Also, translators’ strategies of foreignizing or domesticating translation can be the result of purposeful decisions, aiming to shape the cultural consciousness of the target culture. Early studies of the impact of translation centered on the use of translation in enforcing and imposing the hierarchical superiority and worldviews of the dominant culture of the colonizers, including proselytizing activities. Recent studies, however, have also argued that translations can be a form of resistance and activism. For example, the translation movement in Ireland at the turn of the 20th century was an important factor in Ireland’s independence.\u0000 Because translation and interpretation are essential in shaping realities and defining identities in international communication, language access is viewed as the prerequisite to ensure a fair trial and due process in international courts. The history of the “language battle” in the Paris Peace Conference and the subsequent development of simultaneous interpreting demonstrate that interpreters are not passive participants but active collaborators, working with other participants to meet the objectives of both ideological and communicative activities.\u0000 Finally, technology allows individuals, and not just nations or large institutions, to afford and have access to professional translation and interpretation services for the first time in history. The rise of machine translat","PeriodicalId":307235,"journal":{"name":"Oxford Research Encyclopedia of Communication","volume":"77 1","pages":"0"},"PeriodicalIF":0.0,"publicationDate":"2020-12-17","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"129659041","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}