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Bolivian Studies Journal最新文献

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Entrevistando a Javier Molina. Fotógrafo de Imágenes Paceñas 采访哈维尔·莫利纳。西班牙图像摄影师
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.250
Tara Daly, R. Alfaro
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引用次数: 0
Elvia Andia Grageda. Pirqakunawan parlaspa (Hablando con las paredes) Elvia Andia Grageda。Pirqakunawan parlaspa(对着墙说话)
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.261
Ulises Juan Zevallos Aguilar
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引用次数: 0
Imágenes paceñas: El mago de la ciudad paceña moderna 帕塞尼亚图像：现代帕塞尼亚城市的魔术师
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.255
Tara Daly, R. Alfaro
{"title":"Imágenes paceñas: El mago de la ciudad paceña moderna","authors":"Tara Daly, R. Alfaro","doi":"10.5195/bsj.2021.255","DOIUrl":"https://doi.org/10.5195/bsj.2021.255","url":null,"abstract":"In this essay we disentangle what Jaime Saenz conceives of as the “magic” of La Paz as elaborated in Imágenes paceñas. We analyze magic from three complementary angles. First, we focus on the relationship between magic and unease. This take on magic is associated in the text, in an unexplicit and tangential way, with non-Western culture; that is, the Aymara indigenous. Our second point of entry intersects the first. The version of La Paz that Saenz depicts is moved by unfamiliar cultural forces. As a consequence, it is a product of, and produces, a distinct form of inhabiting characterized by a temporality that troubles that of modernity; this, too, results in a sense of magic. Finally, in our third approach to magic, we analyze the tensions derived from the visual and written registers Saenz combines in this text. In the montage forged between text and photography, writing is employed to maintain somewhat hidden, and for that reason alive, the magical aspects of the city. And so, the author is in part a magician: he reveals something only to distract, all in the name of protecting the very conditions that enable his art.  ","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42435662","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Call for Papers 征稿
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.264
Martha E. Mantilla
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引用次数: 0
Mediating Andean Modernity: The Literary Oracular in Muerte por el tacto by Jaime Saenz 调解安第斯的现代性：海梅·萨恩斯的《触摸死亡中的祈祷文学》
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.252
Joseph Mulligan
{"title":"Mediating Andean Modernity: The Literary Oracular in Muerte por el tacto by Jaime Saenz","authors":"Joseph Mulligan","doi":"10.5195/bsj.2021.252","DOIUrl":"https://doi.org/10.5195/bsj.2021.252","url":null,"abstract":"Upon his return from Berlin in 1939, Jaime Saenz started working in La Paz for intelligence agencies and public relations offices of Bolivia and the United States, which led to correspondent positions with Reuters and McGraw-Hill World News. His trajectory into Cold War Bolivian state nobility seemed all but guaranteed. However, on the brink of this breakout moment, he renounced his job —and professionalism altogether— committing himself to a life of literature and alcoholism as his marriage unraveled. In response to repeated interventions, he justified his every loss with a further indictment of the precautious, which was an outgrowth of his belief in the existence of a higher truth that was both accessible and impervious to analytical reason. In this article, I ask how Saenz’s poetry from the 1950s metabolized the rhetoric of indictment which it had inherited from the Tellurism of the Chaco generation. How might Muerte por el tacto (1957) be symptomatic of a broader aim of restoring to modern poetry its oracular legitimacy? On what grounds did Saenz indict precautious defenders of historical culture? And how did such an indictment mediate “national energy” (Tamayo) as it came into language through the nativist discourse of the land? Paying focal attention to regimes of revelation in Saenz’s  early  poetry and the historical conditions of its production, this article updates a discussion among Transatlanticists about the legitimization of irrationalism in 20th-century poetics and politics by assessing the socio-symbolic value of the oracular in the regionalist discourse of modernism. ","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41665982","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Felipe Delgado, otro de los Robinsones 费利佩·德尔加多，另一个罗宾逊
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.256
J. Sanjinés C.
{"title":"Felipe Delgado, otro de los Robinsones","authors":"J. Sanjinés C.","doi":"10.5195/bsj.2021.256","DOIUrl":"https://doi.org/10.5195/bsj.2021.256","url":null,"abstract":"Robinson Crusoe, the extraordinary ship-wrecked protagonist of Defoe’s novel, is actually a modern transfiguration of the old myth of the “savage man,” a myth that this article revisits. Robinson is brought by Defoe into a savage existence because the author intends to demonstrate that it is possible to defeat savagery in one’s own land, turning Robinson into the virtuous and modern homo economicus. But there are other Robinsons that challenge the original: that of Jean-Jacques Rousseau, and the urban Robinson, conceived in novelistic form by Antonio Muñoz Molina. Both serve as models for my reading of Felipe Delgado as a novel that exemplifies the marginal Robinson. As happens to some of the characters in Antonio Muñoz Molina’s novels, the Bolivian poet and novelist Jaime Saenz creates an urban, marginalized and eccentric Robinson that, unlike the previous mentioned, without a rational goal motivating him, secretly celebrates his incurable shipwrecks. Felipe is the Robinson born out of the lucid necessity of alcohol. Clairvoyant and repentant of his future, he is born for the night, a space and time that permits him to delve into the heart of the memory of his city.  ","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41606019","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Ruina/basural: Lógicas temporales y espaciales de la ciudad de La Paz en Saenz y Viscarra 废墟/垃圾场:萨恩斯和维斯卡拉拉拉巴斯城市的时间和空间逻辑
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.253
I. Feldman
{"title":"Ruina/basural: Lógicas temporales y espaciales de la ciudad de La Paz en Saenz y Viscarra","authors":"I. Feldman","doi":"10.5195/bsj.2021.253","DOIUrl":"https://doi.org/10.5195/bsj.2021.253","url":null,"abstract":"This article analyzes spatio-temporal logics in the representation of the city of La Paz in Imágenes Paceñas by Jaime Saenz and the urban chronicles of Víctor Hugo Viscarra. Juxtaposing the concepts of chrononormativity and queer time, it explores how linear temporal logic remains insufficient for the understanding of the city and its inhabitants in the two narrative projects. The article postulates that the marginal spaces of architectural ruins and garbage dumps, and the marginalized people who inhabit queer space-time are key to “revealing the hidden city” and understanding its contradictory place in the national narrative and space.","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48607228","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Postscriptum: Apuntes sobre el universo literario de Jaime Saenz 后记:Jaime Saenz的文学世界笔记
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.260
Leonardo García Pabón
{"title":"Postscriptum: Apuntes sobre el universo literario de Jaime Saenz","authors":"Leonardo García Pabón","doi":"10.5195/bsj.2021.260","DOIUrl":"https://doi.org/10.5195/bsj.2021.260","url":null,"abstract":"<jats:p>.</jats:p>","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42188401","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Aparición y desaparición del camino amoroso en la obra de Jaime Saenz: Análisis de un capítulo de Felipe Delgado 海梅·萨恩斯作品中爱情之路的出现与消失：费利佩·德尔加多的一章分析
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.249
Camilo Gil Ostria
{"title":"Aparición y desaparición del camino amoroso en la obra de Jaime Saenz: Análisis de un capítulo de Felipe Delgado","authors":"Camilo Gil Ostria","doi":"10.5195/bsj.2021.249","DOIUrl":"https://doi.org/10.5195/bsj.2021.249","url":null,"abstract":"This essay proposes a close reading of chapter VIII of the second part of Felipe Delgado, a novel by Jaime Saenz. In this chapter, which narrates Felipe's birthday, the projection process by which the protagonist dominates his world is staged; at the same time, Ramona (and the intruder into whom she will transexualize) will neutralize that dominant gaze. Comparing the chapter with Magritte's series The Lovers and Barthes's A Lover’s Discourse: Fragments, the importance of the amorous path will be brought to the fore in this novel.  ","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42153899","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cities of Rivers, Mountains, and Serpents: Non-Human Territorialities in Jaime Saenz and José María Arguedas 河流，山脉和蛇的城市:Jaime Saenz和josise的非人类领土María Arguedas
Bolivian Studies Journal Pub Date : 2021-12-10 DOI: 10.5195/bsj.2021.258
Christian Elguera
{"title":"Cities of Rivers, Mountains, and Serpents: Non-Human Territorialities in Jaime Saenz and José María Arguedas","authors":"Christian Elguera","doi":"10.5195/bsj.2021.258","DOIUrl":"https://doi.org/10.5195/bsj.2021.258","url":null,"abstract":"In this article, I draw on Tupac Amaru Kamaq Taytanchisman (1962) by José María Arguedas and Imágenes paceñas (1979) by Jaime Saenz to illuminate the ways that serpents, rivers, and mountains bear upon the spatial organization of Lima and La Paz. I contend that for Saenz and Arguedas, entities such as the Amaru or the Illimani influence the production of non-human territorialities, reorganizing the structures of urban spaces and the lives of the citizens within them. Both texts make visible non-human territorialities through a process I call “territorial writing.” This kind of writing employs a variety of literary strategies (narrative time, characters, and figures) to visualize human and other-than-human vinculums as part of Andean cities. From this vantage point, “territorial writers” perceive urban geographies as territories in which different ethnic groups interact with powerful non-human entities or deities.","PeriodicalId":30365,"journal":{"name":"Bolivian Studies Journal","volume":null,"pages":null},"PeriodicalIF":0.0,"publicationDate":"2021-12-10","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47764061","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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