Musica Docta最新文献

Attitudine musicale e verifica del potenziale di apprendimento in musica: la ricerca e i test di Edwin Gordon 音乐态度与音乐学习潜力测试——Edwin Gordon的研究与测试

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11929

Riccardo Nardozzi

引用次数: 1

Paolo De Matteis, Musica e gesto nel teatro mozartiano. Le didascalie musicali nelle “Nozze di Figaro” , Lucca, LIM, 2020 保罗·德·马蒂斯，莫扎特剧院的音乐和手势。《费加罗的婚礼》，卢卡，林，2020年

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11937

N. Badolato

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Canto degli spiriti sopra le acque 灵魂在水面上歌唱

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11938

A. Rizzuti

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Oggetti musicali, produzione di identità e interazione sociale 音乐物品，身份和社会互动的产生

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11926

F. Piperno

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Alice Mado Proverbio, Neuroscienze cognitive della musica. Il cervello musicale tra arte e scienza , Bologna, Zanichelli, 2019 Alice Mado谚语，音乐认知神经科学。艺术与科学的音乐大脑，博洛尼亚，扎尼切利，2019

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11948

D. Caramia

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Tenuti all’impossibile 必须不可能

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11945

Giorgio Pestelli

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Mélophrasis , parafrasi ed analisi: Haydn, Momigny e la “103” 煽动种族主义，提交分析:

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11947

L. Bianconi

{"title":"Mélophrasis , parafrasi ed analisi: Haydn, Momigny e la “103”","authors":"L. Bianconi","doi":"10.6092/ISSN.2039-9715/11947","DOIUrl":"https://doi.org/10.6092/ISSN.2039-9715/11947","url":null,"abstract":"In his Cours complet d’harmonie et de composition (1806) Jerome-Joseph Momigny offered both a paraphrase of the first movement of W.A. Mozart’s D minor Quartet K 421, and a double analysis of the first movement of Joseph Haydn’s Symphony no. 103 in E flat major. In the first case, he matched the phrases of Mozart’s composition to the verses of a fictional quarrel between Dido and a runaway Aeneas, providing both a harmonic and structural analysis at the same time. In the case of Haydn, a first, essentially formal analysis is complemented by an analyse pittoresque et poetique conceived as a dramatisation: the subject illustrates the contrasting reactions of the peasants to the threat of a storm, their prayers, comments, banters, and ensuing squabbles.In both cases Momigny segments the composition into ‘periods’ that convey complete meaning. Therefore, he does not rely on a pre-established morphological model – the very idea of sonata form had not yet been formulated in 1806 – but seeks logical and formal links in the narrative coherence resulting from the succession and concatenation of musical periods. This translation into words of a complex, multi-layered construct like the first movement of Haydn’s symphony is no doubt arbitrary, but not inappropriate. However, it has the merit of reducing the gap between poor denotation and lavish connotation that is peculiar to musical language.Moreover, in itself the very beginning of Symphony no. 103 gives a textbook example of the limits that constrain the power of the word vis-a-vis musical language. Indeed, the sources give no indication on how to perform the “drum-roll” that made it famous.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"10 1","pages":"111-128"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47619755","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0

Le attività musicali nelle Università italiane: funzioni sociali, culturali e formative 意大利大学的音乐活动:社会、文化和教育功能

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11932

Luca Aversano

引用次数: 0

Emanuele Pappalardo, Composizione, analisi musicale e tecnologia nella scuola primaria. I bambini compongono, raccontano, analizzano, riflettono , Pisa, ETS, 2019 Emanuele Pappalardo，小学作曲、音乐分析与技术。儿童写作，讲述，分析，反思，Pisa，ETS，2019

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11936

C. Cuomo

引用次数: 0

Denotazione, metafora e connotazione tra ekphrasis e mélophrasis ekphrasis和melophrasis之间的描述、隐喻和内化

Musica Docta Pub Date : 2020-12-22 DOI: 10.6092/ISSN.2039-9715/11942

A. Battistini

{"title":"Denotazione, metafora e connotazione tra ekphrasis e mélophrasis","authors":"A. Battistini","doi":"10.6092/ISSN.2039-9715/11942","DOIUrl":"https://doi.org/10.6092/ISSN.2039-9715/11942","url":null,"abstract":"In classical rhetoric, the name ekphrasis designates the detailed verbal description of a concrete object or subject, i.e. the transposition into words of something that is intended to be \"seen\" by placing it under the eyes of the reader. The privileged field of application of this device are the visual arts, in which critics are expected to render both real and fantastic images through words, translating the fixedness of visual data into the temporal sequence of a verbal discourse. In the case of musical art, ekphrasis aims to render in words sequences of sounds that are in turn temporally oriented, and in this respect diverges from a verbal representation of the visual arts, which exist in a spatial dimension. In music, however, meanings exist but are generally not denoted according to a specific semantic system, and therefore require transcoding processes and lexical loans. \u0000Even in the poetic description of a work of visual art (e.g. the sonnets in which Marino describes the image of Daphne's metamorphosis into laurel in Bernini's marble group, animating and dramatizing it), ekphrasis can generate a flowering of poetic tropes that clearly enhance the semantic content. This enhancement of meaning is even more necessary in musical ekphrasis, which tends to shift the object of representation from physical-acoustic data, or from the specific semiographic system, to the sensations it produces in the listener. In fact, rather than insisting on the musical text, the melophrasis - as it has recently been renamed - is ultimately directed at the effect it causes, and therefore at viewers and their internalization processes. The result is a substantial shift from denotation to connotation, through extensive (but not uncontrolled) recourse to metaphorical procedures, applied to the sound images of the composition, to the proxemics and environmental components of performance, and finally to the specific sound symbolism contained in certain scores.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"10 1","pages":"65-75"},"PeriodicalIF":0.0,"publicationDate":"2020-12-22","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46383304","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 0