Musica Docta最新文献_第10页

Diffondere la curiosità per l’arte 传播对艺术的好奇心

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/ISSN.2039-9715/5870

Elena Petrušanskaja

引用次数: 0

Mozart in Madrās: Global Learning and Western Art Music 莫扎特在Madrās:全球学习和西方艺术音乐

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5874

P. Taylor

引用次数: 4

Theoretical Conceptions in Musicology as a Potential Obstacle to Musical Comprehension 音乐学中的理论概念是音乐理解的潜在障碍

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5869

L. Hakobian

{"title":"Theoretical Conceptions in Musicology as a Potential Obstacle to Musical Comprehension","authors":"L. Hakobian","doi":"10.6092/issn.2039-9715/5869","DOIUrl":"https://doi.org/10.6092/issn.2039-9715/5869","url":null,"abstract":"The core of the history of musical thought consists of large-scale doctrines striving to explain the multitude of observed phenomena in terms of immutable categories and universals. All such doctrines are based on the belief of their authors that all the complex and differentiated phenomena have their origins in simple principles. Accordingly, any music that cannot be convincingly reduced to these principles is either ignored or declared ‘abnormal’. Any doctrine inevitably stops before what in music is not quite ‘system-defined’. Though doctrines may point to ‘irregularities’, they can hardly justify them aesthetically. The by-effect of their influence is the growth of prejudices around anything that is new and unusual. A huge array of musicological literature, developing the methodological principles of ‘big’ classical conceptions or propounding new conceptions that also claim to be scientific and universal, can hardly help the reader to clarify his perception of the unfamiliar or to discover new meanings in what is well known (the present paper illustrates this using several examples from different brands of musicology, both Russian and non-Russian). This arguably means that the ‘scientistic’ (reductionist) paradigm in musicology has been exhausted and the new, deeper knowledge of music has to be acquired through alternative, not strictly scientific – perhaps rather literary, openly subjective, authority-free – ways.","PeriodicalId":30273,"journal":{"name":"Musica Docta","volume":"5 1","pages":"19-28"},"PeriodicalIF":0.0,"publicationDate":"2015-12-28","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"71261398","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}

引用次数: 1

“De stilo et opere”; or, Looking for the Rule “De stilo et opere”;或者，寻找规则

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5868

Edmund J. Goehring

引用次数: 0

Die musiktheoretische Ergründung der Arienform in italienischen Opern des 18. Jahrhunderts und die Umgestaltung des Fachs Formenlehre 在18世纪的意大利歌剧中，歌剧编辑部十分流行。记得

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/ISSN.2039-9715/5872

Irina Susidko

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引用次数: 0

Music as Intangible Cultural Heritage. Policy, Ideology, and Practice in the Preservation of East Asian Traditions, a cura di Keith Howard, SOAS-University of London, Ashgate, 2012 音乐作为非物质文化遗产。《东亚传统保护中的政策、意识形态与实践》，Keith Howard主持，伦敦大学亚非学院，2012年

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5877

Matteo Casari

引用次数: 0

Un itinerario didattico tra musica e storia: le immagini militari nei concerti per violino di primo Ottocento 从音乐到历史的教育旅程:在19世纪早期的小提琴独奏会上的军事图像

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5862

Luca Aversano

引用次数: 0

La manualistica per la storia della musica 音乐史的手册

Musica Docta Pub Date : 2015-12-28 DOI: 10.6092/issn.2039-9715/5865

F. D. Seta