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História pública e cultura histórica na produção audiovisual contemporânea 当代视听制作中的公共历史与历史文化
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34152
Josias José Freire Júnior
{"title":"História pública e cultura histórica na produção audiovisual contemporânea","authors":"Josias José Freire Júnior","doi":"10.26512/EMTEMPOS.V1I37.34152","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34152","url":null,"abstract":"The scientific rationality of the history is guaranteed in its production, in historiography, through methodological rules of the research stages. However, history is not able to control the social circulation of this knowledge, beyond its scope, although the question of the presentation of history is also one of its problems. Undoubtedly one of the most important forms of dissemination that is not strictly historiographical in history is audiovisual, whether in the cinema or other media. In this context, reflections are presented in this article in order to problematize the meanings of audiovisual narratives broadcast by the television series \"Guia Politicamente Incorreto\" (2017), as a defendant in the themes of public history, conscience and historical culture. The article now presented is the result of a research that aimed to discuss historical meanings of audiovisual production, based on public history and the didactics of history, in the television series analyzed.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41422795","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema na ditadura militar 军事独裁时期的电影
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.32675
Vinícius Viana Juchem
{"title":"Cinema na ditadura militar","authors":"Vinícius Viana Juchem","doi":"10.26512/EMTEMPOS.V1I37.32675","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.32675","url":null,"abstract":"From the perspective of historians, cinema is considered a way of expanding the possibilities for reflection on the past. This presupposes understanding the films beyond the character of mere cultural entertainment, but as a historical source. In this way, this article addresses the Brazilian military dictatorship (1964-1985) through the film A nun and torture (1984), directed by Ozualdo R. Candeias, which narrates the troubled and violent relationship between a police officer and a nun accused of subversion. Low-budget production and with a strong erotic and political character, the aforementioned feature had its exhibition in national territory vetoed by federal censorship. In view of what was stated, we started from the following research problem: what are the possibilities of interpreting the film The nun and torture as a historical source about the military dictatorship? The objective is to contribute to the studies about  the military dictatorship.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42818853","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
...E o Vento Levou ...风吹走了
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.31597
V. Andrade
{"title":"...E o Vento Levou","authors":"V. Andrade","doi":"10.26512/EMTEMPOS.V1I37.31597","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.31597","url":null,"abstract":"The north american film Gone with the Wind debuted in December 1939, completing 80 years of its release last year. Considered one of the cinema classics, its scenario is the American Civil War, which culminated in the abolition of slavery, and the period of subsequent reconstruction. The purpose of this article is to analyze one of the striking - and apparently incongruous - features of the work: a 233-minute film, adapted of a book that has more than a thousand pages, which backdrop is a conflict caused by the maintenance or not of the slavery, completely abstains from the discussion on the abolition of slavery in the USA and on a racial issue arising from the liberation of the enslaved.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47097735","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
minimalismo absurdo na animação Morte e Vida Severina de Afonso Serpa Afonso Serpa动画《Morte e Vida Severina》中的荒谬极简主义
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34089
D. Silva
{"title":"minimalismo absurdo na animação Morte e Vida Severina de Afonso Serpa","authors":"D. Silva","doi":"10.26512/EMTEMPOS.V1I37.34089","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34089","url":null,"abstract":"This work analyzes the minimalist aesthetic of the Theater of the Absurd applied to a cinematographic, cartoonist and poetic narrative called Morte e Vida Severina adapted to a cinematographic 3D animation. I analyzed the audiovisual aesthetics of an animation that mixes cartoon and woodcut techniques. It analyzes how Severino's existentialism and universalism are subtly constructed in the mise-en-scene through feelings of memorization, emptiness, deafening silence, monochromatic colors, psychological space, the universalization of the name Severino and the repetition of images iconic to sertao. The conclusion of this investigation points to a regional cinematography that feeds on the minimalistic and universal aesthetic of the Theater of the Absurd to reveal the complexity and sophistication of the ordinary man, represented on the figure of the sertanejo man, whose life’s nemesis exceeds the limits of sertao to become an universal issue, part of the world of absurd.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46116475","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Disciplina e ordem nas telas do Cine Jornal Brasileiro 巴西电影节（Cine Jornal Brasileiro）屏幕上的纪律和秩序
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.33231
Alvaro Eduardo Trigueiro Americano, Letícia Barbosa Torres Americano
{"title":"Disciplina e ordem nas telas do Cine Jornal Brasileiro","authors":"Alvaro Eduardo Trigueiro Americano, Letícia Barbosa Torres Americano","doi":"10.26512/EMTEMPOS.V1I37.33231","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.33231","url":null,"abstract":"The military was a key ally of President Getulio Vargas during the Estado Novo regime in Brazil (1937-1945), with a strong role in its ideological representation. In this article, we investigate how this partnership in the exercise of power was shown in the newsreel Cine Jornal Brasileiro (CJB), between 1938 and 1946, a component of the regime's political propaganda strategy. The Armed Forces were a recurring theme and subject of the CJB as part of the government's commitment to convince society to accept the ideological molds of the authoritarian state that was established in the country.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"44848149","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colonialismo como laboratório 殖民主义实验室
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34139
L. B. Rodrigues
{"title":"Colonialismo como laboratório","authors":"L. B. Rodrigues","doi":"10.26512/EMTEMPOS.V1I37.34139","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34139","url":null,"abstract":"This article aims to understand how French colonialism used torture practices in Algeria as political control through the analysis of the film The Battle of Algiers directed by Gillo Pontecorvo. In this way, we will establish connections between the repression of the struggle for independence, supported by the ideology of the “counterrevolutionary war” and the links with the crimes against humanity committed by the dictatorships in Latin America. Finally, we will analyze how the torture experiences in Algeria reflected in Brazil through the training of the “Schools of French repression”.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"47335543","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
mergulho do outro 跳入另一个
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/emtempos.v1i37.34193
C. Freire, Francisco das Chagas Fernandes Santiago Júnior
{"title":"mergulho do outro","authors":"C. Freire, Francisco das Chagas Fernandes Santiago Júnior","doi":"10.26512/emtempos.v1i37.34193","DOIUrl":"https://doi.org/10.26512/emtempos.v1i37.34193","url":null,"abstract":"A entrevista que segue remonta a trajetória e as dificuldades com a homofobia e a transfobia no Brasil recente no contexto audiovisual. O cineasta Émerson Maranhão conseguira certa notoriedade com a circulação do curta Aqueles Dois, sobre dois homens trans, mas, em 2019, teve o projeto de série Transversais censurado por transfobia pelo atual Presidente da República. A entrevista contextualiza a trajetória do cineasta, bem como o episódio, documentando um aspecto de nossa história republicana atual. Os autores agradecem a convivência coletiva no Fórum de Teoria e História da Historiografia (FTHHH) que possibilitou o encontro entre ambos, na edição de Natal. É necessário também agradecer ao Prof. Antônio Gilberto Ramos Nogueira por ter apresentado, para um dos autores, Renato Freire, o diretor Émerson Maranhão.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69356633","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Utopia e destruição, ruína e progresso 乌托邦与毁灭、毁灭与进步
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34202
Vinícius da Cunha Bisterço
{"title":"Utopia e destruição, ruína e progresso","authors":"Vinícius da Cunha Bisterço","doi":"10.26512/EMTEMPOS.V1I37.34202","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34202","url":null,"abstract":"The movie A Margem, by Ozualdo Candeias, reports the daily lives of four individuals dwelling in a peripheral region of Sao Paulo city. From the considerations of Marc Ferro, Eduardo Morettin and Ismail Xavier, the paper points out paths to mobilize the cinema as a source of the historical knowledge. In the investigation, main emphasis is given to the construction of the social experience of the marginalized, which is strained between the constitution of solidarity bonds and the incapacity of reacting collectively to the oppressions. Besides that, the movie is also investigated as a critical perspective about the modernization process in Sao Paulo city, intensified since the fifties.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41523980","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinema e memória urbana 电影院memória urbana
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34235
Leila Saads
{"title":"Cinema e memória urbana","authors":"Leila Saads","doi":"10.26512/EMTEMPOS.V1I37.34235","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34235","url":null,"abstract":"Approximately seven kilometers from the Plano Piloto in Brasilia, bordering one of the main connecting routes between this area and other cities in the Federal District (DF), is Cidade Estrutural. Its history goes back to the first years of the new capital's existence, when some waste collectors, identifying recycling as a livelihood, settled in the region. Its consolidation process as a city was long and complex. The documentary Estrutural, directed by Webson Dias and released in 2016, uses several sources (photographs, videos, testimonies, public pieces) to try to understand and tell the history of this city. This article aims to weave possible narratives about the formation of the Cidade Estrutural from the dialogue between Dias' film and part of the academic production on this urban occupation. Therefore, an articulation between the concepts of territory, experience and memory will be proposed, understanding how, at the intersections of these concepts, it becomes possible to understand the political and territorial disputes represented in the documentary Estrutural and what city images emerge from these representations.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43029740","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
“giro historiográfico” en los estudios sobre el cine 电影研究中的“史学转折”
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/emtempos.v1i37.34342
Vanessa Montenegro
{"title":"“giro historiográfico” en los estudios sobre el cine","authors":"Vanessa Montenegro","doi":"10.26512/emtempos.v1i37.34342","DOIUrl":"https://doi.org/10.26512/emtempos.v1i37.34342","url":null,"abstract":"En este estado de la cuestión se hace una comparación entre el desarrollo de la historiografía del cine anglonórdica versus la historiografía del cine en Latinoamérica. En la primera parte del trabajo se abordan los debates que cuestionan las metodologías, los enfoques y los resultados de la historiografía del cine anglosajona y que culminan con la publicación de The Routledge companion to new cinema history (Biltereyst, Maltby, y Meers 2019). La segunda parte está dedicada a revisar el desarrollo de la historiografía del cine en Latinoamérica hasta la aparición del texto Tradición y modernidad en el cine de América Latina (Paranaguá 2003) y su influencia en los estudios e investigaciones de la región. Seguidamente se presentan algunos trabajos que dan una idea de los diversos caminos y líneas de investigación en boga dentro de la más reciente historiografía del cine en Latinoamérica.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":"1 1","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"69356650","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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