Cinema na ditadura militar

Vinícius Viana Juchem
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Abstract

From the perspective of historians, cinema is considered a way of expanding the possibilities for reflection on the past. This presupposes understanding the films beyond the character of mere cultural entertainment, but as a historical source. In this way, this article addresses the Brazilian military dictatorship (1964-1985) through the film A nun and torture (1984), directed by Ozualdo R. Candeias, which narrates the troubled and violent relationship between a police officer and a nun accused of subversion. Low-budget production and with a strong erotic and political character, the aforementioned feature had its exhibition in national territory vetoed by federal censorship. In view of what was stated, we started from the following research problem: what are the possibilities of interpreting the film The nun and torture as a historical source about the military dictatorship? The objective is to contribute to the studies about  the military dictatorship.
军事独裁时期的电影
从历史学家的角度来看,电影被认为是一种扩大反思过去的可能性的方式。这就要求我们超越单纯的文化娱乐,而是把电影作为一个历史来源来理解。通过这种方式,本文通过奥祖阿尔多·r·坎代亚斯(Ozualdo R. Candeias)导演的电影《修女与酷刑》(1984)讲述了巴西军事独裁时期(1964-1985),讲述了一名警察和一名被指控颠覆国家政权的修女之间充满麻烦和暴力的关系。由于制作成本低,且带有强烈的情色和政治色彩,该影片在美国境内的放映被联邦审查机构否决。鉴于以上所述,我们从以下研究问题开始:将电影《修女与酷刑》作为一个关于军事独裁的历史来源来解读的可能性是什么?目的是对军事独裁的研究有所贡献。
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