História pública e cultura histórica na produção audiovisual contemporânea

Josias José Freire Júnior
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引用次数: 0

Abstract

The scientific rationality of the history is guaranteed in its production, in historiography, through methodological rules of the research stages. However, history is not able to control the social circulation of this knowledge, beyond its scope, although the question of the presentation of history is also one of its problems. Undoubtedly one of the most important forms of dissemination that is not strictly historiographical in history is audiovisual, whether in the cinema or other media. In this context, reflections are presented in this article in order to problematize the meanings of audiovisual narratives broadcast by the television series "Guia Politicamente Incorreto" (2017), as a defendant in the themes of public history, conscience and historical culture. The article now presented is the result of a research that aimed to discuss historical meanings of audiovisual production, based on public history and the didactics of history, in the television series analyzed.
当代视听制作中的公共历史与历史文化
通过研究阶段的方法论规则,历史的科学合理性在其产生、史学中得到了保证。然而,历史无法控制这一知识的社会流通,超出了它的范围,尽管历史的呈现问题也是它的问题之一。毫无疑问,无论是在电影还是其他媒体上,历史上最重要的传播形式之一都不是严格的历史记录。在这种背景下,本文提出了一些思考,以质疑电视剧《Guia Politicamente Incorreto》(2017)作为公共历史、良心和历史文化主题的被告所播放的视听叙事的意义。这篇文章是一项研究的结果,旨在探讨视听制作的历史意义,基于公共历史和历史教训,在电视连续剧中进行分析。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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