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Pink Floyd ”“ The Wall 平克·弗洛伊德的《墙》
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.33095
Franco Santos Alves da Silva
{"title":"Pink Floyd ”“ The Wall","authors":"Franco Santos Alves da Silva","doi":"10.26512/EMTEMPOS.V1I37.33095","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.33095","url":null,"abstract":"Pink Floyd The Wall is a British film released in 1982. Directed by Alan Parker, with script by bassist Roger Waters and animations by Gerald Scarfe. The feature film is based on the conceptual disc The Wall (1979), It is a dystopic narrative with surrealist features. Whose script is about the journey of Pink, a rock star who has to deal with several metaphorical and real walls that life has imposed on him: one present full of loneliness, drugs and a turbulent marriage.  The past marked by an overprotective mother, a father killed in the war and an oppressive school. The article makes a theoretical approach between historiography, such as Marc Ferro, Rafael Hagemeyer and Michele Lagny and cinema, especially cinematographic language and animation, such as David Bordewell, Kristin Thompson, Jacques Autont, Michel Marie, Eduardo Penuela Canizal, Maria Prammaggiore and Tom Wallis.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41608727","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970) sembene Ousmane(塞内加尔，20世纪70年代)电影《Emitai》中的殖民主义和解放主义
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.32803
Vinícius Pinto Gomes
{"title":"Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970)","authors":"Vinícius Pinto Gomes","doi":"10.26512/EMTEMPOS.V1I37.32803","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.32803","url":null,"abstract":"This article intends to analyze the film Emitai (1971), directed by Sembene Ousmane from a dialog with post-colonial and decolonial studies, starting from an African perspective on events. Therefore, we will use the film analysis, articulating the cinematographic narrative with interviews of the director, besides the analysis of the posters produced for the international festivals where the film was screened. The story of the movie narrates the resistance of a Diola village in southern Senegal against French colonialism, so, we bring the category of emancipation to discuss the policies proposed by Sembene and how it is done in his film narrative. Director and screenwriter Sembene Ousmane is considered one of the main film-makers of African cinema, serving as influence to several later generations of artists and politicians, both inside and outside the African continent","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"45153871","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Jazz como Elemento Catalisador da Tragédia Grega, segundo Friedrich Nietzsche, no Filme Crise (1945) de Ingmar Bergman 根据弗里德里希·尼采在英格玛·伯格曼1945年的电影《危机》中的说法，爵士乐是希腊悲剧的催化剂
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34169
Hellen Silvia Marques Gonçalves
{"title":"Jazz como Elemento Catalisador da Tragédia Grega, segundo Friedrich Nietzsche, no Filme Crise (1945) de Ingmar Bergman","authors":"Hellen Silvia Marques Gonçalves","doi":"10.26512/EMTEMPOS.V1I37.34169","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34169","url":null,"abstract":"This paper analyses Ingmar Bergman's movie Crisis (1945), mainly focusing on the party scene as a conflict point of the narrative, during which the jazz music can be seen as the catalysis to a greek tragedy, as stated by Friedrich Nietzsche, amongst the involved characters. The hypothesis here discussed is that the Swedish filmmaker writes Jack as a dionysiac personification; and the teenage Nelly as the symbol of apollonian values. During the party, passion unites these characters in a subtle but powerful way,  unleashing the plot, whereas jazz acts as the main element of the scene.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48072789","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Glauber Rocha e a autonomia relativa do campo artístico Glauber Rocha与艺术领域的相对自主
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34086
R. Mendonça, S. Braga
{"title":"Glauber Rocha e a autonomia relativa do campo artístico","authors":"R. Mendonça, S. Braga","doi":"10.26512/EMTEMPOS.V1I37.34086","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34086","url":null,"abstract":"The article discusses the ambiguity as a constituent element of the artistic field, whether in its relations with power or with the market. For this, we used as a starting point the making of the documentary “Amazonas, Amazonas” directed by filmmaker Glauber Rocha (1939-1981) commissioned by the government of Amazonas in the mid-1960s. Based on documentary sources and In conjunction with ideas by Karl Mannheim and Pierre Bourdieu, we analyze the tensions that emerge around this film, still little known in the face of the celebrated filmography of one of the exponents of the New Cinema movement.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42060663","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Representações do Continente Africano nas Telas do Cinema Hollywoodiano 非洲大陆在好莱坞电影屏幕上的表现
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34245
R. Nascimento
{"title":"Representações do Continente Africano nas Telas do Cinema Hollywoodiano","authors":"R. Nascimento","doi":"10.26512/EMTEMPOS.V1I37.34245","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34245","url":null,"abstract":"This article examines the representations of the African continent in Cinema through the films Hotel Rwanda (2004) and The Last King of Scotland (2006). An analysis is proposed from the decolonial studies in order to observe the presuppositions in which these representations are anchored, emphasizing their conditions of production. It is therefore a question of understanding confluences as to the images and places attributed to the populations of the African continent, unraveling historical and cultural connections. On the other hand, the aim is also to understand the variability and divergences in the way of continent is portrayed in the films in question, paying attention to the emphases of each filmmaker.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"48973169","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Conservadorismo no Cinema dos anos 1980 20世纪80年代保守派电影
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.31456
Ramiro Paim Trindade Junior
{"title":"Conservadorismo no Cinema dos anos 1980","authors":"Ramiro Paim Trindade Junior","doi":"10.26512/EMTEMPOS.V1I37.31456","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.31456","url":null,"abstract":"Here we seek to discuss the representations of the main characters of the movie “Excalibur, A Espada do Poder” (Excalibur, 1981, John Boorman), in order to identify the discourse that they carry, and elucidate how these figures were adapted by the 1980s and what this can tell us about the context in which they are inserted. In addition, we also work with the concepts of Medievalities and Medieval Reminiscences, in order to highlight how the Middle Ages were portrayed in our source. In that sense, we used the 15th century book entitled “The Death of Arthur”, the basis of the film's script, in order to make clear the choices made in the film adaptation. Because of that, we realized that the 1981 film presents a very clear exaltation of the male characters, who even have their negative attitudes relieved and, at the same time, a depreciation of the female protagonists, relegated to roles with few lines and caricatured images. These aspects reflect its historical period, marked by conservative and reactionary views, as we will explain below.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43073291","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Cinejornalismo em perspectiva histórica 历史视野中的电影新闻学
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34174
Isadora Dutra de Freitas
{"title":"Cinejornalismo em perspectiva histórica","authors":"Isadora Dutra de Freitas","doi":"10.26512/EMTEMPOS.V1I37.34174","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34174","url":null,"abstract":"The relation between Cinema and History promoted a double advance in the historiographic field. With an extensive variety of productions, it allowed analyzes of primary sources or new objects of study. Moreover, research in audiovisual collections also contributes to the constitution of an interface between Cultural and Political History. Thus, the central objective of this article is to analyze the political uses of newsreels in Brazil from a historical perspective. Forming the first vehicle for audiovisual information, cinejournalism revolutionized the media. However, as it became more popular, it also became an important tool of political propaganda. Even so, it constitutes a theme still little explored by historiography. For this reason, this article consists of a reunion of the main historiographical productions that used this object as a source of analysis.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"42610554","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Imagem, montagem e história em Videogramas de uma Revolução de Harun Farocki e Andrei Ujică Harun Farocki和Andrei Ujicïƒ的革命录像中的图像、编辑和历史
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34230
Barbara Mangueira do Nascimento
{"title":"Imagem, montagem e história em Videogramas de uma Revolução de Harun Farocki e Andrei Ujică","authors":"Barbara Mangueira do Nascimento","doi":"10.26512/EMTEMPOS.V1I37.34230","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34230","url":null,"abstract":"This article proposes to relate the analysis of the film Videograms of a Revolution (1992), by Harun Farocki and Andrei Ujică, with the discussion present in the works of Jacques Ranciere and Georges Didi-Huberman on the relationship between image, montage and history. Both authors, each in their own way, mobilize the idea that the montage operations made with the images make it possible to elaborate discourses on history, as well as to problematize notions of historical time. The film chosen for this analysis, made from a compilation of records of the events that led to the fall of the communist regime in Romania, is permeated by elements pertinent to the debate, above all by the emphasis on the role of technical images in this process.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"46963878","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Enunciando Contra-Hegemonias 开始反霸权主义
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.34236
Cristiane de Assis Portela, Anna Lorena Morais Silva
{"title":"Enunciando Contra-Hegemonias","authors":"Cristiane de Assis Portela, Anna Lorena Morais Silva","doi":"10.26512/EMTEMPOS.V1I37.34236","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.34236","url":null,"abstract":"The text analyses the historical narrative of the movie Romance do Vaqueiro Voador, by Manfredo Caldas (2007), that reminds of the construction of the new capital from the viewpoint of the workers who  built it. The film consists of a poetic documentary, based in the homonymous cordel-poem, by Joao Bosco Bezerra Bonfim. We compared the movie with the speeches made by Juscelino Kubitschek - JK  in 1960 and during the celebrations of May 1st, 1959, registered in newsreel Brasilia no16 from NOVACAP. JK's narratives are very widespread and they are in collections of public and private archives, whereas the reports of the workers are not well known yet, which demonstrates that those voices were silenced in a cyclical process of social and historical stigmatisation and invisibility . Therefore, in Romance do Vaqueiro Voador, there is a contrast of the speeches that became hegemonic about Distrito Federal.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"49312217","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Apresentação do Dossiê História & Cinema 历史和电影档案介绍
Em Tempo de Historias Pub Date : 2020-12-03 DOI: 10.26512/EMTEMPOS.V1I37.35413
Â. Teles
{"title":"Apresentação do Dossiê História & Cinema","authors":"Â. Teles","doi":"10.26512/EMTEMPOS.V1I37.35413","DOIUrl":"https://doi.org/10.26512/EMTEMPOS.V1I37.35413","url":null,"abstract":"não se aplica.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"41631311","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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