sembene Ousmane(塞内加尔,20世纪70年代)电影《Emitai》中的殖民主义和解放主义

Vinícius Pinto Gomes
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引用次数: 0

摘要

本文旨在从非洲对事件的视角出发,从后殖民主义和非殖民化研究的对话中分析Semene Oussmane执导的电影《Emitai》(1971)。因此,除了分析电影放映地的国际电影节海报外,我们还将使用电影分析,通过对导演的采访阐明电影叙事。这部电影的故事讲述了塞内加尔南部一个迪奥拉村对法国殖民主义的抵抗,因此,我们将解放这一类别引入讨论森本提出的政策,以及如何在他的电影叙事中做到这一点。导演兼编剧Sembene Oussmane被认为是非洲电影的主要电影制作人之一,对非洲大陆内外的几代艺术家和政治家产生了影响
本文章由计算机程序翻译,如有差异,请以英文原文为准。
Colonialidade e a Emancipação no filme Emitai de Sembène Ousmane (Senegal, Anos 1970)
This article intends to analyze the film Emitai (1971), directed by Sembene Ousmane from a dialog with post-colonial and decolonial studies, starting from an African perspective on events. Therefore, we will use the film analysis, articulating the cinematographic narrative with interviews of the director, besides the analysis of the posters produced for the international festivals where the film was screened. The story of the movie narrates the resistance of a Diola village in southern Senegal against French colonialism, so, we bring the category of emancipation to discuss the policies proposed by Sembene and how it is done in his film narrative. Director and screenwriter Sembene Ousmane is considered one of the main film-makers of African cinema, serving as influence to several later generations of artists and politicians, both inside and outside the African continent
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