{"title":"Conservadorismo no Cinema dos anos 1980","authors":"Ramiro Paim Trindade Junior","doi":"10.26512/EMTEMPOS.V1I37.31456","DOIUrl":null,"url":null,"abstract":"Here we seek to discuss the representations of the main characters of the movie “Excalibur, A Espada do Poder” (Excalibur, 1981, John Boorman), in order to identify the discourse that they carry, and elucidate how these figures were adapted by the 1980s and what this can tell us about the context in which they are inserted. In addition, we also work with the concepts of Medievalities and Medieval Reminiscences, in order to highlight how the Middle Ages were portrayed in our source. In that sense, we used the 15th century book entitled “The Death of Arthur”, the basis of the film's script, in order to make clear the choices made in the film adaptation. Because of that, we realized that the 1981 film presents a very clear exaltation of the male characters, who even have their negative attitudes relieved and, at the same time, a depreciation of the female protagonists, relegated to roles with few lines and caricatured images. These aspects reflect its historical period, marked by conservative and reactionary views, as we will explain below.","PeriodicalId":30228,"journal":{"name":"Em Tempo de Historias","volume":" ","pages":""},"PeriodicalIF":0.0000,"publicationDate":"2020-12-03","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":"0","resultStr":null,"platform":"Semanticscholar","paperid":null,"PeriodicalName":"Em Tempo de Historias","FirstCategoryId":"1085","ListUrlMain":"https://doi.org/10.26512/EMTEMPOS.V1I37.31456","RegionNum":0,"RegionCategory":null,"ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":null,"EPubDate":"","PubModel":"","JCR":"","JCRName":"","Score":null,"Total":0}
引用次数: 0
Abstract
Here we seek to discuss the representations of the main characters of the movie “Excalibur, A Espada do Poder” (Excalibur, 1981, John Boorman), in order to identify the discourse that they carry, and elucidate how these figures were adapted by the 1980s and what this can tell us about the context in which they are inserted. In addition, we also work with the concepts of Medievalities and Medieval Reminiscences, in order to highlight how the Middle Ages were portrayed in our source. In that sense, we used the 15th century book entitled “The Death of Arthur”, the basis of the film's script, in order to make clear the choices made in the film adaptation. Because of that, we realized that the 1981 film presents a very clear exaltation of the male characters, who even have their negative attitudes relieved and, at the same time, a depreciation of the female protagonists, relegated to roles with few lines and caricatured images. These aspects reflect its historical period, marked by conservative and reactionary views, as we will explain below.
在这里,我们试图讨论电影《王者之剑》(Excalibur, A Espada do Poder, 1981, John Boorman)中主要人物的表现,以确定他们所携带的话语,并阐明这些人物在20世纪80年代是如何被改编的,以及这可以告诉我们他们被插入的背景。此外,我们还研究了中世纪和中世纪回忆的概念,以突出中世纪在我们的资料中是如何被描绘的。从这个意义上说,我们使用了15世纪的一本名为《亚瑟之死》的书,作为电影剧本的基础,以便明确电影改编中的选择。正因为如此,我们意识到1981年的这部电影对男性角色表现出了非常明显的提升,他们的负面态度甚至得到了缓解,同时,对女性主角的贬低,被降级为台词很少、形象拙劣的角色。这些方面反映了它的历史时期,以保守和反动的观点为标志,我们将在下面解释。