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Muzikologija-Musicology最新文献

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Between tradition and subversion. Treatment of folklorised musical references in the early feature films of Pedro Almodóvar 在传统和颠覆之间。处理民间音乐参考在佩德罗的早期故事片Almodóvar
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Muzikologija-Musicology Pub Date : 2022-01-01 DOI: 10.2298/muz2232161b
Rastko Buljančević
{"title":"Between tradition and subversion. Treatment of folklorised musical references in the early feature films of Pedro Almodóvar","authors":"Rastko Buljančević","doi":"10.2298/muz2232161b","DOIUrl":"https://doi.org/10.2298/muz2232161b","url":null,"abstract":"The subject of this paper is the unconventional and highly subversive treatment of musical material of folkloric origin in the films of Pedro Almod?var: Pepi, Luci, Bom and Other Girls on the Heap (Pepi, Luci, Bom y otras chicas del mont?n, 1980) and Labyrinth of Passion (Laberinto de pasiones, 1982). These films are representative examples of the director?s experimental artistic poetics based on the interweaving of local and global cultural features. The focus is, therefore, on the folkloric elements of the Spanish and Catalan musical tradition and their transformation and recontextualisation in relation to the socio-political reality of post-fascist Spain. Consequently, well-known theatrical musical pieces and dances such as the pasodoble, zarzuela and sardana acquire transgressive qualities through an unusual play with traditional and postmodern signifiers, aimed at overthrowing conservative patriarchal authority under the Francoist regime.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68538405","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
The introduction of copyright in the early record industry and implications of authorship for popular music in Croatia from 1929-1960s 1929- 60年代克罗地亚早期唱片工业中版权的引入和流行音乐作者身份的影响
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Muzikologija-Musicology Pub Date : 2022-01-01 DOI: 10.2298/muz2232109v
Jelka Vukobratovic
{"title":"The introduction of copyright in the early record industry and implications of authorship for popular music in Croatia from 1929-1960s","authors":"Jelka Vukobratovic","doi":"10.2298/muz2232109v","DOIUrl":"https://doi.org/10.2298/muz2232109v","url":null,"abstract":"The article investigates the connection between the early record industry and the development of copyright legislation in Croatia and the former Yugoslavia between 1929 and the 1960s. Special attention is given to the topic of the implementation of copyright and the related rights within domestic record production in the selected period. The concept of the author, partly constructed through the implementation of copyright, is then reconsidered in the example of early Yugoslavian popular music.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68538050","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Applied musicology: A “manifesto”, and a case study of a lost cultural hub 应用音乐学:一个“宣言”，以及一个失落的文化中心的案例研究
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Muzikologija-Musicology Pub Date : 2022-01-01 DOI: 10.2298/muz2233087m
I. Medić
{"title":"Applied musicology: A “manifesto”, and a case study of a lost cultural hub","authors":"I. Medić","doi":"10.2298/muz2233087m","DOIUrl":"https://doi.org/10.2298/muz2233087m","url":null,"abstract":"In this article I present a ?manifesto? of the new discipline of applied musicology, which is closely related to the project Applied Musicology and Ethnomusicology in Serbia: Making a Difference in Contemporary Society (APPMES), supported by the Serbian Science Fund. Here I wish to outline some of the main aims and goals of this project and offer a broader insight into what applied musicology should strive to become. In the second part of the article, I present a case study of the Belgrade neighbourhood of Savamala where I conducted fieldwork before formulating the concept of applied musicology; nevertheless, this research is completely aligned with the aims and purposes of the new discipline, and it has helped me to turn my intuitive insights into a comprehensive theoretical concept.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2022-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68538698","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 1
Ways of living abroad: The foreign composer in Britain after World War II 国外的生活方式：二战后在英国的外国作曲家
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Muzikologija-Musicology Pub Date : 2021-06-30 DOI: 10.2298/muz2130135m
I. Moody
{"title":"Ways of living abroad: The foreign composer in Britain after World War II","authors":"I. Moody","doi":"10.2298/muz2130135m","DOIUrl":"https://doi.org/10.2298/muz2130135m","url":null,"abstract":"The situation for emigre composers in Britain during World War II and\u0000 afterwards was extremely complicated. British attitudes towards foreigners\u0000 were highly ambivalent, and this was reflected institutionally, as the\u0000 policies of the BBC at the time clearly show. This article reflects on the\u0000 lives and legacy of five foreign composers, all very different from each\u0000 other, who were, remarkably, discussed by Francis Routh in a book on British\u0000 music he published in 1972. I attempt to situate these composers over the\u0000 course of a longer period of time and ask whether such attitudes have in\u0000 fact truly changed.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-06-30","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"43855302","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Russian Dresden of the 1920s and 1930s: Profiles of musical, church and social life 1920年代和1930年代的俄国德累斯顿:音乐、教会和社会生活的侧面
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Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2130035z
Svetlana Zvereva Georgievna
{"title":"Russian Dresden of the 1920s and 1930s: Profiles of musical, church and social life","authors":"Svetlana Zvereva Georgievna","doi":"10.2298/muz2130035z","DOIUrl":"https://doi.org/10.2298/muz2130035z","url":null,"abstract":"This article addresses the theme of Russian music in the German city of Dresden as it initially related to the virtuosi who had arrived from Russia. After the Revolution of 1917, the roles of Russian emigres, such as Issay Dobrowen, Sergei Rachmaninov, Sergei Jaroff with his Don Cossack Choir, Maria Chebotaryova-Vyrubova and others, grew in significance. On the strength of Russian emigre newspapers, archival documents, reference and research literature, individual events involving Russian music in this city during the inter-war years have been re-created and placed in a broad socio-cultural context.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536906","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Musicians' attitudes towards concert activities in the first year of the pandemic: Belgrade context 大流行病第一年音乐家对音乐会活动的态度:贝尔格莱德背景
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Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2131231m
Biljana Milanović
{"title":"Musicians' attitudes towards concert activities in the first year of the pandemic: Belgrade context","authors":"Biljana Milanović","doi":"10.2298/muz2131231m","DOIUrl":"https://doi.org/10.2298/muz2131231m","url":null,"abstract":"This paper is based on the intersection of studies of performing arts, music and digital media in the field of musicology, which I connected with empirical research of professional musicians' attitudes towards Belgrade concert life in art music in the first year of the coronavirus pandemic (COVID-19). The research was conducted on the basis of a survey in which fifteen concert musicians participated. Given the appropriate theoretical perspective, the considerations are contextualized with respect to global changes of concert life.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68537499","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Gender perspectives of instrumental jazz performers in southeastern Europe 东南欧器乐爵士乐表演者的性别视角
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Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2130149j
J. Jovicevic
{"title":"Gender perspectives of instrumental jazz performers in southeastern Europe","authors":"J. Jovicevic","doi":"10.2298/muz2130149j","DOIUrl":"https://doi.org/10.2298/muz2130149j","url":null,"abstract":"I investigate constructed social platforms for female jazz instrumentalist, with a particular emphasis on the Balkan cultural space of Southeastern Europe (former Yugoslav countries). In this region, female jazz instrumentalists are confronted with multiple systems of rejection, facing double standards of the Balkan social-ideological patterns, typical for the patriarchal tradition, reproduced and incorporated within a micro context of the already gendered music genre. I analyze the image of female jazz instrumentalist in the public cultural space where jazz is created and consumed. This study presents autoethnographic testimonies as a subjective point of view.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536517","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
Écoutant la musique de pan: Regarding the ontological horizons of 'Pause' in Claude Debussy’s Syrinx Écoutant la musique de pan:关于德bussy《Syrinx》中“暂停”的本体论视界
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Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2131213t
M. Tomić
{"title":"Écoutant la musique de pan: Regarding the ontological horizons of 'Pause' in Claude Debussy’s Syrinx","authors":"M. Tomić","doi":"10.2298/muz2131213t","DOIUrl":"https://doi.org/10.2298/muz2131213t","url":null,"abstract":"The basic thesis of this paper is that 'pause' represents the ontological center of Claude Debussy?s (1862-1918) Syrinx for solo flute (1913). The phenomenon of the musical work is interpreted through an ontological perspective, following Roman Ingarden?s reflections presented in his Ontology of the Work of Art, having also in mind the different modes in which music can exist, that can be read from Ferruccio Busoni?s Sketch of a New Esthetic of Music. Since the programmatic content of Syrinx represents the myth of Pan?s flute, we necessarily introduce Mircea Eliade's explication of the phenomenon of myth, more precisely, of the mythical time, into the theoretical discussion as well.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68537770","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
Contribution of the Yugoslav Sokol organizations to the interwar sphere of music 南斯拉夫索科尔组织对两次世界大战之间音乐领域的贡献
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Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2130107v
Ivana Vesic
{"title":"Contribution of the Yugoslav Sokol organizations to the interwar sphere of music","authors":"Ivana Vesic","doi":"10.2298/muz2130107v","DOIUrl":"https://doi.org/10.2298/muz2130107v","url":null,"abstract":"In this article part of musical activities of two federal Sokol organizations (JSS and SSKJ) in interwar Yugoslavia will be thoroughly examined. Despite the fact that these organizations were primarily focused on development of gymnastics and certain individual sports, cultural advancement of its members as well as of Yugoslav population also occupied an important place, particularly in the 1930s. As a result of broadening of Sokol?s work, musical amateurism started to gain prominence in Sokol legions, societies and parishes (zupe). This was reflected in the proliferation of Sokol vocal and instrumental ensembles, as well as their performances in various Sokol units, both in urban and rural areas. The flourishing of musical activities among Sokols from different parts of the country led to the change of circumstances in the cultural sphere of these regions, particularly in the undeveloped ones. Among other things, this included giving an impetus to the preservation and popularization of tamburitza orchestras and epic singing to the accompaniment of the gusle, promotion of national and Slavic music repertoire and enrichment and diversification of musical life.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536478","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 2
The Three Seasons - Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ or: The anti-event, the avant-garde, and the beginning of Bulgaria’s new folklore wave 三个季节——布拉格之春、世界青年之夏和“索菲亚之秋”，或者:反事件、前卫和保加利亚新民俗浪潮的开始
IF 0.1
Muzikologija-Musicology Pub Date : 2021-01-01 DOI: 10.2298/muz2131049b
Patrick Becker-Naydenov
{"title":"The Three Seasons - Prague Spring, World Youth Summer, and ‘Sofia Autumn,’ or: The anti-event, the avant-garde, and the beginning of Bulgaria’s new folklore wave","authors":"Patrick Becker-Naydenov","doi":"10.2298/muz2131049b","DOIUrl":"https://doi.org/10.2298/muz2131049b","url":null,"abstract":"This article deals with the events of 1968 in Bulgarian musical culture. Departing from recent Bulgarian discourses that have emerged in the new millennium and often regard Bulgarian responses to the Prague Spring as nearly non-existing, a closer look at music and the arts reveals a more detailed picture. Here, ?1968? is especially interesting since it saw the beginning of a Bulgarian New Folklore Wave that challenged existing compositional models for adapting folk music. Furthermore, right before the military intervention in Czechoslovakia in August, the Bulgarian capital Sofia became a center of international attention for hosting the 9th World Festival of Youth and Students. Finally, a look at a series of infamous party meetings held at the Union of Bulgarian Composers in November 1968 reveals that unknown protagonists managed to destroy paper evidence that could have shed a better light at the events of this year.","PeriodicalId":30174,"journal":{"name":"Muzikologija-Musicology","volume":null,"pages":null},"PeriodicalIF":0.1,"publicationDate":"2021-01-01","publicationTypes":"Journal Article","fieldsOfStudy":null,"isOpenAccess":false,"openAccessPdf":"","citationCount":null,"resultStr":null,"platform":"Semanticscholar","paperid":"68536531","PeriodicalName":null,"FirstCategoryId":null,"ListUrlMain":null,"RegionNum":0,"RegionCategory":"","ArticlePicture":[],"TitleCN":null,"AbstractTextCN":null,"PMCID":"","EPubDate":null,"PubModel":null,"JCR":null,"JCRName":null,"Score":null,"Total":0}
引用次数: 0
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