Russian Dresden of the 1920s and 1930s: Profiles of musical, church and social life

IF 0.2 0 MUSIC
Svetlana Zvereva Georgievna
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引用次数: 0

Abstract

This article addresses the theme of Russian music in the German city of Dresden as it initially related to the virtuosi who had arrived from Russia. After the Revolution of 1917, the roles of Russian emigres, such as Issay Dobrowen, Sergei Rachmaninov, Sergei Jaroff with his Don Cossack Choir, Maria Chebotaryova-Vyrubova and others, grew in significance. On the strength of Russian emigre newspapers, archival documents, reference and research literature, individual events involving Russian music in this city during the inter-war years have been re-created and placed in a broad socio-cultural context.
1920年代和1930年代的俄国德累斯顿:音乐、教会和社会生活的侧面
这篇文章讨论了德国城市德累斯顿的俄罗斯音乐主题,因为它最初与来自俄罗斯的演奏家有关。1917年革命后,俄罗斯流亡者的角色变得越来越重要,如伊赛·多布朗、谢尔盖·拉赫玛尼诺夫、谢尔盖·雅洛夫和他的顿河哥萨克合唱团、玛丽亚·切波塔廖娃-维鲁波娃等人。在俄罗斯移民报纸、档案文件、参考文献和研究文献的力量下,在两次世界大战期间,这座城市涉及俄罗斯音乐的个别事件被重新创作,并置于广泛的社会文化背景中。
本文章由计算机程序翻译,如有差异,请以英文原文为准。
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来源期刊
CiteScore
0.20
自引率
0.00%
发文量
5
审稿时长
12 weeks
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